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Trends in Music: The Future of Instruments

November 2, 2012 by Chris

Musical instruments have always had one foot in the past and the other in the tech trends of the future. The digital world, arriving in force in the 2000s, had given us entirely new genres of electronica. But the world is always changing, so get ready for even more musical experimentation in the coming decade. Here are a few glimpses into the future of instruments and the newest musical arts:

 Making Movement into Music: Using apps to plot out notes is last year’s news. Now garage developers and tech companies have more ambitious projects – like turning body movement into music. No surprise, these programs typically use the Microsoft Kinect to produce sounds based on gesture and movement. Think of conducting, but as a way to play music instead of leading it. There is no “official” Kinect program for creating music with your hands, but some of the hacks are serious business, like the project created by Australian composer Chris Vik, which he played at the Melbourne Town Hall. Vik’s program uses an electric interface to play real notes on an ancient organ in accordance with movement picked up by the motion-sensing camera. If it works for an organ, what else could it work with? Expect body-music to pick up steam as people use increasingly elaborate sensors and MIDI devices translate movement into tunes…sometimes with lasers.

Even More Synthetic Materials: Two separate trends are driving synthetic materials in musical instruments. First, the destruction of key forests such as Brazilian rosewood are making the best-sounding woods incredibly expensive to manufacture. While sustainability practices are countering the problem, most manufacturers are devoting more energy to cheaper synthetic materials that have more attraction on the market. The second trend is the development of synthetics themselves – they are getting cheaper and stronger. Nanotechnology and customized manufacturing are creating new possibilities for replacing traditional varnishes or woods with future materials…if manufacturers can get the sound just right.

Combining Synth and Strings: The partnership between digital sound and old-fashioned harmonics is destined to grow ever closer as inventors and researches continue to experiment. While some inventions are a little weird, others are entrancingly practical. Check out the latest synthesizer violin, designed to pick up bow movements with embedded sensors and transform them into digital sounds spanning dozens of instruments (there’s also a video camera, for some reason). If synth violins are becoming this advanced, you can bet that violas will join before long.

Fingerplay: The 2010s are the years of the touchscreen, no doubt about it. We have already seen the rise of iPhone and iPad apps for creating your own music, from child-friendly games to more advanced MIDI interfaces. But don’t expect the trend to stop there. Before long we will see a surge in popular for all digital/traditional instruments you can play with a few taps of the fingers. Dedicated touchscreens and touchboards are already under development or out. New fusion instruments like the HAPI drum are marketing themselves based on a finger-friendly feel. The age of the touch is upon us, so start practicing those delicate tapping motions!

Public Involvement: Can musical instruments be public? Does that even make sense? Some cities are trying nonetheless, especially when it comes to new park projects. If you think you have seen everything, look at the hydraulophones and poseidophones some towns are experimenting with. These are part sculptures, part water features, and part musical instruments. Anyone walking by can play them by blocking the right rivulets of water on a hot summer day…although it takes an expert to turn out a water-sculpture melody. Some cities are getting rid of the human element altogether and creating sea organs that the tides can play. Will architects and landscapers start putting nature instruments everywhere? Apparently all you need is a little wind or water.

Justin Miller is a professional blogger that writes for Jamplay.com. JamPlay is a leading online music educator offering 2,000+ beginning guitar lessons in HD.

 




Filed Under: Instruments, Music Tagged With: digital, electronica, experimentation, fingerplay, gestures, harmonics, instruments, kinect, midi device, music trends, sound, strings, synth, synthetic, Tech

5 Famous People And Their Guitars

November 1, 2012 by Chris

You’ve heard of B.B. King and may have heard of Jimi Hendrix, among two of the greatest guitarists of all time. King still loves to strum the blues on his Gibson guitars and Hendrix was a psychedelic rock artist who thumbed his Fender Stratocaster in ways that few have ever come close to matching. Both men have contributed much to contemporary music, turning their gifts for guitar playing into an art form.   Besides King and Hendrix there have been others that have played a significant part in transforming the art of guitar playing including the following individuals.

1. Steve Vai — Starting off as a transcriptionist for Frank Zappa, Steve Vai soon made a name for himself as a member of the David Lee Roth band. At 20, Vai was strumming with Zappa and by 25 he was with Roth. His top guitar choices are the Ibanez JEM and Ibanez Universe in addition to a Tom Anderson Drop Top Classic. He also uses exotic guitars and sometimes plays a heart-shaped triple-neck model. Vai is recognized for his understanding of music theory. He is further appreciated by students of the Berklee College of Music with whom he shares his techniques online.

2. Slash — Born Saul Hudson, Slash is a musician and guitarist who came to fame playing for Guns N’ Roses and was later part of Velvet Revolver before embarking on a solo career.  His instruments of choice include a Gibson Les Paul, a B.C. Rich Mockingbird and a Gibson EDS-1275, just three of more than 100 guitars that he owns. In 2008 Slash embarked on a solo career, what he had touched on at earlier times in his life when he jammed for Michael Jackson, the Yardbirds and Paulina Rubio among others.

3. Les Paul — Born Lester William Polsfuss, Les Paul was an American guitarist with a penchant for blues, country and jazz music. He was also a songwriter and inventor. Paul is credited with making rock and roll possible by inventing the solid-body electric guitar, and was also innovative in sound experimentation. The Gibson Les Paul was first sold in 1952 and was designed in collaboration with Ted McCarty. Among the musicians that have played a Les Paul are Eric Clapton, Steve Jones, Sammy Hagar, Billie Joe Armstrong, Peter Frampton and Jeff Beck.

