Guitar Licks

Guitars, tips and great music discussions




You are here: Home / Archives for band

Things To Know When Beginning A Career In Music

by

The internet has not only impacted the way people shop and find information but also the way people pursue careers. The internet began to make a slight change to the music industry just a few years ago when Justin Bieber, now a global superstar, as we all know, was discovered. Bieber decided that posting videos online and getting thousands of views was going to be his best opportunity of success. Thankfully for Bieber, one of those viewers happened to be a musician’s manager.

Beginning a career in the music industry is difficult and might even seem impossible to some artists.

However, as with everything else, the music industry is always evolving, thus resulting in the process and road to success many aspiring musicians will face.

It Takes Time

Whether you are a solo artist or a member of a band, getting involved and seeing success in music can take a lot of time. The key is to be patient, however, as it is very easy you may lose motivation and stop practicing or meeting up with band mates. Patience doesn’t just consist of waiting around for something to happen and not doing anything about it.

You must be and stay active; every day should consist of an effort to better improve yourself as a musician. Just have belief in what you are doing and keep moving yourself forward. If you’re good, you will be discovered.

Have an Open Mind

Whether it is about your strategies or even music genre, focus on looking at your position and even strategies from another point of view. When putting together ideas to promote and market yourself or band, an open mind will allow you to expand your resources.

If you are a solo artist and play an instrument, consider teaching kids or adults on how to play an instrument. This will allow you to gain some publicity and more people will hear about your solo career.

However, make sure you tell all your clients about your side career and in fact, if you have a gig or performance, be sure to invite them and kindly ask if they wouldn’t mind spreading the word a bit.

The Internet

Whether you are experienced or just a newbie looking to get started, make sure you turn to the internet. As an experienced artist, you would be able to post videos of your music, or even you performing live in front of the camera.

While YouTube might seem like the obvious choice, building a following on Twitter or Facebook, for example, will help you to reach the best possible audience. In addition to this, produce some t-shirts featuring the URL of your pages, and whenever you start to play gigs ensure that your social media is featured heavily on flyerr and posters at your gigs. If you want to be creative, you can even put your hashtag on your drum kit!

However, if you are new, then why not try to learn guitar online or even another instrument. The internet offers numerous resources for both newbies and existing artists.

Robert is a professional musician. At a very young age Robert decided to learn guitar online by watching various videos and as he became older he received professional training.




Suicidal Tendencies Still Rocking After All These Years

by

It did not take long for the excitement to start rumbling again. When Mike Muir and Suicidal Tendencies released their first album in nearly 13 years, they were ready to rock all over again. The new album titled 13 is nothing short of amazing with all the harshness, edginess and thrash still firmly in place. The difference between then and now? The band is more accomplished and certainly more varied.

Don’t misunderstand me..they are still the same Suicidal Tendencies they always were when it comes to thrashing it out. The album shows that from the first track through the last. Despite this, the album allows for some new sounds as well. There are hints of funk, jazz and even a little bit of progressive metal mixed into the tracks. Like usual, the band has seen plenty of changes since the last album way back in 2000. Despite this, or perhaps because of this, the band has now morphed into a perfect version for the current stage of thrash. Nobody is questioning what their roots and pedigree might be.

The change in sound started in many ways when they released Suicidal Tendencies – Light Camera Revolution. This was the album that truly brought the controversial band into the limelight and got them noticed outside of their regular fan base. At the time, many in the world of thrash considered them to be sell-outs because of it, but Mike Muir believed in his sound and pushed onward. That album put Suicidal Tendencies on the map forever and cemented their legacy as a legendary group for the ages.

Although the new band keeps with the style and power behind the original’s success, they still have matured incredibly as musicians and craftsmen. Mike Muir has evolved as a master song writer and vocalist while the pieces around him have evolved slowly into a band to be remembered. Through the years, Muir is the only member that has always been there and never left. His solidarity in the face of drama has kept the band moving forward, and the recent incarnation is arguably one of the best ever. Every member of this band brings something to the table that is essential. That alone is rare in a rock in a roll band. There are no dead weights in this band. They all thrash with conviction.

