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OMG you gotta hear it to believe it

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Now I already have a good pick-up system in my Larrivee L-03 but when went into my favorite guitar store, the 12th Fret in Toronto, I feel madly in love with the L.R. Baggs IMix.

Now I have been looking to update my pick-up system in my L0-3 lately and found many systems in which to chose from. I have narrowed it down to two items. (1) the Fishman Ellipse Blend vs. (2) the LR Baggs IMix.

When I went in I talked to my favorite guitar guy Tim Cameron. Being the honest guy that he is he immediately directed me to a acoustic guitar pick up god named Nevin. I told him what I was looking for and told him that I was just looking to hear the differences between the two and he paid as much attention to me as if I was going to pick one up right then and there, now that’s service!

He brought me two guitars that had the pick-up systems already in them and put me in their little music room, plugged me in and let me got at them. Wow, was I impressed with both!

First I tried the Fishman Ellipse Blend. It had a real nice sound but I was detecting feed back. I know that I was in a little room but for some reason the feeling and sound was off to me. I realize I am knew at the finer subtleties of acoustic pick ups, but it was a gut feeling. It was very refreshing to see that you can adjust the position of the mic inside.

Then I tried the LR Baggs iMIX. The sound was full, responsive to very fine picking and it can overpower your senses, in my view that is.

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Guitarist realize that since the sound of the acoustic guitar is very complex and fickle, so therefore it is a must to use more than a single pickup to attempt to sense it.

The iMIX uses the Baggs iBeam under-bridge pickup with a Baggs Element under-saddle piezo. The Element pickup senses the strings and provides the presence and feedback resistance of piezo while the iBeam reads the sound inside the guitar and adds natural fidelity, albeit with increased feedback sensitivity. The signals from the the two pickups are blended, in this case via the rotary blend control, on a side-mounted, Baggs iMIX Onboard, pre-amp. This pre-amp also features three slider controls for volume, treble and bass, plus a phase reverse switch for a measure of elementary feedback control. A fingertip pressure releases the battery from its compartment for a quick change when required.

iBeam

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Element

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Now all that I have to do is get my wife on board!

Keep on Jammin’




Guitar side ports

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guitarsideport1.jpg The one thing that I see in the evolution of the acoustic guitar today is its link with the past from Canada’s own, Glenn Gould.

He used a unique approach while playing in his later years, around 1983, when he took away part of the piano body to let the sound come out of the instrument in a unorthodox way.

First of all, the guy was way ahead of his time. What he did was to remove the wooden cover section that is used to cover the piano keys. He removed this part entirely. He would also close the piano lid on his concert piano, allowing the sound to be sent through the missing cover section of the piano.

This allowed him to hear the subtle tones while playing his music.

This was best shown in his 1980’s work of the gloomy nature of life. The slowness of some of his canon’s reflect the need for this type of sound exposure that the musician needs to fully understand what the audience hears, but as a very unique approach.

Second of all, the guy went to places that no one probably ever thought of venturing. I wonder if the person who thought of the guitar side ports ever watched Glenn Gould Hereafter? If he did, I bet this is where he may have got the idea, but then again I could be dead wrong.

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I have been toying around with the idea of putting in a new state of the art pick up system in my Larrivee. The system is called the LR Baggs iMIX. It captures a lot of the character in my guitar with an active response to it. That means that the pickups pick up the aggressive or passive playing of the strings on the guitar.

Now in order to place it in there, I must have it installed inside the body above the sound hole, closest to my face. That’s fine with me. The next question is what in the world do I do with the hole that the factory installed system sat in? It would look mighty funny just viewing a rectangular opening right there in my face. Do I just leave it there or what should I do with it? Here is my best option, I think.

I have always wanted both of my acoustic guitars to have pick ups so I can have a back-up on stage. So why not put my old pick up from the Larrivee into my old Aspen acoustic guitar. Perfect, I think? Unfortunately if I do this I will have this opening on the side of the body near my chest where the old system was. It would look so odd and out of place that I would be reluctant to let anyone look at my guitar. So while talking about my problem with the guitar tech at the 12th fret, he gave me this fabulous idea of the side port!

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They could change the look of the old hole and create a fancy looking design in it’s place!

