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The Four Freshmen

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The Four Freshmen is a group of singers that were formed in the 1950’s. Their improvisational, free flowing form of singing was revolutionary to the main stream music scene of their era.

They helped influence so many a great band that I thought that I would pay them homage on this site!

I was talking to an older man the other day and during our conversation, he mentioned this band. He told me that if I liked the vocal structure of the early Manhattan Transfer or the Beach Boy’s, then I should at least familiarize myself with them to help me in my continuing musical evolution. Ok then, I will take him up on it. Boy that old guy knows his music!

The Four Freshman were not your typical barbershop quartet! Their style of singing was so tightly intertwined that it was just plain genius, then comes revolutionary! They took the old saying of milking something for all it’s worth to an entirely different level.

You can see their direct influence on this one song that the Beach Boys play, but I can’t for the life of me remember it right now! Ahhhh! The song was a slow tempo and A Capella at first, but the vocal chord structure and tonal quality just makes my knees buckle every time I hear it! It’s one of those songs that can change your life, musically speaking. Yes I’ve tried Google/Youtube thank you!

See can see the Four Freshmen’s singing technique in Manhattan Transfer sound as well. I was first exposed to Manhattan Transfer by my old singing teacher at SJC in my home town of Brantford. The way that they could jump from one style to another in a heart beat was amazing! The sound dynamics from PPP right on up to FFF can hit you like a fast moving train. Their songwriting ability creates a song that will stick in your head for hours after hearing it for the very first time. They seemed to do this quite effortlessly … and they got this from the Four Freshmen without a doubt.

The Four Freshmen pioneered a revolutionary new style of close-harmony vocals that set the stage for bands like the Beach Boys, Spanky & Our Gang, the Hi-Lo’s, the Manhattan Transfer and countless others

So now go out there and check out the Four Freshmen for yourself and see if my way of thinking about these guys are right or not. Please write back because I’d love to hear you views. Oh ya, plus your get bonus points for helping me figure out that one Beach Boys song … I hate when that happens, especially in public ahhhhhhhhhh!

Keep on Jammin’




Songs Of David Byrne and Brian Eno Tour Live at Massey Hall

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David Byrne appeared in concert at Toronto’s Massey Hall on October 30, 2008 in his “Songs Of David Byrne and Brian Eno Tour”. The concert was in honour of the duo’s first album in 27 years, Everything That Happens Will Happen Today (in stores Nov. 25), and brought seven musicians (some who danced) and three dancers (some who played instruments) along with him.

My old high school friend Carl Wilson, a writer for the Globe and Mail did a review of the show!

He is a music critic for the Globe and Mail, Slate and other media outlets in Toronto. If you ever get the opportunity to meet Carl, maybe while taking in a show that he is writing about somewhere, ask him what he thought about a song we did together live called “Peanut Butter”!

His article was the only reference that led me to this show. I think his piece in the Globe and Mail described it rather nicely!

David Byrne (Talking Heads), is just fantastic to listen to, especially live! Life During War Time as well as Psycho Killer on Stop Making Sense, is David at his musical best. I LOVE playing Life During War Time on acoustic guitar for my brother, I mainly play what the keyboardist is doing, maybe that’s why so many guitar players are looking at me strangely when I play this with them.

Brian Eno (Roxy Music) simply needs no introduction. Everything he touches turns to musical gold! What else can you say about the guy! Same Old Scene, from Flesh and Blood is the one masterpiece that needs to played at 11 on your volume control! Thanks Ken, Allan and Tony and lets not forget Tim M., for bringing him to my attention, oh about 30 years ago!

I’ve never seen either one of these guys live, that’s my loss. So who out there has seen these troubadour’s live? Are they worth the price of admission?

Keep on Jammin’

Moog Taurus Pedal

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The Moog Taurus pedal is an analog synthesizer that is played with your feet. It helps fill out the song your playing with that real church pipe organ/deep base register sound. The best example of this sound is when The Police used this pedal at the beginning of Don’t stand so close to me. This ancient, blast for the past, is precisely what your looking for, if you want that little extra something for your sound!

If you’ve ever seen a church organ up close or in pictures, then you may have a better idea of what this instrument looks like. Hey, if you ever went to someone’s home and they had one of those ‘ol cheezy home organs, then you’d have a good idea as well! The Moog Taurus pedal looks exactly like the pedals at the bottom of these organs. You play it with you feet!

The Moog Taurus Pedal has been around for ages. Bands that have or had them in their musical arsenal are bands like RUSH, YES, Pink Floyd, the Police and many other rock, fusion and metal performers from yesterday, right up to the present day scene!

