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Toto – the early stuff I mean

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As you are more then well aware I am a huge lover of Prog Rock or you could even say challenging music to play!

Prog Rock is better known as Progressive Rock. Examples of this is YES (the four-part “Close to the Edge” or “The Gates of Delirium” from the Relayer Album), RUSH six-part “Hemispheres”, Klattu, early Genesis, Jethro Tull or Saga. If you think that just listening to this style is enjoyable then you you should try playing it live!

Of coarse there are always bands that I strongly feel that should have placed in there but have not for some reason or another. The one band that comes to mind is Toto, SOME of their earlier stuff that is.

albumcovers-toto1978.jpgTheir first album Toto, is the greatest one that they have put out and the only vinyl one of theirs that I have ever bought. As a matter of fact, I just bought CD version on-line a couple of minutes ago. This album really brings back memories of the my early years of playing rock guitar/music.

I had just been let go by Phylis and I was a little bit bummed out to say the least. I had just found out only last year by the keyboardist Tony, still a great friend to this day, that my parents were quite worried about my playing with them on the road in bars. I think they believed that I might be influenced by the rock & roll life style that accompanied being on the road at such a tender age of 15.

Anyways, during this period I was desperately trying to get out of my funk and at the time was desperately looking for another musical genre to put under my belt. This band had it all.

They were challenging to play live, a bit jazzy and a little bit of pop to round it out. Yes I did say pop. My great wife Tricia has always thought of me as a player who was a rocker at heart but for some reason loved pop music. She always has that look on her face when I play some great rock tunes only to be followed by some popish sounding stuff.

I fell in love with Child’s Anthem as well as Girl Goodbye because they have that Prog Rock like progressions to them.

I found I’ll Supply The Love, Georgy Porgy and You Are The Flower to have this Earth Wind and Fire feel to it. “Taking it back” has influences of Gino Vannelli’s Brother to Brother album, I also happen to know the brother of the drummer on this particular album.

So I hope that this post helps you better understand my childhood influences that I had growing up and the styles that has helped my playing of today.

Keep on Jammin’




More on my 1959 Fender Duo Sonic

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This baby was first introduced to us in mid 1956, the original Duosonic (two pickups) were Fender’s 3/4 size, student model, 22.5″ short scale beginners guitars.

With the switch in the middle position, the two pickups are in series, giving a humbucking pickup type sound. These short scale student models were made to the same high quality standards and materials that Fender used for its more expensive models. For this reason, Duo-Sonics are very well made.

In late 1964 both models moved to second generation, coinciding with the introduction of the Mustang. A buddy of mind, Serge Roy of Brantford has one of these puppies! The “II” designation was then added to the DuoSonic and MusicMaster names. These models are more like the Mustang (except the Mustang has a vibrato), than the original DuoSonic/MusicMaster models. The differences in the new generation were in the body shape, pickguard, and electronics.

It was available with either a 22.5″ or 24″ scale, but is most often found with the longer scale. The 24″ scale Duo-Sonic II, Musicmaster II, and Mustang of the September 1965 to October 1966 period are sometimes found with a slab rosewood fingerboard, usually of Indian rosewood.

Some Fender experts today speculate that the slab board necks were leftovers from 1962 Jaguars. Don’t tell Serge about this one,ok?

No matter what is said about this vintage instrument the only thing that matters is how it plays and sounds. I am truly blessed by having this little gem of a guitar and I know that. If you ever get the opportunity to play a 1959 Fender Duo Sonic you will know what I mean and remember this post!

Keep on Jammin’

Tremolo Bars

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Has anyone ever wondered what the tremolo setup in their guitars look like, but was too afraid to take it apart. I’ve never had a guitar with a tremolo bar but my buddy did and one day he decided to show me.

My buddy in Brantford was a collector of guitars. He was rather talented, but was more into collecting them, then playing them. Nice hobby if you can afford it. I was very fortunate one evening to see a “59 Fender Strat” that he had picked up for his collection.

One night I was invited to bring my HiWatt and Gibson RD to his house with a couple of buddies to jam. I had come in, set up my amp and he gave me a beer. The boys always looked forward to jammin’ with me because I was one of the few guitar players who liked to challenge myself with different playing techniques. Most of the time they just watched and asked questions. That always drives me crazy! Then my buddy went over and brought out a guitar case and placed it in front of me.

When he opened the case, I felt my body shaking inside. It felt like someone had just opened up the “Ark of the Covenant” and was looking at the “10 Commandments” written by God and given to Moses on the mountain, inside!

I had never seen this legendary 59 Strat let alone had the ability to play it.

I just looked at it for a while and then he said “why don’t you plug it in?” I then picked it up and studied it intensely. After 10 minutes of viewing every angle and part of this mythical beast, I plugged it in and played for around 2 hours straight.

After I stopped playing I asked him “What does the Whammy (Tremolo) Bar system look like?”. He drew a quick picture on a pack of smokes and then asked me if I wanted to see this one’s? The guy who he had bought it from then took it from me and started to take off the back to expose the inner workings of it. It looked something like this:

fender-trem-as.jpg

Now to give you a better understanding how it works, I have a video for you.

