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Picked up a iPod Touch last weekend

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We just picked up the iPod Touch, 4th generation, over the weekend. The thinking behind getting one was to place all of our audio collections, both CD’s & Vinyl albums, in one easy to access, portable or stationary entertainment system. The purchase of the iPod Touch has been swimming around in our minds for quite some time now.

iPod Touch 34gigabit 4th Generation During the sales pitch by an Apple rep in the store we were in, she brought to our attention (mine actually because my wife, as usual, was light years ahead of me in understanding what wondrous things this product can bring to us) to the options that come with it.

Then it came to me that this thing appears to look and act just like the iPad. Right after this thought, she said that some of the Apps on the iPad Touch can also be used on the iPod. The rep concluded that the look of an App itself, on either one, might differ a little bit, who really cares if it works on both.

A while ago I talked about this appealing guitar app called the Amplitube that is used on an iPad. I considered this one as an excellent idea for someone like myself. So now I’m wondering if I could get the Amplitube on the the iPod Touch? I’ll get back to ya on what I find later on.

Does anyone out there have one and like to advise me on what Guitar Apps is worth looking into that actually work?

Keep on Jammin’




John Mayer signature Martin Acoustic guitar

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My nephew Patrick told me that he just picked up a Martin OMJM (John Mayer Signature Model Acoustic Electric Guitar) during our Christmas dinner at my parents place. Patrick says he purchased it in Buffalo a couple of months ago. I for the life of me can’t remember how much he paid for it but $1100 (US) rings a bell.

The best review I’ve read so far about this beautiful instrument is very detailed. The reviewer makes it extremely difficult for the reader NOT to run out and pick this baby up ASAP. If there is anyone out there that has more dollars then sense, then please send me a comment and I’ll forward you my home address so you can send one to me! Thanx in advance to my new best friend, where ever you are.

Just to clear some things out of the way, the OM in OMJM is a technique that guitar makers use to make an acoustic guitar more responsive. The OM guitar is a far more dynamic instrument by design that produces better bass and treble tonality simultaneously, in contrast with alternative guitar making techniques. I’m referring to dreadnoughts or classical type of guitars.

The manufacturers of the OM style acoustic guitars, are Taylor & Martin (they’re the ones who started this style in the first place). A ton of guitarists out there consider Martin, the hands down winner of the two.

I love Martin guitars. Before I even bought my Larrivee L-03, I had Martin acoustic guitars on my mind. Martin guitar had the name, the longevity of the product and let’s not forget about who actually plays them, that appealed to me at that time. When it came down to crunch time on which one I’d get, it was an easy choice.

I basically bought the L-03 to play one song on it. That song was On the Road by Max Webster and I was going to play with an old band that I was in way back in the day called Pylis.

The best sounding Martin that John Mayer used before Martin made the OMJM was his Martin OM-28v. The sound that he gets with this is just unreal and it appears to be super responsive as well.

So my nephew Patrick told be the other day that he and his new OMJM are heading up here soon for a little visit and I can’t wait. I’m more then sure I ‘ll tell you all about the visit after he leaves.

Keep on Jammin’

Is vinyl really making a come back?

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In some peoples eyes, Vinyl is a far superior musical medium then CD’s, period! I for one am one of those who do subscribe to this point of view. Being a musician, quality should always come first. Sure, CD’s might be easier to carrying around or they might be simpler to exchange from one user to another, but are they really better sounding then vinyl?

I got the idea for this post from another almost extinct form of communication – the newspaper. It was from an article in The Toronto Star in the Entertainment section called Have you Heard?. I’ve see this topic being thrown around in the media almost weekly now. Are people honestly trying to revive this former superior sound medium, vinyl, or are they just filling out space on a page?