4. David Gilmour — He was brought on the fifth and last musician for Pink Floyd, but last certainly did not meant least in David Gilmour. The English rocker has been credited with shaping Pink Floyd’s ethereal sound, pouring emotion into his guitar that few have ever matched. Gilmour is nearly always seen with a black Fender Stratocaster, but he also plays a red model and a Fender Telecaster.

5. Tom Morello — Not every guitarist seeks to sound like a guitar player or at least not all the time. Tom Morello, inspired by LED Zeppelin and a guitarist with Rage Against the Machine, counts his custom “Arm the Homeless” guitar as his favorite. This guitar is outfitted with a Kramer neck and a custom performance body to produce truly unique sounds. Morello also is fond of Fender Stratocaster, Fender Telecaster, an Ibanez classical acoustic and a Gibson Les Paul.

Claim to Fame   Besides Steve Vai, Slash, Les Paul, David Gilmour and Tom Morello, there are dozens of other guitarists that have had a larger than life influence through their work. Jimmy Page, Carlos Santana, Phil Keaggy, Keith Richards and Brian May are a few that come to mind.    Step back in the 1950s and Chuck Berry, Carl Perkins and Bod Diddley must be recalled. In the 1960s, it was Pete Townshend, George Harrison, Jeff Beck along with Hendrix, Clapton and Richards. By the 1970s, Gilmour, Santana and Duane Allman rose to fame and were later joined by Randy Rhoades, Vito Bratta, Buckethead and a host of other strummers.    Ask any budding guitarist whom they admire most and one or more of these names will likely be mentioned. Down through the years inspiration has been handed off, with a new contingent of guitar artists certain to dominate in the 21st century.

Justin Miller is a professional blogger that writes for Jamplay.com. JamPlay is a leading online music educator offering 2,000+ online guitar lesson videos in HD.

Filed Under: Culture, Entertainment, Guitars, Music, Rock History Tagged With: B.B. King, billie joe armstrong, brian may, classics, david Gilmour, david lee roth, electric guitar, eric clapton, famous people, fender stratocaster, Frank Zappa, gibson guitar, gibson les paul, guitars, guns n roses, jeff beck, Jimi Hendrix, Jimmy Page, Keith Richards, Led Zeppelin, les paul, Peter Frampton, pink floyd, rock, sammy hagar, Santana, slash, steve jones, steve vai, tom morello, velvet revolver, yardbirds, zappa

5 Bands Who Squandered Their Label Advances

October 31, 2012 by Chris

Imagine this scenario. You’re nineteen, fresh out of school, you’re in a band that everybody loves, and suddenly a record label notices you and comes at you with an offer you can’t refuse; record an album on their label and they’ll front you half a million pounds to do it.

This is known as an ‘advance’. An advance is typically handed out from a record label to one of their signed bands in order to record an album, for the fees which can be built up from studio time, promotion, instruments (and so forth) can be pretty costly. However as good as the advance may seem to the outsider, it sometimes can be a band’s demise; on occasion leading to a swift exit from the music industry. This is because as you might well imagine, rockstar’s would rather spend their lovely little packet dining in the Ritz, hotel rooms or fuelling their addictions (whatever they may be…). As proof of this seemingly wild accusation, here are five bands who definitely squandered their label advances.

Sleep

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Sleep had a lot of potential for a heavy metal/rock band. After their release ‘Holy Mountain’ on Earache records, they attracted the attention of many labels including Elektra and London (who Rolling Stones had also been signed on). London gave them an offer they couldn’t refuse in 1992 – full artistic control and a six-figure advance. Rumour has it that sleep spent their advance on two things; vintage tube amps and a bucket-load of marijuana. Given that the band estimates they spent $75,000 on tube amps – speculation has in that they spent pretty much the remaining figure on the finest spliffs that money could buy. All in all the album was dropped and wasn’t even released by the label; could be the fact that it featured just one song being an hour long psychedelic guitar solo.

Happy Mondays

image source

Yes Please! Was the terrible last album that the critically acclaimed Happy Mondays made, under the label ‘Factory’. The most famous thing about this album was that it was so costly to produce, it drove Factory into bankruptcy. Why did it cost so much? Well, the Happy Mondays wanted to record in Barbados of all places with their families present. Not only that, but the Happy Mondays had a penchant for taking a plethora of drugs; especially when they teamed up with their mate Mick Jagger who was staying nearby.

Royal Trux

image source

Royal Trux were an alternative rock band straight out of the late eighties, started up by Neil Haggerty and Jennifer Herrema. Due to a growing interest from labels in underground grunge music; after their second album Royal Trux were picked up by Virgin. Virgin offered them a $3,000 advance to record a third album; which Royal Trux proceeded to blow it all on heroin.

My Bloody Valentine

image source

Irish alt rock band My Bloody Valentine were signed to Island records in 1992, and were given £250,000 to record a belter of an album (they had been given the same amount of money by label Creation to make their second). Whilst the second one was critically acclaimed by many people, the third did not do so well. My Bloody Valentine took the £250,000 and put it all into making their own studio in Streatham – which was riddled with problems. The third album was never released by Island due to lack on any decent material… and My Bloody Valentine went into a band ‘meltdown’.

Warrant

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With all of this in mind, record labels these days have wised up to the cheeky antics of music stars; combining their advance with their own pay packet. This serves as an incentive not to blow it all – because they are eating out of their own pocket at the end of the day! However, truth be told it probably doesn’t stop some rocking musicians still…

Author: This list was put together by Alfie Davenport who works for DV247, suppliers of Fender guitars.

Filed Under: Music, Rock History Tagged With: advance, advances, alternative Rock, band, bands, elektra, fame, grunge, happy monday, heavy metal, island records, label, my bloody valentine, record album, record label, royal trux, sleep, squandered, studio, warrant, young

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