The thing that got me thinking of this was while playing with CounterPoint the other night. Chris Noto, the best bass player that I have ever had the privilege of playing with, brought it up while taking a break. He said his brother has one and that he’d love to get it from him if he could, and believe you me, this guy REALLY knows what he is talking about. The way this guy plays the bass, if he had one of these things, it would sound like he is playing 3 instruments at once! Just imagine what it could do with your sound.

So check out the links on this page and learn for yourself what this could do for your band’s sound.

Keep on Jammin’

Electric Hendrix Vodka

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There is a new tribute to the greatest guitar player of our time Mr. Jimi Hendrix. The tribute is called Electric Hendrix Vodka. The story now is taking a turn for the worst, just like the unfortunate one that it was named for.

A company, with the help of the House of Hendrix, started to pay homage to the great Jimi, with out thinking about one very important thing … they forgot to tell Experience Hendrix, the company that runs Hendrix’s estate what they were doing. Now, according to a local radio station Q-107, the product is being pulled from shelves due to licensing issues.

I’ve been searching online for a while now and there isn’t a straight forward answer as to what the reason was that brought on this ruling. The only thing I found was something about the family being broken into 2 camps. They seem to be fighting for whatever piece of the pie they can get? One big happy dysfunctional family I guess? If you can shed some more light on this one for us then please bring us into the loop! I for one can’t follow the bouncing ball.

Here is an overview, in point form, of how it started nice, then somewhere along the way it turned ugly

  • 2005 – Craig Dieffenbach begins Electric Hendrix LLC with the blessing and involvement of the Jimi Hendrix family.
    – Owners of Parent Co. Electric Hendrix LLC include Jimi’s brother Leon Hendrix, Joe Hendrix and other friends and family members of Jimi Hendrix.
  • 2006 – (January) Electric Hendrix LLC rescues, moves and begins renovation of the childhood home of Jimi Hendrix. Electric Hendrix LLC also assisted in securing a new marker for the grave of Jimi’s mother, Lucille Hendrix
  • Present – reps for the “Hendrix Experience” the organization that manages the Hendrix estate won a court battle against the makers of Electric Hendrix vodka. One of the company’s owners was Leon Hendrix, Jimi’s brother, and the head of Experience Hendrix is Janie Hendrix, Jimi’s step-sister.
    (from Michael Stone-AudioPros)

So why can’t we just get along? Here’s an idea, lets have a drink!

Keep on Jammin’

Rebel Wheel at Nuance 2008

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Rebel Wheel at this years Nuance 2008 was like the icing on a perfectly made musical cake! Once again, real nice line up there Wilton!

This Ottawa band played with so much feel and expression that night. Their sound was great and their approach to music showed a level of writing that I have not seen in many years. If they keep this up, then this will not be the last that we see/hear from these guys! Watch out for them.

Their on stage presence is that of a bunch of fun loving friends that are just jammin’ in a hall, and you just happen to be there at that point in time! They first gave me the impression of a Bare Naked Lady that meets a Jazz fusion band. I think that the BNL’s are the most entertaining band to see live!After a short period of time, I soon realized that there was much more to them then meets the ears. It honestly looked like Rebel Wheel was having a blast!

The true leader of the band is David Campbell. I loved some of the Steve Howe influences that he used in Tempra, but more on that stuff later! His approach to the guitar is wild! It was enthusiastic and intriguing to watch him jam. Aaron Clark, the drummer of the band and the guy I bought a shot of that black ouzo for, was funny … but he certainly is the back bone of the sound.

Gary Lauzon is the bass player of the band. He also had the best playing stance of anyone that played there that night … he was sitting down in a chair the whole show. Ah, Leon Redbone, I get it! Don’t get me wrong, the man was re-inventing how the direction of bass playing maybe going towards! His technique with his hammer on’s where something to behold. Very neat way to play the bass!

Now last but not least, there is Angie MacIvor. Who wouldn’t want a player like her in your band. Her sax, voice and keys were nice touches everywhere she put them into a tune. Not over powering at times, but intense when you really needed it! She added that Shuffle Demons feel to them, that night, LOVED IT!!!

So I have to give the Rebel Wheel band a 2 thumbs up! Now, go and check out their site for dates in your area and see for yourself … they are worth the drive.

Rebel Wheel, Keep on Jammin’

Wilton Said from Nuance 2008

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Wilton Said is a band that makes you think about what is being said and played. Showing fascinating musical and lyrical form, Wilton Said is unlike any other act that I have ever seen, honestly. He calls his form of music Art Rock, and that maybe the best way to envision the true essence of this great Toronto act.