It gets me thinking about vinyl’s more and more every time I see the word “Vinyl”. Am I the only one who has this effect when seen in print? Upon seeing this word, I can’t help but reminisce about going to a buddy’s home when I was younger with my favorite vinyl albums under my arm. It not only brings back great memories, but it makes me yearn for THAT GREAT SOUND! Do you know what I mean?

Going to Ken’s place, and putting on some YES on his impeccable turntable was the best! The control knobs were in the middle position, yet the sound, no matter what the album was on the turntable, was always incredible! I think he always used a “concord” stylus/cartridge on his table. He also had this Phase Linear TUBE amp that COULD NOT BE BEAT! As for his speakers, I think they were basically Cerwin Vega.

Our collection of vinyl is fairly modest, in comparison to some collectors out there. It covers many genre’s of music as well as some regional indie bands and the odd one hit wonder. Most are in good condition, but they are constantly calling out my name for attention! The stereo we have is an old Akai Stereo that is solid state, I got rid of my tube stereo ages ago, no room. When I have put on an album, it has a certain resonance in my mind. It just sounds more full and warmer then my CD player!

Our CD stockpile, that I’m looking at now, is quite vast! In our JVC XL-MC222 CD carousel we have 200 alone. We should have picked up that 500 one when we had the chance. The amp is a Panasonic SA TH400, that has this synthetic Quad sound that is not all that bad, but I’ve heard better. We also have a Pioneer DV 563A DVD player that plays SACD’s.

So what is your take on this subject? Do you think vinyl is really making a comeback? Do you still have your old turn table and if so, what is it!

Keep on Jammin’

Total guitar pedal systems or individual guitar foot pedals

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I am getting to the point that I am contemplating either buying a dedicated/complete foot pedal system or just gathering individual ones to use together. As I’ve said before, I do not have an amp as of yet. I think that either plugging into my desktop to help me start in my development of a rough sound is a start in the right direction.

First there is a product that I am currently looking into buying. This company creates complete foot pedal systems called Line 6. This product came to my attention through a recording studio that I worked with for quite a while. They introduced me to the Line 6 Floor POD. It’s a great system when all you have to do is to go into a studio and just plug in through the main board or a snake cable. The type of sounds this produces is just mind boggling, but it’s impractical to use when playing live.

A close second is the Tonelab LE. I had the honor of playing with a Brantford musician Craig Peeler, at a birthday party in Paris, Ontario one night, and he was using this system. It looks both simple to use, but it has this hidden complexity that I will need while attempting to find THAT sound I am looking for. Both the LINE 6 and this one allows you to adjust the sound in them and then program them into the pre-set buttons for fast recall when using the system live or just practicing.

There are also endless products of single pedals that are designed specifically for one sound. The vintage Morley Power Wah/Fuzz/Volume pedal or any BOSS pedals and a wide range distortion pedal would be a good start.

I have ALWAYS been a firm believer that when you buy anything, you should get a product that is dedicated for one thing and one thing only! No bells and whistles please. This would be a slow and painful experience for me right now. It is the right way to go, but if CounterPoint comes to the conclusion that I am indeed worthy of playing with them, then I have to get my act in gear Chop, Chop!

So for all yo musicians out there, which way should I go!

Sing_cerly
Clearly confused in Canada!

Guitar players finger nails

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If you look at the picking fingers of a guitar player, don’t be surprised if you see long finer nails. So the next time you see a guy with long finger nails on one hand only, ask him if he’s a guitar player before jumping to any conclusions, ok?

I am a guitar player who plays many different styles of music. From classical, folk to SOME country and blues. I use a pick for the most part, I use a pick in combination with my fingers and I also use straight forward finger nails.

When I started playing classical guitar seriously, my nails were great. I took gelatin capsules and some nail hardener that my aunt, and beauty salon owner, told me to use. Maybe when your young, you have stronger nails? Anyone aware of this stat?

So I don’t have fake nails on all the time. I tend to put them on only when I know I will need them to play live somewhere OR if I’m working on perfecting a piece of music that I am working on at that time. Your finger nails, like your skin, need to breath.

