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I just came back from Dominic Troiano’s house – his old one that is

September 30, 2007 by Chris

I had tried in vain to locate exactly which house the Legendary Canadian guitarist, Dominic Troiano, lived in ever since my neighbour’s son had told me. I kept asking him if he could remember and he kept saying that he’ll someday soon he’ll go around there to try and jog his memory. I’m still waiting on that one Johnny.

A fellow employee in the hospital that I work with was a great friend to my neighbour’s son John. He too also said that he remembers his brother Dominic trying to play guitar. He had told me that they hung around Domenic’s brother and played cards with him for when they were young. I had met him at work one day after John had told me about our previous neighbour and asked him the same question. He had gave me the same response that John gave me.

I, being the very introverted person that I am, talked to everyone in the area that looked liked they lived here for ages. With the same question that I had for John and his buddy in hand, I obtained the same answer over and over again.

Now 5 years later, I stumbled upon the answer on line by chance. My jaw dropped, I grabbed my wife’s Canon camera and got in the car. In case your wondering I took the car because I didn’t want to be seen taking a picture of someone’s in secret. The owners may have thought that I was casing the joint!

Now I’m finally in front of the ex-home of Mr. Troiano. Like a kid at Christmas, I get out of the car and just stare at it. I just can’t believe that I’m there.

dominictrianox400.jpg

He lived at the house on the right hand side of the picture. This is the type of home that is quite common in our area. It’s a semi-detached white house with brown trim. Small front yard with a small parking pad but just knowing that he lived and grew up here made it fell bigger then what it was.

In the front yard there was a middle aged man with his little dog talking to a neighbour. The man looked like a jazz musician and approachable. So what the heck, I might as well get out of the car and talk to the guy.

It turns out that he really is a jazz musician and very well aware of the history of the home. He told me that he has even approached the Troiano family through e-mail to see if they wanted to re-visit their own home! Now that’s a real gentleman.

He said that the home has not been renovated that much and that the feel of the home was almost the same as when he got it. He also told me that he bought it from the Troiano’s. The molding floor and ceiling was original and so was the front door.

After talking for a while, I asked him if I could take some pic’s for this post and he said yes. The thing that got my attention the most was the door. Imagining Dominic going up to that door and opening it sent goose bumps all over me, wow!

So now I know a little bit more about the history of our great neighbourhood and can share it with you all.

Mr Dominic Troiano R.I.P.

Keep on Jammin’




Filed Under: Canadian, Musicians Tagged With: 356 Sammon Ave, Canadian, Canadian Rock and roll hall of fame, Dom Triano, domenic troiano, Dominic Triano Canadian Rock Jazz Guitarist, East york, family, guitarist, Home, house, I Can Hear You Calling, jazz, Joe walsh, Live, Mandala, Music, musician, picture, play guitar, Prakash John, Robbie Robertson, secret, the band Bush, the Guess Who

Guitar side ports

September 28, 2007 by Chris

guitarsideport1.jpg The one thing that I see in the evolution of the acoustic guitar today is its link with the past from Canada’s own, Glenn Gould.

He used a unique approach while playing in his later years, around 1983, when he took away part of the piano body to let the sound come out of the instrument in a unorthodox way.

First of all, the guy was way ahead of his time. What he did was to remove the wooden cover section that is used to cover the piano keys. He removed this part entirely. He would also close the piano lid on his concert piano, allowing the sound to be sent through the missing cover section of the piano.

This allowed him to hear the subtle tones while playing his music.

This was best shown in his 1980’s work of the gloomy nature of life. The slowness of some of his canon’s reflect the need for this type of sound exposure that the musician needs to fully understand what the audience hears, but as a very unique approach.

Second of all, the guy went to places that no one probably ever thought of venturing. I wonder if the person who thought of the guitar side ports ever watched Glenn Gould Hereafter? If he did, I bet this is where he may have got the idea, but then again I could be dead wrong.

darksideport.jpg

I have been toying around with the idea of putting in a new state of the art pick up system in my Larrivee. The system is called the LR Baggs iMIX. It captures a lot of the character in my guitar with an active response to it. That means that the pickups pick up the aggressive or passive playing of the strings on the guitar.

Now in order to place it in there, I must have it installed inside the body above the sound hole, closest to my face. That’s fine with me. The next question is what in the world do I do with the hole that the factory installed system sat in? It would look mighty funny just viewing a rectangular opening right there in my face. Do I just leave it there or what should I do with it? Here is my best option, I think.

I have always wanted both of my acoustic guitars to have pick ups so I can have a back-up on stage. So why not put my old pick up from the Larrivee into my old Aspen acoustic guitar. Perfect, I think? Unfortunately if I do this I will have this opening on the side of the body near my chest where the old system was. It would look so odd and out of place that I would be reluctant to let anyone look at my guitar. So while talking about my problem with the guitar tech at the 12th fret, he gave me this fabulous idea of the side port!

lightsideport.jpg

They could change the look of the old hole and create a fancy looking design in it’s place!

This will allow a small portion of the sound to come up directly to me acting like another sound hole or a monitor if you will. This will not effect the tonal qualities of my baby I have been told. The tech had one in this part of the workshop that he made and let me try it out. Not only did it look very cool and original, but it was nice to have some sound coming from a part of the guitar that I have never heard it coming from in the past.

Now all I have to do is convince my wife about this one, wish me and my Larrivee luck will you all?

Keep on Jammin’

Filed Under: Glenn Gould, Guitar Equipment, Guitar Maintenance, Guitars, History, Musicians, My Equipment Tagged With: 12th Fret, Acoustic, acoustic guitar, Canada, concert, fret, Glenn Gould, guitars, hole in guitar, instrument, Larrivee, LR Baggs IMIX, Music, musician, pick ups, play, playing, remove pickups, side ports, sound, strings

Mr. James Morrison is Dead

September 24, 2007 by Chris

I was just reading an interesting article in our Maclean’s Magazine today called “Jim’s Fireman“. It was in the Aug. 13th/07 edition.

17ruebeautreillis.jpg It talks about the fire chief who arrived at 17 rue Beautreillis in the Marais district of Paris on July 3rd, 1971, who pronounced “Mr. James Morrison Dead”. Now that’s just not your average statement.

The article lightly talks about the call that was dispatched to him, what happened after it and how it still effects his life to this day.

jm.jpg So go check it out and tell me what you think of it. It’s not earth shattering, but it brings a different slant on what happened that day to the “Lizardman”.

Keep on Jammin’

Filed Under: Entertainment, Musicians, Recreation Tagged With: 17 rue Beautreillis, 17 rue Beautreillis in the Marais district of Paris, 1971, dead, death, Jim Morrison, July 3rd, macleans, Mr. James Morrison is Dead, the doors

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