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Endless, what a great Toto song!

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Toto is one of those great bands from the 70’s and 80’s that didn’t get a ton of good reviews. Sure, some of their tunes were down right too pop-ish for some peoples likings but other songs they performed were great! For example there’s Rockmaker, Georgy Porgy, and one of my favorites is Child Anthem. Other bands that fit their genre are Saga and Cerafim.

I recall picking up Toto’s first album and fell in love with it right away. Everything from the arrangements/progressions to the vocals were the kind of style that I would have really enjoyed playing. Too bad back then there wasn’t any musicians living in my home town who wanted to venture off in this musical direction, their loss. In my defense, I remember playing in my first band Deuce that played Toto’s Hold the Line at St. Bernard School way back in 1979?

I vividly recall playing the opening song called Duece, and Brian M singing the words “Get up and get the Hell on out of here!” The kicker is he was looking directly at this nun in the first row, that was way too funny! Way to go Ginchy!

My nephew and I were in a car traveling to my cousin’s house 2 years ago to do some landscaping and gardening, see I’m good at something else too as I said in my last e-mail. He pulled out this new Toto album called Toto’s Greatest Hits Silver Box set. The kid is the Data of the movie trivia and facts world. The guy is just amazing at what he knows about movies, it borderlines on scary actually. Check out his site, he’s working on it just to give you a head up.

The band had put just about the the whole first album on it! I was floored when we put in the stereo. The songs on this CD instantly brought back all those childhood memories, thanx again JC!

Now a days while taking the pooch out for a walk along the Danforth, I listen to this collection on the old iPOD. Over the past couple of hours the one song that gets me going the most called Endless. It’s originally on the Isolation album if anyone if interested. Everything about this one is outstanding, listen for yourself!

httpv://www.youtube.com/watch?v=HE63SN46AeA

Love ya Live!

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Possible Fleetwood Mac Tour!

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Both Stevie Nicks and Lindsey Buckingham have both talked on the record about the possibility of the 70’s & 80’s Mega group Fleetwood Mac going out on the road to support a new album in the near future? I missed when they toured in 2009 so hell ya, I’ll go see them! All this is just talk and nothing yet is on the books … they are all just Rumors!
I hate being teased like this. Everywhere I searched, this is all that I come up with.

Anyways, have you heard of these guys before? In all honesty, I still run into some people of my age who have not.

The biggest thing that grabs my attention about the band is their distinctive sound. Not only vocally, way before Lindsey Buckingham showed up in 1975, but it’s after he joined the band when he brought with him his fantastic open tuning guitar style/sound and his unique vocals that drew me in.

I could always figure out anything that was thrown at me but I wasn’t completely satisfied with the Fleetwood Mac songs. I knew deep down inside that I was way off base here.

Open tuning was something I hadn’t heard of at the time so I had to struggle to reproduce a tune, nice try but … The greatest example of this struggle was a song called Never Going Back Again. I played this one in the first position G and D then migrating up the neck to around the 9th to 12th fret area. Some day I just have to start doing some tunes to show you what I mean.

httpv://www.youtube.com/watch?v=MHoxoXw6byM&feature=related

Keep on Jammin’

Gilligan’s Island the movie

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Gilligan’s Island the movie sounds like a big stretch but ah, what the hell. I can imagine the set now but I sure hope they keep that old coconut that still must be kicking around the island somewhere.

The theme song for this one is classic! It’s one of those songs that I love to play on my acoustic … late at a party that is! I have a collection of TV theme songs from past that are fun to play as well. Some of them are Beverley Hill Billie’s, The Brady Bunch, Flintstones (remember John Candy singing that one?), Friends and Green Acres! I remember playing Gilligan’s Island theme song in a bar one night as just a simple/stupid filler for a late set and to my amazement it just about brought the house down! The audience singing along WAY OUT OF KEY but it looked like they enjoyed it?! Music sure does calm the drunkin’ beast(s)!

Now for some interesting facts about the show!