So if you have one of these on your axe, you now have a better idea of how it works and how to roughly adjust it. I strongly recommend that you take the back cover off it and just take a look around just for an educational experience.

Remember by taking the cover off the back of your guitar to take a look, you won’t blow it up! This will make you more aware of your overall guitar and make you feel more comfortable with it. Knowledge is power and besides, it makes you look like you know what your talking about.

Take pictures and save them. Later on this may become a life saver if you do start adjusting it. This will allow you to see what it looked like before you started. Actually, take pictures of every stage of it. There is nothing worse then having a couple of screws left over when you think your done! It happens to the best of us!

Keep on Jammin’

The early St. Pius X Elementary School

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If memory serves me correctly I started off playing in grade 5 at St. Pius X elementary school in Brantford.

My teacher was believe it or not, Mrs. Lord, yes that is correct! What a name for a Catholic school teacher. She was a guitar player who, played it for us in our music class. She played and we sang. She was playing some type of classical guitar and at the time I thought she was GREAT!

She played and we sang songs from the radio, which was in the early 70’s, and they sounded perfect. Songs like ” Seasons in the Sun”, ” Starry starry nights”, ” Alone again, Naturally” (which is a song that I still play today and is a long time favorite of mine) and I think she also played ” Natures way” as well.

We all started off learning the basics like, how to hold the guitar and the pick. This I found odd because she didn’t use one. She said that she felt more comfortable playing the guitar like that. She then taught us about the strings that we would be playing.

Then we progressed to chords! They were very basic ones. Anyway, I then remember her telling us that in our next music class she was going to show us how to play songs! I thought that would be a blast.

I guess everyone was excited with this new part of the curriculum, I know I was. I had a bit more of a leg up on everyone on this part of schooling. Imagine that mom and dad, I was at the head of the class for once!

Keep on Jammin’, I did

My old trusty Roland BOSS Flanger BF-1

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This unit is a vintage pedal to be used with guitar and keyboards. The effects with this pedal is just awesome! It works like a dream when I play Spirit of Radio, Lime Light or Red Barchetta. It phases in and out with mind blowing effects.

If you are a keyboard player, you might want to take a very close looks at this pedal. It can give you a sound similar Leslie Amplifier. The closest to it that is out there. Many other accomplished keyboardist have similar views.

When I was jamming with Tony F., the best keyboardist I’ve ever had the honour to play with live, he wanted to give my pedal a try. To our amazement, it was the best sound that we had ever heard. Tony had the foresight and ear to know that a Leslie Amp. is the best thing going for the serious keyboardist. So he actively was searching for a pedal to give him that desired effect. Little did he know, he had the answer that he was looking for all the time, literally right in front of him!

If you are not aware, Leslie Speakers/Cabinets are speakers inside the cabinet that rotate, yes rotate to give you that natural whirling sound. They are those big wooden boxes that you see in church choir lofts. This will make you think twice when looking up at the band upstairs thinking that there are no undiscovered secrets in a church!

When the old band got together for a re-union show a couple of years ago, Tony told me that he still had that old pedal and that it still had the box and manual with it. It’s really nice to know that there are still very decent people roaming around the planet like him, a real throw back to gentler days.

On this Boss Flanger site you can hear the sound that you get from it. Check it out you vintage sound seekers. It also has a great picture at the bottom of the page.

This past Saturday

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Well this past Saturday was my mother’s birthday and my wife and I were going to take her out to dinner with my younger sister and family. While in Brantford, I thought that I could hook up with my old buddy Steve B., the ex-bass player (turned guitar solo artist) and get some tracks down for a song that he is currently recording. As luck would have it, both my wife and Steve were sick.

So I went down the street of my parents home to the scene of the crime for New Years 2007 at the May’s! I had to go out and pick up my Mom’s cake at a local bakery and when returning home I decided to just drive down the old street for fun. That’s when I saw Mr. M. walking into his house. So I went in and had a couple of beers and then my favorite brother-in-law Stevie H. had to come and rescue me from certain inebriation.

So after that we all went out for dinner and had a great time.

While driving home to Toronto I started to get a headache. I’m not prone to these things so I thought it would just pass, boy was I wrong.

I felt like someone was drilling into my head at the temples. I thought about pulling over and getting a hotel room and get better. When I got home I just lay on the couch and placed a heating pad on my head. Finally after 1/2 an hour I went to bed. I got up the next day and it was still there. The afternoon and evening was a bit better but wow, what a headache. Today, Monday, is better but I feel it coming and going again!

Trish, my angel of mercy, told me that it could be a virus, sinus problem or maybe there was some MSG in the food we ate at the Chinese restaurant. Don’t know what it is, but I wish that I could tag someone and it would be their turn to be it! I really don’t mean that, I wouldn’t wish this on anyone.

Keep on Jammin’ (but very quietly)

A Realization that I can play guitar

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I was just surfing while listening to one of my favorite Canadian musicians of all time, Bruce Cockburn (B.C.). I came to the realization that I am finally playing like a great guitar player of the 80’s, Mark Knopfler.