This will allow a small portion of the sound to come up directly to me acting like another sound hole or a monitor if you will. This will not effect the tonal qualities of my baby I have been told. The tech had one in this part of the workshop that he made and let me try it out. Not only did it look very cool and original, but it was nice to have some sound coming from a part of the guitar that I have never heard it coming from in the past.

Now all I have to do is convince my wife about this one, wish me and my Larrivee luck will you all?

Keep on Jammin’

More on my 1959 Fender Duo Sonic

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This baby was first introduced to us in mid 1956, the original Duosonic (two pickups) were Fender’s 3/4 size, student model, 22.5″ short scale beginners guitars.

With the switch in the middle position, the two pickups are in series, giving a humbucking pickup type sound. These short scale student models were made to the same high quality standards and materials that Fender used for its more expensive models. For this reason, Duo-Sonics are very well made.

In late 1964 both models moved to second generation, coinciding with the introduction of the Mustang. A buddy of mind, Serge Roy of Brantford has one of these puppies! The “II” designation was then added to the DuoSonic and MusicMaster names. These models are more like the Mustang (except the Mustang has a vibrato), than the original DuoSonic/MusicMaster models. The differences in the new generation were in the body shape, pickguard, and electronics.

It was available with either a 22.5″ or 24″ scale, but is most often found with the longer scale. The 24″ scale Duo-Sonic II, Musicmaster II, and Mustang of the September 1965 to October 1966 period are sometimes found with a slab rosewood fingerboard, usually of Indian rosewood.

Some Fender experts today speculate that the slab board necks were leftovers from 1962 Jaguars. Don’t tell Serge about this one,ok?

No matter what is said about this vintage instrument the only thing that matters is how it plays and sounds. I am truly blessed by having this little gem of a guitar and I know that. If you ever get the opportunity to play a 1959 Fender Duo Sonic you will know what I mean and remember this post!

Keep on Jammin’

A Canadian Amp called Traynor

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I never did have an interest in the sound that Traynor amps had so I didn’t pay any attention to them. No great guitar player played on one except my most influential guitar teacher Chris P. Even the place that he taught at, the old “Alonzo’s Music” on Colbourne St. in Brantford which is now called LA Music, was stacked to the ceiling with Traynor amps. Ah, but Mike Defo from the Brantford 80’s band “Vigilance” used Traynor guitar and P.A’s. Boy did I envy his playing as a young guitar player!

petetraynor.gif Peter Traynor is a longtime friend to Dominic Troiano, both from Toronto area , who made these Traynor amplifiers that are the most famous amplifiers that ever came out of Canada.

Troiano and the boys from “Bush” were the first band to take that equipment across the border and play it in the USA.

Peter Traynor isn’t a wealthy man, because he sold out to the person that was funding him.

Anyway, it’s a company called Yorkville Sound. It’s probably one of the biggest corporations in Canada, but it is Bush’s amplifiers that were made by Peter Traynor that actually broke through in the United States and made them money.

traynorhead300×161.jpg Traynor went well out of his way to make sure he got it right for them. He was a great innovator. He’s a genius and a very important person in the Canadian culture of music. After the infamous accident in Death Valley on their way to Vegas, they played the gig, and it was all that Traynor gear – the guitar amp, the bass amp… they just dusted it off, stuck things back on, and it all worked. Talk about Canadian toughness, I guess he got that toughness from our way of dominating the ice in HOCKEY!!!

I was inspired to write this post after reading a “Bush” site about John Prakask, the great bass player from the band.

Keep on Jammin’

Time to overhaul my Gibson RD – Artist?

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This guitar is my baby! I have been through thick and thin with this thing. I now feel and fear that this perfect instrument has to be improved in one area and one area only.

I love the “character marks” on it, that means “wear and tear” for the uninitiated. The oxidization or colour change in the Ivory throughout the guitar, makes it look beautiful and vintage. The neck is perfect. The tuning pegs are still working quite well, stays in tune for ages. The active electronics need some work and I want to have that looked at. Now the only biggest drawback to it is the weight. If you ever had to play this thing for 2 hours while your playing live, you will know what I mean.

This is the only big obstacle that I have to deal with. The way to resolve this will tax my nerves to the limit.