  • In the very first shot of the opening credits, the American flag over the harbor can be seen flying at half-mast. Reason: the assassination of President John F. Kennedy, shortly before the shot was filmed.(This one I find the most interesting)
  • Jerry Van Dyke turned down the role of Gilligan.
  • Raquel Welch auditioned for the role of Mary Anne.
  • The first season had the cast using cups that were made from real coconuts. However, they found that the cups were porous and soaked through like they were sweating. Thus in the later seasons, the coconut cups were ceramic replicas.
  • Gilligan saved the Skipper’s life once when they were in the Navy. A depth charge had broken loose from it’s mount and was rolling across the deck. Gilligan pushed Skipper out of the way. Skipper would later say that Gilligan didn’t save his life, he only prolonged it.
  • “The radio” seen in virtually every episode was a Packard-Bell AM Radio, Model AR-851. The small silver handle and telescoping antenna were added by the prop department (despite the fact that AM radios do not use telescoping antennas). The antenna was likely added to lend credence to the castaways’ ability to pick up radio signals so far from civilization.
  • The island shown in the opening and closing credits is actually located in Kaneohe Bay, about a mile offshore from the island of Oahu, in Hawaii.

The script of Gilligan’s Island the movie is to be written by Brad Copeland which is suppose to start be in production in 2011. Here’s the an idea for the cast that has been floating around on line for some time now.

Gilligan: Michael Cera
The Skipper: Zach Galifianakis
Thurston Howell III: Abe Vigoda (Barney Miller) this one is the best by far!
Lovey Howell: Judi Dench
The Professor: Jeff Daniels
Mary Ann: Anne Hathaway
Ginger: Christina Hendricks

So far I like it already! Any other personal picks for the members of this one? Come on, give it a go it’ll be fun!!!

Keep on Jammin’

Simon and Garfunkle in Toronto

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Simon and Garfunkel are going to be playing May 12th, 2010 in Toronto at the Air Canada Centre and I hope to be there! These guys have produced so many great memorable tunes that it’s not funny! Do you plan to go and see them on their up coming tour?

I remember seeing these guys in the late 80’s at the old CNE bandstand and I’ll never forget it. We had concert seating which was like a free for all at the front of the stage. We brought a small blanket and some beverages, if memory serves me correctly. Our piece of the turf was center-right of the stage about 30 feet away.

The place was full of people sprawling out where ever they could with blankets, pick nick baskets full of food and wine. I was totally surprised to see little kids as young as 2-3 years running around everywhere! It had a nice small town fair feel to it.

The best part of that show for me was when they performed Scarborough Fair. For many year I’ve attempted to play this song and it turned out fine but this was the time to see it done right!

Before the song began, I noticed Paul Simon was practicing the beginning of it, so I asked this guy beside us if I could use his binoculars. I watched every single movement of his fingers and I found out that I was doing it ok except for a few parts. When I got home all I did was play the hell out of that song and I finally have it perfect!

So that was my favorite part of the show. Does anyone out there have a neat Simon and Garfunkel moment that they’d like to share with the rest of us?

Keep on Jammin’

So Get the Funk Out

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Get the Funk Out from Extreme is a wonderful piece of guitar work by Nuno Bettencourt (Canadian Guitarist). I’ve loved listening to this song from the first time I heard it and have enjoyed experiencing it many times after that at volume 11 on my stereo at home or in the car!

I re-discovered this beauty while researching some other ways in which to play one of their other songs, Hole Hearted.

Nuno Bettencourt, instructs the viewer perfectly on how to play this one the way he does in the video I’ve included below. I’ve tried his method and it works great until he starts doing all those crazy pull offs and tap on’s that most guitarist use. Honestly, I was never really drawn to this form of playing.

Don’t get me wrong. This doesn’t mean that I don’t love hearing this type of playing! It truly gets my blood boiling in a fantastic and enthusiastic way. I kinda wish that I tried it when I was younger but …

So if you’re one of those who are of this guitar ilk, then you’ll flip over this one! Enjoy.

Keep on Jammin’

Canada’s 2009 Juno award winners

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So another year has come and gone and it was that time to showcase Canada’s premier musicians for 2009 Juno Awards. The Canadian equivalent to the American Grammys, The 38th annual Juno Awards are growing stronger then ever. At least that is what people on the street and in my world say.

These are the award winners that I liked.

The big news was that Nickleback eclipsed everyone with walking away with both The Fan Choice and Group of the Year.