In grade 8, a song came onto the music scene that was really new and refreshing. It was a band called “Dire Straights”. The song that caught my ear was “Sultan of Swing”.

The guitar player was just a jammin’ on this tune. His name is Mark Knopfler. This popular song at the time was a song that I just had to play. I was taking lessons from the best guitar teacher of all time, in my mind, C. Peterson. I had requested that he show me how to play this tune and he said that he had already figured it out.

Mr. P. was just unreal at figuring out anything in on guitar. So off he went and started to show me the song. It was fun and challenging to play, just the way I liked it. After a couple of lessons, I could play the song pretty much inside out, which is the way he taught me.

While playing the song for many years, I decided to re-visit this song to see if there was any other way(s) to improve playing it. Mr. Peterson introduced me to the technique that Mark Knopfler used on the song but I thought that this guy was one of those off beat musicians that would fade after a short success, boy was I wrong.

I had listened to this song repeatedly over the years,and I noticed subtle tones that I had missed while playing. When I played it, it had a crisper sounding to it then what he had. His version almost had a muddled sound. In my younger years listening to the song, I had noticed that, and I thought it was just the recording technique at the time and that was it. So I then tried playing it with just my fingers and wow, it was really hard to play.

Being a classical guitar player, I was use to using my fingers but had to use my nails to attack the strings but, this guy used his thumbs and at a lightning like speed during his solo’s to boot! I tried and tried and tried but I could not get the calluses on the sides of my fingers that I really needed to pull of the song so I went back to the original way of playing the song.

Now fast forward to 2 years ago when I fell in love with the B.C.’s style of finger picking. The attack technique used here was different from my classical training but I loved the sound he got out of his axe. It was just plain fun to listen to.

So today while I was surfing and listening to B.C. at the same time, I was listening to this song called “It’s Going Down Slow” and “Mamma just wants to barrelhouse all night long”, from Waiting for a Miracle (1987). Today I can play these ones not bad and I just enjoy listening to them. It was at that moment that I noticed the similarities between both techniques and it had just dawned on me that, I can play guitar.

Keep on jammin’

My choice is the Kyser Capo, Quick Change

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I had this capo thrown in when I got my Larrivee L-03 at the 12th fret in Toronto. I had always used the ones with the adjustable straps before with great results. I had seen quick change ones before but I thought that they where not the best way to go. Mind you, they were the ones from 1980’s.

As we approached the cash register to buy my new found love, don’t worry honey I’m not gonna leave ya, the sales guy named Tim, who happens to be a great guitar player in his own right, said “Would you like something thrown in for free?” I looked above him on the wall (where they keep the FOR SERIOUS FINGERS ONLY part of the store)and said “Hey honey, how about that guitar above him for you?” The guitar that caught her eye was a mint 1957 Fender Stat, for around $10,000.00 can. She said “that would be nice”, and that just gave Tim a good laugh. He then asked if I wanted the UNBELIEVABLE GUITAR tech. (who happens to work on BRUCE COCKBURN’S guitars), to give it a once over before I bought it? I said, “sure, why not, if he’s good enough for B.C., then he’s good enough for me!”

After bringing my new baby upstairs, Tim came down and we went out for a smoke outside. To this day when I go into the 12th Fret, Tim remembers my wife’s name and asks how she is feeling. She has been off work for some time now do to stomach problems. This is the type of small town service that you get in this place.

While having a smoke, I asked him about the new capo’s that are out now and what are they like? Tim then replied “Say no more, I will give the same one that I use and you will not be disappointed”. Sure enough, when he brought back my baby from seeing god, he put it on the guitar and I started playing on it,it worked like a dream.

It’s so easy to place and remove on the guitar without looking like an idiot. I don’t have to really tune the strings that much after putting it on either. I still have a couple of the old ones that I have used in the past in my case to be used by players who have forgot theirs when we jam and when they use my Kyser capo they normally go out and get one. They are a little bit pricier then others but in this case, you get what you pay for.

Any other thoughts about what is the best capo out there?

Keep on jammin’

Elixir guitar strings

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I’ve used these strings exclusively on my Larrivee L-03. I play with the “Light .012 – .053”, with great results. They honestly last longer then most and the have a great range of sound. They also allow me to slip and bend the strings with great ease. I might add that they keep tune for ages as well.

The I love the sound I get on the bass end especially when I am in “open D” (DADGBE) when slapping the bottom D with my thumb on songs like “Peggy’s Kitchen Wall, BRUCE COCKBURN” and “Neon, John Mayer”. The mid’s are fantastic on “Penny for your Thoughts, Peter Frampton”.

I change my strings every 4-5 months and they still keep up their sound intensity, but after that my pickiness and stubborn ways would come back into the fold. When I was a struggling musician, I would boil, yes boil, my strings and then place a cloth around the end of the string and wind the string in a circular motion to eliminate the dead skin that had developed around the outside exposed part of the strings.

I haven’t used my electric guitars in a while so I unfortunately haven’t gotten around to try the Elixir‘s on them.

Has anyone tried these strings on their electrics?

Keep on Jammin’

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