By reading a great site in blog land, I’ve found that I have a little voice in my head pushing me more and more towards confronting this issue. The site is called Building the Ergonomic Guitar.

He says that the way to get the best results are to change to an ergonomic strap called “The Dare Strap“. This idea is the least invasive out there that he’s heard.

So I was just wondering if I should just router some areas on the back of the guitar to lighten up my load. I realize this sounds like some “Hillbilly that just fell off the turnip truck” idea but it may work? I am just asking for ideas here people. I don’t even own a router.

There is this guitar player in Brantford in the early 70 -90’s called Scott Merrit. The man was a god on guitar. He played in the open tuning style that I had only heard of at the time, but have never done anything quite like. I must admit that when he went into the local guitar shop called “Music and Sound”, I would just put down my guitar and pretend that I didn’t play. I know it was a fantastic missed opportunity by a little kid, but could you blame me I was in grade 8.

He was awarded a Juno for the best upcoming artist and vocalist in Canada in the mid 80’s. Scott had the same 1959 Fender Duo-Sonic that I have. The big difference between both of ours was that he had cut a handle hole in the upper right portion of the guitar where you might rest your right forearm on, while I left mine complete. It was the neatest thing to look at. While I was over at his place in high school, he showed it to me.

I guess if Jimmy Page can use this guitar at all of their Knebworth shows for Misty Mountain Hop throughout the 70’s, then it’s good enough for me!

If someone has ever done this type of work on their guitar or is very talented with a router, can you give me some advice on the pro’s and con’s or even alternatives to this procedure?

Keep on Jammin’

Tremolo Bars

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Has anyone ever wondered what the tremolo setup in their guitars look like, but was too afraid to take it apart. I’ve never had a guitar with a tremolo bar but my buddy did and one day he decided to show me.

My buddy in Brantford was a collector of guitars. He was rather talented, but was more into collecting them, then playing them. Nice hobby if you can afford it. I was very fortunate one evening to see a “59 Fender Strat” that he had picked up for his collection.

One night I was invited to bring my HiWatt and Gibson RD to his house with a couple of buddies to jam. I had come in, set up my amp and he gave me a beer. The boys always looked forward to jammin’ with me because I was one of the few guitar players who liked to challenge myself with different playing techniques. Most of the time they just watched and asked questions. That always drives me crazy! Then my buddy went over and brought out a guitar case and placed it in front of me.

When he opened the case, I felt my body shaking inside. It felt like someone had just opened up the “Ark of the Covenant” and was looking at the “10 Commandments” written by God and given to Moses on the mountain, inside!

I had never seen this legendary 59 Strat let alone had the ability to play it.

I just looked at it for a while and then he said “why don’t you plug it in?” I then picked it up and studied it intensely. After 10 minutes of viewing every angle and part of this mythical beast, I plugged it in and played for around 2 hours straight.

After I stopped playing I asked him “What does the Whammy (Tremolo) Bar system look like?”. He drew a quick picture on a pack of smokes and then asked me if I wanted to see this one’s? The guy who he had bought it from then took it from me and started to take off the back to expose the inner workings of it. It looked something like this:

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Now to give you a better understanding how it works, I have a video for you.

So if you have one of these on your axe, you now have a better idea of how it works and how to roughly adjust it. I strongly recommend that you take the back cover off it and just take a look around just for an educational experience.

Remember by taking the cover off the back of your guitar to take a look, you won’t blow it up! This will make you more aware of your overall guitar and make you feel more comfortable with it. Knowledge is power and besides, it makes you look like you know what your talking about.

Take pictures and save them. Later on this may become a life saver if you do start adjusting it. This will allow you to see what it looked like before you started. Actually, take pictures of every stage of it. There is nothing worse then having a couple of screws left over when you think your done! It happens to the best of us!

Keep on Jammin’

Bass guitar wonderland

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I love playing bass once in a while even though I’m ok at it. I wish that I had the technique to do some “bass slapping” but my longer finger nails prevent me from doing so. I can pull it off in playing songs on my guitar like Neon (John Mayer) or Peggie’s Kitchen walls (Bruce Cockburn) but the doing them on bass is another matter left to the masters of the 4 string.