The runners up that I like is this real neat, quirky gypsy jazz outfit from Quebec called The Lost Fingers That night they had two Juno nominations for both fan choice and for album of the year but unfortunately came up empty handed. These guys are such a refreshing change of pace that it is not funny. Leon Redbone, eat your heart out!

My favorite modern Canadian Rocker to date, by a LONG SHOT, is City and Colour, better known as Dallas Green! This extraordinary guitarist, won the first award of the night, Songwriter of the Year with his latest project titled Bring me your Love. His best solo creation is called Sometimes and is a MUST for anyone’s collection. I know that I’m wearing that damn thing really thin.

Sam Roberts and the boys brought home the Artist of the Year award. He has this intangible feel to his creations. He is musically invigorating, with that raw edge that people in Quebec have, musically speaking, it’s a good thing trust me.

The most creative song he did on that album was Save Your Scissors. When I first heard that one I was in my car. It impressed me so much that I pulled over to get a pen and paper out of the glove box to write down the name of the artist and song. This guy impressed me that much.

The Alternative Album of the Year went to The Stills. The one song that I heard on the Juno’s website has the guitar style of the Edge of U2. I love the slide and anything that has to do with delays! Nice work boys. Also please check out the other bands on this link, they make me proud to be a Canadian musician!

So that is my short list of what went on at this years Juno Awards. I’ll comb over the other categories and see what comes up. So, what were your favorite acts that either played or were nominated for any Juno’s??

Keep on Jammin’

Heartbeats by Jose Gonzolez

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While my wife and I were watching the TV series Bones on our PVR the other night, I picked up on this tune that really stuck in my mind. The guitarist name is Jose Gonzolez and his breathtaking song called Heartbeats, is a thing of wonder.

It is one of those songs they play during a show that is playing in the background, at a low volume. Most people don’t give it a second thought but, it lingers in ones mind long after the show is over. After the show ended my wife found it, the women is a god on finding anything on the web, and sent me a Youtube link to it!

Most of you may recognize this fabulous piece of music from the Sony Bravia (bouncy balls) TV commercial. The song itself is just so graceful and pure to my mind and ears.

This guitar picking technique is my favorite style, Drone Picking! It’s very fluid approach to playing. You can implement this mode of performing to just about any song! It can make a listener hypnotized at the drop of a hat. The art Drone will also highlight your guitar playing versatility.

Heart Beats is very simple but, yet it contains layers of complexity that just allows the listener to float away quite easily. It is a song that when I close my eyes, grants me ability to see the song in colour. This is a phrase that I picked up from my God son.

He is completely blind in one eye and is 80% in the other. One day at my parents home in Brantford, he was there so I brought him into the piano room and played some songs and progressions on it for him to listen to. After playing a certain phrasing, I asked him what he saw in his mind and he said he saw particular colours! Wow, that made me think about music in a completely different train of thought from that moment onwards.

This song really does it for me and I hope you get the same effect from it as I did. Just listen to this video and close your eyes … does this song give you the same sensation as it does for me?

Keep on Jammin’

The band called Klaatu

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The Canadian Progressive Rock band Klaatu certainly needs no introduction. The myth/rumor of “Klaatu are the Beatles” didn’t hurt the bands career either.

Some of Klaatu’s great compositions are Calling Occupants, Anus of Uranus, Sir Bodsworth Rugglesby III and Doctor Marvello just to name a few. Bands just don’t make music like this any more. Where is the passion, ingenuity and originality?

They were so massively talented in so many ways, that I can not possibly begin to tackle all of their skills in just one post! I will try though to sum them up in a couple of simple areas. For the un-anointed, sit back and enjoy a terrestrial ride.

  • The Sentimental Factor
  • Myth/Mystic
  • Sound of the band

First of all there is the sentimental factor. Klaatu was CANADIAN! Their music resonates in Canadian minds of the good times that we, as a country, were experiencing! When I was around 9-10 years of age, I distinctly recall listening over and over to the song Sub Rosa Subway. I would be in my parents backyard, with that old silver Radio Shack AM radio, goofing around with the family doing whatever, just having good old family fun!