If you listened to the skater thrashing, controversial band back in the 80s and have wondered what they have been up to, then 13 might come as a bit of a shock. This is not because they are totally different but because they have evolved into a style that is unique. That is, after all, what made Suicidal Tendencies popular in the first place. When you heard ST, they did not remind you of anyone. They went where other bands were afraid to go. They did things that no other band would do. That individualization built a brand that has led to complete and total creative freedom today.

You can hear it in every Mike Muir lyric and song. Give 13 a try and you might just find yourself liking them all over again.

Lisa Mason is a music buff writing for Music Record Shop about music, albums and artists she loves.

Why I’d Rather Be A Session Guitarist Than Be In The Band

by

Kids grow up wanting to be in a band.  They always have done, since music became a contemporary way of life, and they always will do. The reasons are obvious, too. Who wouldn’t want to become successful in a world where there is the potential for a party every night, or where thousands of people are screaming in appreciation of your skills.

Being a top musician, or having any job in the entertainment industry, means that your life consists of you being paid – sometimes very well, sometimes not so – to enjoy yourself. Not bad work, if you can get it, in a world where millions are miserable and stuck in the ‘rat race,’ going to their job on a daily basis, promising to themselves that they will change their lives, but never doing anything about it.

For me, though, it was never about the adulation, or the fame, or having myself plastered all over MTV. Being a session musician has always held far greater appeal that actually being front and centre of a band itself.

This is why.

Always at Work

Don’t get me wrong, being in a band is clearly a great gig – literally – but those who talk about the ‘price of fame’ aren’t just making it up. I’ve seen what those guys go through, and having people rush up to you with pieces of paper and magazines, and feeling like you have to sign everyone lest people take to Twitter and call you everything under the sun is not something that is particularly appealing to me, nor has it ever been.

I earn well enough and have everything I always wanted out of life. The difference is I can walk through an airport and no one has a clue who I am; just the way I like it.

The Way I’m Viewed

I’ve never felt comfortable with people feeling star struck around me. Admittedly, it has only happened on the odd occasion when an album recording had an invited audience, but afterwards I was the one leading the conversation!

For the most part, however, I’m just me, and people in those situations recognize that I’m just a normal person, not too different from them, and embrace me as such. I like to think that I haven’t got a lot of airs and graces and that I carry myself well, but I try to let other people be the judge of that.

No Criticism

If a band has a particular track or guitar riff on an album and people think it is rubbish, I don’t get any grief for it. Is there the feeling that I’m missing out when a record is critically acclaimed and goes multi-platinum around the world? In all honesty, there isn’t.

I do what I do out of love for music, not because I want to be the face of a generation. No, I don’t get the credit I maybe deserve, but at the same time I don’t have to face awkward questions or criticism, and calls for me to give up my profession.

For me, being a session musician beats lead guitar in a huge band any day of the week.

Karl is an online content writer and session guitarist, despite never having had a guitar lesson in his life. Karl has played guitar with a number of notable artists in studios across London.

The Easy Guide To Booking And Planning A Gig For Your Band

by

When you are in a band, many times the biggest hassle is booking a gig. If you have a manager, then you don’t have to worry about it. The manager handles all of that hassle. However, most bands just starting out don’t have a manager. They have to do everything on their own. If you are looking to book a gig, follow this simple guide to make things easy on yourself.

Have a Press Kit

You want to have a press kit that you can give club owners and venue managers. This press kit will have a lot of information about your band in an easy-to-read package. The press kit should include your contact information, a brief biography of your band, an example set list, your musical influences, a band photo and a CD of your music. If you want to make things really simple on yourself, you can have all of this information available on your band’s website. You do have a website, right? If you don’t have one, then you need to set one up right away. No booking agent at a venue will take a band seriously these days without a website. One page on your website can have an electronic version of your press kit.