If you have them on all the time, it can do some serious damage to them. They will become brittle and break like crazy. Aesthetically, it can make your nails, and even you, look like your some kind of weird person who lives on the fringes of society. If your into that sort of look, then look no further.

When I have them off, I do a light buff and apply a nail moisturizer to them once in a while. I can’t stress this enough.

I’ve tried things like Ecrnal, Triple Strong Gel and even crazy glue. Bruce Cockburn uses crazy glue, but it just doesn’t work for me. I’ve talked to countless people and there seems to be no other solution out there for me. Does anyone out there have the magic bullet that I am searching for?

Keep on Jammin’

Fender Duo Sonic Pick ups

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I just love the sound of the single coil pick ups that I have in my Fender Duo Sonic.

They are the earliest example of what the Humbucking pick up sound would become when you put the pick up switch in the middle. In this position, you are using BOTH front and back pick ups at once.

This configuration or use of the Fender’s pick ups would later help Gibson develop their own signature sound, only on a Fender guitar. Neat eh?

This is how the wiring of the pick ups work on my baby!

duosonic-pu-schematics1.gif

This a great example on how the single coil pick up works in regards to single strength. It basically shows how the string effects the pick ups output/signal going to the amp. This is also called be considered as the voltage or sound that comes out of it, once again going to the amp.

Pick ups are basically isolated copper-wire wound around a magnet. Their magnetic field is disturbed when the the string coming closer or vibrating above it. These magnets were cast in sand believe it or not thus they have this rough and unfinished look to them.

singlecoilinsides.gif

OR

pickupinsides.gif

Some more information about technical and sound terms that they use are a great read for the general interest reader all the way to the seasoned guitar aficionado.

singlecoilpickup.jpg

This link is fabulous for my Pickup specs. I found that the information here is quite detailed.

So I hope that I gave you a better insight into the inner workings of what they call a Single Coiled pick up.

One more thing, look at who else used Duo Sonic guitars, Mr. Jimi!

jimisduosonic.jpg

Keep on Jammin’

Serial number info on RD Artists

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Gibson has a section in their site dedicated to the identification and meanings behind their serial numbering system.

So my serial number is 72657067.
YDDDYPPP

YY is the production year
DDD is the day of the year
PPP is the plant designation and/or instrument rank

YY = 72657067 : 77 = 1977
DDD = 72657067 : 265 =
PPP = 72657067 : 067 = 67th made on that day

Can anyone help me in figuring out what the DDD is the day of the year is because it is just baffling me to know end! I took this quote directly from the Gibson website and it’s hard to follow.

Thanx in advance!

Keep on Jammin’


Basic Humbucker pick up system

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Basically making a Humbucker pick up(p/u) is when you place a single coil beside another one.

Visually you will notice that some Humbucker p/u’s may have a cover on them, thus you will not see the two coils side by side. I will try to explain that one in another post.

humbuckingpickup1.jpg Both coils generate a signal that comes from the strings that are vibrating or making sound. If you pluck a string it will vibrate in a certain direction and height. During one complete cycle it will move closer and then farther away from the pick up itself. By placing two of them side by side obviously gives you more signal/sound output that comes out the the p/u and into the guitar amplifier.

These coils are wired together in a configuration called series.

serieswiring.jpg For people just trying to grasp at this idea, here goes nothing. Both of the coil’s wirings are opposite to each other.

When you wrap the wire around the coil, it can be wound either by clock wise or counter clock wise direction. This is better known as polarity, or the direction of how the signal is sent to the amp. In guitar terms it is better recognized as reverse winding and reverse magnetic polarity called RWRP.