As for America’s first subway
The public scoffed, “It’s far too rude”
One station filled with Victoria’s age
From frescoed walls and goldfish fountains….
To Brahmsian tunes …

Next came the mystic of the band. Nearing the end of the Beatles era, a band was rumored to be the actual Beatles working in a clandestine project. Who were these members, where did they come from? It was a mystery and myth to most of us at the time. Everyone who thought that this group was in fact the Beatles, frantically searched through any and all of their past master pieces and for subtle clues. You can see how this would make the rabid fan lose many a nights sleep, looking for their lost heroes, just listen to Klaatu’s sound.

Let’s face it, even the electronic voice analyzer in Australia thought it was Paul McCartney singing Sub Rosa Subway. Dee Long Klaatu

Then came their distinctive sound! In some of their anthems, you could easily hear similarities in the voices.

Klaatu had many fans listening to the bands songs backwards looking for any hidden meanings. To decide for yourself, go to the Klaatu website and click on The MUSIC, in the top left of the site, look down towards the section and click BACKWARDS MESSAGES! You then have to go through a disclaimer that rightfully so, blasted some idiot who illegally took the bands hard work from their site, and created his/her own YouTube video, uploaded it to the site and then had the balls to take credit for it! Fucking idiots!!! It has since been removed by Youtube! They do have the backwards messages section nicely set up and it’s easy to use. It allows you to listen to some of the songs in question, forward and then backwards. The words show up when playing them backwards and it is quite astonishing!

So I hope that you enjoyed the trip! I just loved posting on this topic. I hope to keep the art of fine Canadian Progressive Rock music alive!

Keep on Jammin’

CounterPoint at the Nuance 2008 show

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CounterPoint is the kind of band that you DO NOT want to miss seeing live at least once in your life. These guys are just that good.

I read their bio’s from the evenings program and it was so nicely done that I have decided to show you all what was in it.

Member Biographies taken from the Nuance 2008 program:

Rick Kazmirchuk, Keyboards & Backing Vocals.

In February of 2008 he went out on my own to start the CounterPoint project as I wanted to write a more aggressive style of progressive rock. I needed to find players with a high level of musicianship to pull this off which I am happy to say has been accomplished with Jeff Morrison handling vocal duties, Chris Noto on bass and Joe Pawslowski on drums.

Joined my first band (Purple Haze) at 15 playing cover material and some original. Worked with numerous original bands over the years (Meshiana Wish, The Wish, Spinal Tramp, Media, NRG) still writing and performing original material and playing more cover material that was progressive-oriented along the lines of SAGA and Genesis and played in a SAGA clone band in the early 1980’s.

In 1986 I joined CERAFIM and was the major contributor and influence to the writing of the band’s
music in the styles of progressive and contemporary rock. CERAFIM went on to record 4 well received CD’s and is still musically active through Internet radio stations and is distributed internationally by a number of independent record labels.

In January of 2005 I ventured into a new musical partnership as keyboardist with the Canadian original progressive rock band THE LAST PLACID DAYS OF PLENTY.

Chris Noto, Bass guitar

Chris has been playing bass guitar since 1972 and has been surrounded by music as far back as he can remember as his father Sam Noto is one of the best jazz trumpet players in the world.

Chris brings a unique style of bass to the band, a cross between prog rock greats such as Chris Squire (YES) and Greg Lake (ELP) as well as a be bop jazz influence from his father. Chris grew up in Las Vegas, Nevada and moved to Toronto in 1975 and has been here off and on ever since.

Chris opened for the band Mountain in Las Vegas when he was a mere 21 years old. He has played with keyboardist Rick Kazmirchuk in NRG, CERAFIM and a brief stint with the Last Placid Days of Plenty before teaming up with Rick as bassist for the CounterPoint project.

Joe Pawlowski, Drums & Percussion

I’ve been playing drums for almost 30 years. My main influences are Gene Krupa, John Bonham, Carl
Palmer, Billy Cobham, Bill Bruford, Neil Peart and Mike Portnoy. I have been in a variety of different bands, from Rock, Jazz and Progressive.

I plan to give you a blow by blow description of their show in upcoming posts in the future. Stay tuned for more … I promise it will be more then worth the wait!

CounterPoint, Keep on Jammin’

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