Find a Venue

Whether you are looking to book your first gig in your hometown or are looking to go out on the road for the first time, it is important to choose the right venue. Set your sights on somewhere small when you are just starting out. Even if you are only playing for a couple dozen people, you have to start somewhere. Find a coffee shop, bar, pub or club that looks like it would appeal to fans of your type of music. Once you find the venue, then you can contact them. Either give them a call or shoot them an email asking who you need to speak to about booking. When you get the booking agent’s contact information, then go ahead and send them a short email. In this introductory email, tell them that you are interested in playing at their venue. Ask them which dates they have available in the next few months. Include a link to the electronic press kit on the band’s website. Keep this introductory email short, somewhere in the neighborhood of 35-50 words. Once you have sent this email, wait three weeks for a response. If you haven’t heard from them after three weeks, send a follow up email asking them if they received your introductory email. After that, keep sending them follow up emails every three weeks. Don’t stop until they either give you a solid rejection or ask you to play. Being persistent is one of the keys to landing gigs. You never know when a follow up email will land in a booking agent’s email box at the perfect time to get you a gig.

Equipment

When planning for your gig, remember that you need the right equipment to sound your best. Scout out the venue to see if they have all the audio equipment you will need. Use the house PA system if they have one. If they don’t, then you will need to bring your own. Depending on the scale of the show you have in mind you may need amps, microphones, speakers, stage equipment, lighting and/or a sound board. You can rent this from an audio visual hire company if you don’t have it. Make sure to include the cost of the rental in your calculations for the gig fee.

Negotiating

Once you receive an offer to play a gig, then the most aggravating part of the process begins. Negotiating a fair deal is one of the biggest headaches in the music business, and it is the primary reason most bands have managers once they can afford one. The booking agents will lowball bands as much as they can get away with. Don’t be afraid to ask for more money than they offer at first. You want to receive enough pay to make the gig worth your time. It should be enough to cover food and drinks for the band for the evening. There should also be enough to pay a fair hourly rate to each member of the band. If the gig is out of town, you also want there to be enough to cover gas and lodging costs. Add all this up and make sure that you are receiving enough dough to make the gig worth your time. Keep after it and you will land a gig before you know it.

Attached Images:
  •  License: Royalty Free or iStock source: http://stockfresh.com/image/809665/show-time-concert

This article is written by Aaron Edwards, a Perth-based musician who has been gigging locally in his spare time for over six years.

5 Bands Who Squandered Their Label Advances

by

Imagine this scenario. You’re nineteen, fresh out of school, you’re in a band that everybody loves, and suddenly a record label notices you and comes at you with an offer you can’t refuse; record an album on their label and they’ll front you half a million pounds to do it.

This is known as an ‘advance’. An advance is typically handed out from a record label to one of their signed bands in order to record an album, for the fees which can be built up from studio time, promotion, instruments (and so forth) can be pretty costly. However as good as the advance may seem to the outsider, it sometimes can be a band’s demise; on occasion leading to a swift exit from the music industry. This is because as you might well imagine, rockstar’s would rather spend their lovely little packet dining in the Ritz, hotel rooms or fuelling their addictions (whatever they may be…). As proof of this seemingly wild accusation, here are five bands who definitely squandered their label advances.

Sleep

image source

Sleep had a lot of potential for a heavy metal/rock band. After their release ‘Holy Mountain’ on Earache records, they attracted the attention of many labels including Elektra and London (who Rolling Stones had also been signed on). London gave them an offer they couldn’t refuse in 1992 – full artistic control and a six-figure advance. Rumour has it that sleep spent their advance on two things; vintage tube amps and a bucket-load of marijuana. Given that the band estimates they spent $75,000 on tube amps – speculation has in that they spent pretty much the remaining figure on the finest spliffs that money could buy. All in all the album was dropped and wasn’t even released by the label; could be the fact that it featured just one song being an hour long psychedelic guitar solo.

Happy Mondays

image source

Yes Please! Was the terrible last album that the critically acclaimed Happy Mondays made, under the label ‘Factory’. The most famous thing about this album was that it was so costly to produce, it drove Factory into bankruptcy. Why did it cost so much? Well, the Happy Mondays wanted to record in Barbados of all places with their families present. Not only that, but the Happy Mondays had a penchant for taking a plethora of drugs; especially when they teamed up with their mate Mick Jagger who was staying nearby.

Royal Trux

image source

Royal Trux were an alternative rock band straight out of the late eighties, started up by Neil Haggerty and Jennifer Herrema. Due to a growing interest from labels in underground grunge music; after their second album Royal Trux were picked up by Virgin. Virgin offered them a $3,000 advance to record a third album; which Royal Trux proceeded to blow it all on heroin.