For guitarist in the know, the RP is how the pick ups are wired to each other.

reversedpolarity2.jpg With a single coil p/u, it generates a certain hum from it. For some, this drives them mad and others love the effect. I tend to fall in the middle of this one. Both sounds are very unique. So now having two coils in RWRP, the EMF effect, offsets the other one thus making a hum less p/u with more power. BTW, this is the reason why they called it the HUM-BUCKER pick up, get it? Also by adjusting the height of the p/u, you change the sound and output of it.

This link is to a How to make a Humbucking Pick Up thus giving you a complete visualization of the structure and a better idea of how it works. I tend to be a more visual person in how I learn, some people learn more by audio means.

I hope that I did not confuse anyone with this post. I just want to give the average person a better/basic working knowledge of how this system works!

Keep on Jammin’

My Fender Lead II

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I have been using my Fender Lead II as of late. I only have one guitar stand and I rotate the guitars that I put in it many times throughout the year.

I got this guitar off a exchange student from Japan around 1984-85. Oddly enough, this is a Student Guitar, meaning the body is smaller making it easier to play. He was a little low on funds and he wanted to know if I wanted to by it. At first I started to give him lessons and he was not that bad if memory serves me correctly.

While looking at my black Fender I started to wonder what year this baby was built so a Googling I will go!

fenderleadii.jpg

This site was the one that I ended up at. You can normally determine the age of your guitar by the serial numbers. Mine is “E0 09736” so it’s made in 1980, that makes it 27 years old! If you have a Fender guitar just sitting around the house, go and get it and find out how old your is. Get back us on that one if you have one.

I just love the sound of the X-1 single coil pick ups on this one. You can raise the pick ups by turning the 2 screws at either end of the pick up clock wise. This adjustment brings the pick up closer to the strings thus you get a stronger signal.

There is a phase reversal switch that works when you are in the middle position or using both pick ups at the same time. This switch is really nice to have at your disposal.

multiplefendlead2.jpg

I know I will try to get a picture of mine up here soon!It has 21 medium Jumbo frets with a 4 bolt neck piece. It has a “Soft V or C” profile neck, which means the part of the body which attaches to the neck section of the guitar. The neck itself is maple. The small headstock is a nice reminder of the past Fender guitars that were built between 1954-65. Oh, headstock is part where you tune the strings on the “head” of the guitar in case your unfamiliar with guitar terms.

The bridge, where you put the strings on the body of the guitar, is designed after a Fender Telecaster. Keith Richards plays this type of an axe.

As far as I know it was made at the Fender Fullerton California plant. It was also one of the last fender guitars to be made at this legendary location!

So hats off to my 27 year old gal and hope we’re together a lot longer!

Keep on Jammin’

My new fingernail experiment

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Well good readership, I have been going on for a while about fingernails. Let’s make things clear, I’m talking about the ones on my right hand only!

I envy people with finger nails that they could use as screw drivers! I just wish that there was a product that really made a difference on mine. The only thing that I found on line is the Guitarist Guide to Fingernails.

At work in the surgical area, there is a new finding that acrylic finger nails trap germs on them and that we are told not to use them. Ahhhhhhhh, but I need mine to play at the level that I am accustomed to. So, I have decided to go a different root this time. I am forgoing placing the regular acrylic tips on and just placing the hardener right on to the nails themselves. This totally eliminates the tips that are causing the problem.

In order to pull this off, I had to let my nails grow a bit longer then I would have them praying just to have a larger surface to work with. You know just in case things went south very quickly.

I am now back from my secret manicurists hide out and we’ve successfully applied the above mentioned hardener right onto the nails on my right hand. To the axe cave I go! I then picked up the axe and started to put my experiment to the test!

At first, I tried a bit of Bruce Cockburn’s If I had a Rocket Launcher and it was not that bad. I then began to adjust the length and shape of the nail to my specifications with my handy dandy file.

Now it was time for tougher challenge, playing Blackbird at warp speed! They are holding their own so far. Finally, the acoustic version of Neon from John Mayer, perfect!

Now let’s hope that it will continue this way!

Keep on Jammin’

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