He was the 3rd act of the night and wow, I just sat back and stopped writing down notes. He is really something to watch on stage. It’s not what you can see and hear, it is everything else that he is projecting to the audience. It’s really freaky … in a VERY GOOD way that is.

Here is a bit of his bio from the Nuance nights program

Wilton Said…

Toronto indie artist Wilton Said… likes to write lyrical topics which explore the places others may find uncomfortable. This can range from the homicidal school shootings in “No Other Way” off of 1999’s release “World up my Ass”, the ode to the oversexed pearl necklace stalker in “All for You” off of 2001’s release “Broken”, through to the public washroom romp in “What I’ve Seen” off of 2004’s ” The Butterfly Plague”. His last release titled “The View” (2006) takes a look at topics that we can all relate to but don’t necessarily want to. The struggle to find an identity so we may fit in as heard in “Pretty”. The lust for control and domination to soothe our own weaknesses in “A Family Affair”.

The struggles with addictions and deceit brought to light in “Merry go Round”. “The Empty Sky” with it’s theme of coming to terms with hopeless situations.

Musically, WILTON SAID…’s style can be referenced back to his experiences of classic art rock
artists such as Kate Bush, Queen, Peter Gabriel, Supertramp, and (older) Genesis.
Other inspired contributions range from A Perfect Circle with their release “13 Steps”, David Bowies release “Heathen” and Radiohead’s “O.K. Computer”.

All have added inspiration to the rich eclectic texture of his music and to his strong baritone vocals.
While Wilton’s past studio and live experiences has had an assortment of musicians backing him up, his
current and most stable line up consists of the textural stylings of Guitarist Chris Reid, the groove and grounded Bass playing of Frank Heisler, and the subtle yet intricate Drumming of Richard Rizzo.

WILTON SAID…, who holds a Degree in Musical Composition from York University, has been performing in the G.T.A. promoting his various CD’s through live shows and interviews. For more information
regarding future shows and events, please visit the website listed below.

http://www.wiltonsaid.com

So there you go! Now, go out and check out this intriguing Toronto artist.

Keep on Jammin’ Wilton Said

CounterPoint at the Nuance 2008 show

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CounterPoint is the kind of band that you DO NOT want to miss seeing live at least once in your life. These guys are just that good.

I read their bio’s from the evenings program and it was so nicely done that I have decided to show you all what was in it.

Member Biographies taken from the Nuance 2008 program:

Rick Kazmirchuk, Keyboards & Backing Vocals.

In February of 2008 he went out on my own to start the CounterPoint project as I wanted to write a more aggressive style of progressive rock. I needed to find players with a high level of musicianship to pull this off which I am happy to say has been accomplished with Jeff Morrison handling vocal duties, Chris Noto on bass and Joe Pawslowski on drums.

Joined my first band (Purple Haze) at 15 playing cover material and some original. Worked with numerous original bands over the years (Meshiana Wish, The Wish, Spinal Tramp, Media, NRG) still writing and performing original material and playing more cover material that was progressive-oriented along the lines of SAGA and Genesis and played in a SAGA clone band in the early 1980’s.

In 1986 I joined CERAFIM and was the major contributor and influence to the writing of the band’s
music in the styles of progressive and contemporary rock. CERAFIM went on to record 4 well received CD’s and is still musically active through Internet radio stations and is distributed internationally by a number of independent record labels.

In January of 2005 I ventured into a new musical partnership as keyboardist with the Canadian original progressive rock band THE LAST PLACID DAYS OF PLENTY.

Chris Noto, Bass guitar

Chris has been playing bass guitar since 1972 and has been surrounded by music as far back as he can remember as his father Sam Noto is one of the best jazz trumpet players in the world.

Chris brings a unique style of bass to the band, a cross between prog rock greats such as Chris Squire (YES) and Greg Lake (ELP) as well as a be bop jazz influence from his father. Chris grew up in Las Vegas, Nevada and moved to Toronto in 1975 and has been here off and on ever since.

Chris opened for the band Mountain in Las Vegas when he was a mere 21 years old. He has played with keyboardist Rick Kazmirchuk in NRG, CERAFIM and a brief stint with the Last Placid Days of Plenty before teaming up with Rick as bassist for the CounterPoint project.

Joe Pawlowski, Drums & Percussion

I’ve been playing drums for almost 30 years. My main influences are Gene Krupa, John Bonham, Carl
Palmer, Billy Cobham, Bill Bruford, Neil Peart and Mike Portnoy. I have been in a variety of different bands, from Rock, Jazz and Progressive.

I plan to give you a blow by blow description of their show in upcoming posts in the future. Stay tuned for more … I promise it will be more then worth the wait!

CounterPoint, Keep on Jammin’

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