My Bloody Valentine

image source

Irish alt rock band My Bloody Valentine were signed to Island records in 1992, and were given £250,000 to record a belter of an album (they had been given the same amount of money by label Creation to make their second). Whilst the second one was critically acclaimed by many people, the third did not do so well. My Bloody Valentine took the £250,000 and put it all into making their own studio in Streatham – which was riddled with problems. The third album was never released by Island due to lack on any decent material… and My Bloody Valentine went into a band ‘meltdown’.

Warrant

image source

With all of this in mind, record labels these days have wised up to the cheeky antics of music stars; combining their advance with their own pay packet. This serves as an incentive not to blow it all – because they are eating out of their own pocket at the end of the day! However, truth be told it probably doesn’t stop some rocking musicians still…

Author: This list was put together by Alfie Davenport who works for DV247, suppliers of Fender guitars.

Endless, what a great Toto song!

by

Toto is one of those great bands from the 70’s and 80’s that didn’t get a ton of good reviews. Sure, some of their tunes were down right too pop-ish for some peoples likings but other songs they performed were great! For example there’s Rockmaker, Georgy Porgy, and one of my favorites is Child Anthem. Other bands that fit their genre are Saga and Cerafim.

I recall picking up Toto’s first album and fell in love with it right away. Everything from the arrangements/progressions to the vocals were the kind of style that I would have really enjoyed playing. Too bad back then there wasn’t any musicians living in my home town who wanted to venture off in this musical direction, their loss. In my defense, I remember playing in my first band Deuce that played Toto’s Hold the Line at St. Bernard School way back in 1979?

I vividly recall playing the opening song called Duece, and Brian M singing the words “Get up and get the Hell on out of here!” The kicker is he was looking directly at this nun in the first row, that was way too funny! Way to go Ginchy!

My nephew and I were in a car traveling to my cousin’s house 2 years ago to do some landscaping and gardening, see I’m good at something else too as I said in my last e-mail. He pulled out this new Toto album called Toto’s Greatest Hits Silver Box set. The kid is the Data of the movie trivia and facts world. The guy is just amazing at what he knows about movies, it borderlines on scary actually. Check out his site, he’s working on it just to give you a head up.

The band had put just about the the whole first album on it! I was floored when we put in the stereo. The songs on this CD instantly brought back all those childhood memories, thanx again JC!

Now a days while taking the pooch out for a walk along the Danforth, I listen to this collection on the old iPOD. Over the past couple of hours the one song that gets me going the most called Endless. It’s originally on the Isolation album if anyone if interested. Everything about this one is outstanding, listen for yourself!

httpv://www.youtube.com/watch?v=HE63SN46AeA

Love ya Live!

Follow my blog with Bloglovin

The Big Band sound going Indie?

by

I love that traditional Big Band sound, the feel, the excitement I get that flows through my veins after listening to a great track. The voluminous of bands like Bassie, Goodman, and Canada’s own Arthur Miller are just some of the bands that I remember listening to as a kid. Along with some RUSH, KISS, Steely Dan, YES, Zeppelin … I really had quite the eclectic musical tastes back when I was a kid. Now a days when I come across something new in the Big Band genre, it always stirs my curiosity.

While reading my biweekly Macleans, I read about this new band conducted by Darcy James Argue called Secret Society. To some out there they might not sound like the classically acknowledged Big Band groove that we have been exposed to from the past but it’s there sitting in the background, right in front of you. The way they put in some techno here and there is quite refreshing.

I hope that at least you will bring your own eclectic musical tastes with you when and if you give the below video a listen to. I like Secret Society here in this particular video but the best way to experience a group like this, in my eyes, are in a venue WITH OUT microphones! If ever had in the past then you know what I mean.

httpv://www.youtube.com/watch?v=175ygZD5VzA&feature=related

Keep on Jammin’

Judas Priest guitarist’s final curtain call

by

Judas Priest‘s K.K. Downing has finally made his final curtain call after 42 years with the band. He just wrote on his website that he decided to leave the band because of a breakdown in the working relationship between himself, the band and management.

Imagine playing in a band for 40 or more years, touring with and putting up with the same buddies and their little idiosyncrasies? I think that might just do it.