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My wife came across this site called weirdomatic and bookmarked it without telling me, but I do have selective hearing (like most men) and I had to check it out when I stumbled upon it early one morning while she was asleep.

This site has the best and original looking basses that I have seen anywhere.

Even if your not a bassist check out this link anyway. These artisans are unreal in their abilities to create functioning works of art. I would never have considered some of these styles to actually work.

The bass’ do not look to be ergonomic, but they would be a blast for anyone’s collections. Even just to look at them and admire the artistic merits is worth looking at.

Keep on Jammin’

Nice Finger picking on this guy

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Boy is this guy good. His name is Steven King and I will be watching out to see if he will be playing in Toronto any time soon! Also, check out the positioning of his middle pick up on his guitar, neat huh?

He may come across to some guitar players as the typical technically perfect musician with a lack of feel, but that’s ok, he’s really good at what he does. The best part comes at 1:02 of his performance.

This was the feeling that I got when listening to this type of player when I was 13 – 14 years old. I couldn’t get my thick head around the idea that this was great or, to a greater extent, cool music to play for audiences.

Then again, I was in a Kiss tribute band at the time, see earlier posts from this era of my career. Once again, my best and most influential guitar teacher was looking out for my development without me even realizing it.

He started teaching me little ditties to play that were both cool and technically satisfying for me to play at the time, and also some kids my age thought that it was good to listen to as well. Later on, I started to play “Suite Case” blues by Rik Emmett of Canadian Super Group Triump, from the Just a Game album. This direction of guitar playing has truly stood the test of time with me.

So take a little listen to this style of guitar picking. You might even try to decide if this is a style that you may want to add it to you own repertoire of techniques. Also go to youtube and input his name to find more of his work. You’ll envy this guitar guru!

Keep on Jammin’

Guitars made out of recycled material

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You’ve got to read this story!

This guy, Lenny Piroth-Robert, makes guitars out of discarded cigar boxes. Have you ever heard of such a thing? He uses the empty cigar boxes to make the body of the guitar. it takes him about 8 weeks to make a guitar and they are apparently selling like mad on the internet.

I’ve got to check this guy out! Oh, did I mention he’s Canadian? Yeah, he’s working out Montreal. Check out his site – Daddy Mojo Custom Cigar Box Guitars. You’ve got to see the guitars. I want one! Hey, they sell for $175 to $375, I think I can talk the wife into that.

The Guitar Resource

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Just like every other guitar player on the planet, you realize that there is always someone out there that knows more then you do. You may spend your time, like I do, by searching, and then figuring out different styles to play that will help develop a unique sound that you can call your own. This does take a long time. Or, you can search the web for sites that can dramatically speed up this process.

Some great guitar sites even expose you to different ways to listen and understand overall musical structures. Well, I think that I have found one that does all the above and then some. The site is called The Guitar Resource. This is like one stop shopping for technique!

The Guitar Resource has an article called Circle of Fifths that will help with everything from finger exercises all the way to chords and chord progressions.

Not only does the Guitar Resource provide information on how to play, but it has a great selection called How to Read Tabs that compliment and makes the site that much more informative.

The videos that he makes about his topics are top shelf! He has the uncanny ability to make you feel relaxed and he doesn’t talk down to you. His posts also make you sit down and think about what and how to achieve all this without all that dry musical theory stuff. It gives you the very basics and lets you go from there. If you want more detailed info, then just ask him. It’s just that simple.

The tools provided at The Guitar Resource are simple and straight to the point. You don’t need all the bells and whistles to achieve your goal, and I think that he has that aspect all sowed up since he started in March 12th, 2007.

I also found a fabulous book in the portion of his site called Recommended. The book is called the “Practical Theory for Guitar”. Yes it certainly is a must have for any guitarist regardless of his/her level. I looked at some articles and found it simple and straight to the point, so I’m seriously thinking of buying it! I have to hand it to this fellow, he certainly got it right on this one too.

If you visit the guitar resource be sure to check out the tabs that you will find across the top of the site. He has a section called The Store. Within the store you will find a featured product as well as a selection of categories such as Guitars, Amps, Strings, concert shop, guitar instruction, parts and accessories and whole lot more.

All and all, as the name says, The Guitar Resource it is a great resource site to fit all aspects of your guitar playing needs.

Keep on Jammin’

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