I recall picking up Toto’s first album and fell in love with it right away. Everything from the arrangements/progressions to the vocals were the kind of style that I would have really enjoyed playing. Too bad back then there wasn’t any musicians living in my home town who wanted to venture off in this musical direction, their loss. In my defense, I remember playing in my first band Deuce that played Toto’s Hold the Line at St. Bernard School way back in 1979?

I vividly recall playing the opening song called Duece, and Brian M singing the words “Get up and get the Hell on out of here!” The kicker is he was looking directly at this nun in the first row, that was way too funny! Way to go Ginchy!

My nephew and I were in a car traveling to my cousin’s house 2 years ago to do some landscaping and gardening, see I’m good at something else too as I said in my last e-mail. He pulled out this new Toto album called Toto’s Greatest Hits Silver Box set. The kid is the Data of the movie trivia and facts world. The guy is just amazing at what he knows about movies, it borderlines on scary actually. Check out his site, he’s working on it just to give you a head up.

The band had put just about the the whole first album on it! I was floored when we put in the stereo. The songs on this CD instantly brought back all those childhood memories, thanx again JC!

Now a days while taking the pooch out for a walk along the Danforth, I listen to this collection on the old iPOD. Over the past couple of hours the one song that gets me going the most called Endless. It’s originally on the Isolation album if anyone if interested. Everything about this one is outstanding, listen for yourself!

http://www.youtube.com/watch?v=HE63SN46AeA

Love ya Live!

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Anyways, have you heard of these guys before? In all honesty, I still run into some people of my age who have not.

The biggest thing that grabs my attention about the band is their distinctive sound. Not only vocally, way before Lindsey Buckingham showed up in 1975, but it’s after he joined the band when he brought with him his fantastic open tuning guitar style/sound and his unique vocals that drew me in.

I could always figure out anything that was thrown at me but I wasn’t completely satisfied with the Fleetwood Mac songs. I knew deep down inside that I was way off base here.

Open tuning was something I hadn’t heard of at the time so I had to struggle to reproduce a tune, nice try but … The greatest example of this struggle was a song called Never Going Back Again. I played this one in the first position G and D then migrating up the neck to around the 9th to 12th fret area. Some day I just have to start doing some tunes to show you what I mean.

http://www.youtube.com/watch?v=MHoxoXw6byM

Keep on Jammin’

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I ran into this situation a couple of minutes ago. I was watching a neat little video from a drummer name Gavin Harrison. It was a video from a concert that he performed titled Sound of Muzak, in which he and his huge drum kit are the only things on the stage. I must admit that I have never seen a video like this, so I had to watch it in it’s entirety.

http://www.youtube.com/watch?v=IzFfNk4xGTE

The video is not about a drummer performing inhuman drum solo over and over again, in what seems like eternity!

It shows us a guy who has perfect command of his drumming technique. Gavin’s style shows us that every one of his movements (rolls) are extremely fluid, flowing seamlessly from one drum to another. His drum kit in huge and the sound is just amazing! Now here is where I run into that old saying!

A old buddy of mine, Domenic, has shown us time and time again that he too exhibits these same musical skills as Gavin, but Domenic does so on a much smaller drum kit. He makes his modest gear sound like he is playing on a much larger one. Not that I’m bashing Gavin Harrison, not at all! It’s just that I think, most non musicians out there believe that you must have a lot of drums to produce a sound big. Now listen to by buddy to see what I am getting at.

http://www.youtube.com/watch?v=MgXnYew2YRE

So my question to you is does a bigger drum kit mean that you are a better drummer?

Keep on Jammin’

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When checking out Facebook to see what was up, I realized that a buddy of mine (Wilton Said) had some sort of new web site, actually it’s his newsletter, that I was unaware of so I visited it. The newsletter had been around for a while, man am I ever behind on the old computer, so I just had to search for some neat ideas from this great keyboardists!

The site is nice and sleek. Simple to navigate and of coarse full of great tunes from the band! Right now I’m listening over and over to a song that I believe, sums up the idea of the band. It’s called The Empty Sky part 1. Every time I hear it, this one song brings me back to the first time I saw Wilton and his band at the Nuance festival for the first time two years ago.

I came across this fantastic interview of Wilton on Bill’s Prog Blog that I enjoyed reading. It talks about Wilton’s humble beginnings, what he and his band are up to now and what’s to come in the future. If you’ve never heard of this band before or your just into music that will make you think, then your search is over! Enjoy everyone and your welcome!

Keep on Jammin’ Wilton Said

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The character development is fabulous, the feel to the show seems very honest but the best part of the show is hands down the music! The traditional New Orleans sound that they have there makes me want to sell the house and move on down to the promised musical land!

My wife and I were scrolling through our PVR guide a few months ago and came across a show about post Katrina New Orleans in the 7th Ward. We thought that it was going to be one of those cheesy shows with no substance or originality. When we first read the descriptions/info about the show, my first thought was that Treme was some bad documentary about the area and that it was not true to what really is going on there.

http://www.youtube.com/watch?v=RPVMxuoarbg

Even though I’ve never been there, watching Treme makes me curious about what it’s really like, this distinctive and historical American city. Has anyone out there been there before? If you watch this show and been there, are there similarities to both?

Keep on Jammin’

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The ones I like so far are Guitar Duet Stomp (3:35), The Wildcat (2:34)and Hong Kong Blues (3:10).

Guitar Duet Stomp is the style of guitar playing that I just can’t get enough of.

My best guitar teacher ever, Chris Peterson, introduced me to this enchanting style of playing. The emotions that overwhelms me with this classification of music, is indescribable. One’s fingers literally fly all over the fretboard. Not in that heavy/speed metal guitar styles that we have all become accustomed to, but in a more purer form.