The thing that would bother me the most is performing the same old songs over and over again on tour. To this day I can’t for the life of me figure out how the Stones perform some of their standards after 49 years, 49 years! Some musicians might like to fall into the same old groove, playing a collection of their songs to death, but I certainly couldn’t.

Judas Priest plans on carrying on with their latest tour, Epitaph, even without one of it’s founding members. The band will insert another enthusiastic guitar player into the lineup. He is a 31 year old British born guitarist called Richie Faulkner.

httpv://www.youtube.com/watch?v=8K7CNzFhnCE

The one song that comes to mind when I hear the name Judas Priest is You’ve Got Another Thing Comin’. It’s really an anthem song and the bands’ most popular tune. When the song first came out the only guy I remember freaking out over it was my good old buddy Barber! He loved playing it on bass and the enthusiasm on his face when he played will be etched in my mind forever.

So Keep on Jammin’ K.K. Downing!

The Rockin’ Roll Bagpipes

by

Today’s bagpipe’s are a perfect pitch for the aggressive rock scene. Think about it, they were played during war time to help charge solders into battle with their heart thumping electrifying tone. The emotional effect that the bagpipe has on most of us seems like it would work well in the aggressive music world. Have you ever heard bagpipes played live? For me, it elevates my blood pressure to the point that, it is forewarning me that something special is about to take place.

“Celtic punk and folk-tinged hardcore band from the South Side of Chicago.” Fans, Bawinkel says, are “stoked”: “As soon as the bagpiper walks out on stage, the crowd just flips out.” Tobin Bawinkel, Professional Piper

Yes, bagpipes are back, albeit somewhat changed from it’s original inception. The bagpipe renaissance came from Scotland, where acts began to spice up their sound. Lately creative new bands like the White Stripes and the Yeah Yeah Yeahs have incorporated them into their tunes. The modern pipers have brought us their unique interpretation of classic tunes on YouTube with a real neat spin in unexpected musical settings. For example putting them into everything from traditional carols to songs like Thunderstruck from AC/DC.

httpv://www.youtube.com/watch?v=Aiil6xW9Lb0The Swiss Death Metal Group Eluveitie

When exploring this latest evolution in the bagpipes, I realize that alternative piping is not a huge scene yet but one that should be investigated a little further. A band called Real McKenzie’s helps in the push for the new Celtic punk sound. They take the familiar Scottish chant and elevates the experience many notches.

Then there are acts out there that even consider the bagpipes everything from, dare I say, bluesy all the way to progressive bagpipe-jazz-aboriginal-fusion?

Now the last thing that I want to bring up is, do you know that someone has invented an electronic bagpipe? I know that this would be a fabulous addition for a favorite local band called Wilton Said to look into. What do you think Wilton?

No matter what your perception of the bagpipes, there certainly has been a bit of a resurgence in this classic instrument as of late that will eventually pass by you in some musical form in the near future. I’m not sure if this means that Lady Gaga might take a shine to this instrument but hey, never say never!

So are there any pipers out there that want to put their two cents in here? If you think that your style on piping is great then send us a link to your site to further investigate and open us up to the new world of piping to all.

Keep on Jammin’

Jon Anderson from Yes at Danforth Music Hall

by

Jon Anderson, the legendary singer from the greatest progressive Rock band of all time Yes, will be performing at the Danforth Music Hall on March 21st, 2010.

Jon Anderson will bring his melodic vocal tenure in a solo performance, to the same stage that he graced almost 2 years ago to the day.

The Danforth Music Hall is a great place to take in any show. I remember one time that one of my readers gave me a ticket to see Rick Wakeman play there a couple of years ago. It was after I was very sick and I guess the reader wanted to do a good deed at the time and there I was.

So if your a big Jon Anderson or Yes fan, try to get out and see the man with the golden tones! It will be worth the drive.

Keep on Jammin’

Meta

Archives

Pages

Tags

Acoustic amp band bands Brantford Bruce Cockburn Canada Canadian concert Entertainment fender funny General guitar Guitar Equipment guitarist guitar player guitars Home house Humor humour instrument jammin jazz John Mayer keyboard Live Music musician Musicians play playing Progressive Rock Pylis rock RUSH Songs to play sound strings Technology Toronto tour Video YES