The chord progressions are just heavenly. Really they are, check out this song for yourself and see what I mean. The tempo changes are a nice breather in the song. There is even a little bit of Leon Redbone in there as well.

The Wildcat also holds a similar musical torch to the above one. This time Jeff Healey brings in some hot fiddle player to play on this one. I’ve never had the privilege to play with one so I have a unique interest for this one. The fiddle player is running neck to neck with Jeff on The Wildcat and is playing in hurry! I enjoy the time and chordal change, some people fine this irritating so this is heads up to you folks. Ahhh, LOVE IT!

Last we have Hong Kong Blues. This is a fun but corny kind of song. It’s about a Memphis man that was arrested in Honk Kong. Do I need to say anymore? On this song it’s just Jeff playing acoustics’s on three or maybe more tracks. In the middle of this piece, he gives us this overly sappy part that makes one’s eye’s roll in a humorous way.

Does anyone out there have this CD? Love to hear back from ya.

Keep on Jammin’

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Jon Anderson will bring his melodic vocal tenure in a solo performance, to the same stage that he graced almost 2 years ago to the day.

The Danforth Music Hall is a great place to take in any show. I remember one time that one of my readers gave me a ticket to see Rick Wakeman play there a couple of years ago. It was after I was very sick and I guess the reader wanted to do a good deed at the time and there I was.

So if your a big Jon Anderson or Yes fan, try to get out and see the man with the golden tones! It will be worth the drive.

Keep on Jammin’

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She was influenced by early guitar playing that she was exposed to during her youth. Ah the old St. Pius elementary school days. Now a days she creates her own unique style from whatever comes into her head and performs mostly for personal enjoyment. If she likes it, she records it.

Her music is currently being showcased on a site called Reverb Nation.

I hope that you could listen to her music and tell us here what style of music you think she is playing!

Here’s what I think of some of the songs on Steelstring Safari’s current album:

• For Real is a nice catchy tune. I like the bass runs played on the keyboard. Very functional with a bit of airy feeling to it, nice!
• Another song, Faster, is a tune that is very dreamlike to me. She provides some light U2 overtones and the keyboards are not overstated at all. I never knew that she was into techno! I think it’s beautiful. The video that she has produced herself is very indie in nature and shows her true colours.
• In Time – Sounds like a classic song just waiting to happen! It creeps up on you without realizing it. I LOVE the acoustic guitar at the very beginning. It resembles the tone of my very first guitar, thanks for the flashback SusieQ! Very simple and straight forward. In Time has both a raw and full sound. Throughout the song they are married into a perfect union of the heart. I never knew Suzy-Qew was that good!
• Things Have Got To Change. At the beginning I thought that I was listening to a Scott Merritt album. I can’t exactly put my finger on it though. The way she creates this tune makes you sit back and take the whole song apart and that forces you to think about it, which is really what music is suppose to do. I LOVE the Portishead feel on the electric guitar. The background voice going through a mega phone effect is haunting as well. The guitar solo has that surf/garage band sound like a rough Trevor von Drat mixed in with yet again another Scott Merritt influence thrown in for good measure!
• I Miss You Friend – really good popish tune for sure! I’d like to see Susan Aglukark singing background on this, it would be very distinctive. Not that the band’s background vocals are anything to sneeze at;)
• Smile has that country feel to it. I’m not really into country except Waylon Jennings and his ilk. I honestly like it!
• Alone is one of those songs that you can’t help but get caught up in. It seems to come across as fabulous dinner music that everyone loves to listen to. I really LOVE that style that Suzy-Qew’s providing us here! Go Suzy-Qew go!

So check out her site and tell me what you think.

Keep on Jammin’

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I remember seeing these guys in the late 80′s at the old CNE bandstand and I’ll never forget it. We had concert seating which was like a free for all at the front of the stage. We brought a small blanket and some beverages, if memory serves me correctly. Our piece of the turf was center-right of the stage about 30 feet away.

The place was full of people sprawling out where ever they could with blankets, pick nick baskets full of food and wine. I was totally surprised to see little kids as young as 2-3 years running around everywhere! It had a nice small town fair feel to it.

The best part of that show for me was when they performed Scarborough Fair. For many year I’ve attempted to play this song and it turned out fine but this was the time to see it done right!

Before the song began, I noticed Paul Simon was practicing the beginning of it, so I asked this guy beside us if I could use his binoculars. I watched every single movement of his fingers and I found out that I was doing it ok except for a few parts. When I got home all I did was play the hell out of that song and I finally have it perfect!

So that was my favorite part of the show. Does anyone out there have a neat Simon and Garfunkel moment that they’d like to share with the rest of us?

Keep on Jammin’

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After attempting to reproduce as much as I could all my buddies were lining up for lessons! The learning curve was not that bad for most of my buddies but at times I must admit it was frustrating! During this period I was playing in this band called Deuce with Brian McGlinchy and Eddie Cudek from Gemini. We attempted 2112 and in the bands eye’s it was perfect, as for me well…

Then I joined a band with the great keyboardist Tony F. and guitarist Mike Vantresca? We didn’t have a name but we sure sounded fantastic! I recall trying to play 2112 and with Tony’s magical keyboard sounded quite better then Deuce, sorry guys.

Then after leaving Pylis, I was playing with Domenic Nardone, Eddie Steel and Jon Penrose. I must admit Domenic was outstanding on this tune! It was like Dom was born to play anything that Neil Peart could do.

So I hope that you all enjoy vintage RUSH performing 2112 and I know I’ll be thinking of Domenic on drums whenever I listen to it!

Keep on Jammin’

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