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You are here: Home / Archives for electric guitar

5 Famous People And Their Guitars

November 1, 2012 by Chris

You’ve heard of B.B. King and may have heard of Jimi Hendrix, among two of the greatest guitarists of all time. King still loves to strum the blues on his Gibson guitars and Hendrix was a psychedelic rock artist who thumbed his Fender Stratocaster in ways that few have ever come close to matching. Both men have contributed much to contemporary music, turning their gifts for guitar playing into an art form.   Besides King and Hendrix there have been others that have played a significant part in transforming the art of guitar playing including the following individuals.

1. Steve Vai — Starting off as a transcriptionist for Frank Zappa, Steve Vai soon made a name for himself as a member of the David Lee Roth band. At 20, Vai was strumming with Zappa and by 25 he was with Roth. His top guitar choices are the Ibanez JEM and Ibanez Universe in addition to a Tom Anderson Drop Top Classic. He also uses exotic guitars and sometimes plays a heart-shaped triple-neck model. Vai is recognized for his understanding of music theory. He is further appreciated by students of the Berklee College of Music with whom he shares his techniques online.

2. Slash — Born Saul Hudson, Slash is a musician and guitarist who came to fame playing for Guns N’ Roses and was later part of Velvet Revolver before embarking on a solo career.  His instruments of choice include a Gibson Les Paul, a B.C. Rich Mockingbird and a Gibson EDS-1275, just three of more than 100 guitars that he owns. In 2008 Slash embarked on a solo career, what he had touched on at earlier times in his life when he jammed for Michael Jackson, the Yardbirds and Paulina Rubio among others.

3. Les Paul — Born Lester William Polsfuss, Les Paul was an American guitarist with a penchant for blues, country and jazz music. He was also a songwriter and inventor. Paul is credited with making rock and roll possible by inventing the solid-body electric guitar, and was also innovative in sound experimentation. The Gibson Les Paul was first sold in 1952 and was designed in collaboration with Ted McCarty. Among the musicians that have played a Les Paul are Eric Clapton, Steve Jones, Sammy Hagar, Billie Joe Armstrong, Peter Frampton and Jeff Beck.

4. David Gilmour — He was brought on the fifth and last musician for Pink Floyd, but last certainly did not meant least in David Gilmour. The English rocker has been credited with shaping Pink Floyd’s ethereal sound, pouring emotion into his guitar that few have ever matched. Gilmour is nearly always seen with a black Fender Stratocaster, but he also plays a red model and a Fender Telecaster.

5. Tom Morello — Not every guitarist seeks to sound like a guitar player or at least not all the time. Tom Morello, inspired by LED Zeppelin and a guitarist with Rage Against the Machine, counts his custom “Arm the Homeless” guitar as his favorite. This guitar is outfitted with a Kramer neck and a custom performance body to produce truly unique sounds. Morello also is fond of Fender Stratocaster, Fender Telecaster, an Ibanez classical acoustic and a Gibson Les Paul.

Claim to Fame   Besides Steve Vai, Slash, Les Paul, David Gilmour and Tom Morello, there are dozens of other guitarists that have had a larger than life influence through their work. Jimmy Page, Carlos Santana, Phil Keaggy, Keith Richards and Brian May are a few that come to mind.    Step back in the 1950s and Chuck Berry, Carl Perkins and Bod Diddley must be recalled. In the 1960s, it was Pete Townshend, George Harrison, Jeff Beck along with Hendrix, Clapton and Richards. By the 1970s, Gilmour, Santana and Duane Allman rose to fame and were later joined by Randy Rhoades, Vito Bratta, Buckethead and a host of other strummers.    Ask any budding guitarist whom they admire most and one or more of these names will likely be mentioned. Down through the years inspiration has been handed off, with a new contingent of guitar artists certain to dominate in the 21st century.

Justin Miller is a professional blogger that writes for Jamplay.com. JamPlay is a leading online music educator offering 2,000+ online guitar lesson videos in HD.



Filed Under: Culture, Entertainment, Guitars, Music, Rock History Tagged With: B.B. King, billie joe armstrong, brian may, classics, david Gilmour, david lee roth, electric guitar, eric clapton, famous people, fender stratocaster, Frank Zappa, gibson guitar, gibson les paul, guitars, guns n roses, jeff beck, Jimi Hendrix, Jimmy Page, Keith Richards, Led Zeppelin, les paul, Peter Frampton, pink floyd, rock, sammy hagar, Santana, slash, steve jones, steve vai, tom morello, velvet revolver, yardbirds, zappa

The Electric Guitar Lighter

April 5, 2010 by Chris

These guys in Japan have come up with the coolest looking electric guitar lighter ever! The detail on this thing is fabulous to look at. The one overall feel that this guitar has is a hypnotic one. It’s the same effect, to me anyways, like watching a bonfire while camping. It’s also like looking at one of those boats that are built in a glass bottle and wondering to yourself how do they get that thing in there? (BTW, how in the hell do they get them in there?!).

Electric Guitar Lighter

Electric guitar lighter

electric guitar lighter

electric guitar lighter

It looks like a classic old B.C. Rich guitar that was quite popular in the 80’s with all those big hair bands of the time. It comes complete with genuine imitation strings, pick ups, control numbers, you own electric guitar lighter stand and what closely resembles a Floyd Rose double locking system with fine tuners!

I think that it would be a hilariously funny gag gift for any guitar player! If your into it, then check out the link or look at a similar electric guitar lighter at Amazon! I have never dealt with this company before so I can’t attest to how good their services are.

Keep on Jammin’


Filed Under: Entertainment, General, Humor, Recreation Tagged With: birthday gift, electric guitar, electric guitar lighters, fathers day gifts, funny, gifts, guitar, guitar lighter, Humor, humour, lighters, presents

G & L Guitars

October 19, 2007 by Chris

Has anyone out there heard of this guitar maker? I found out about these guys through a patient that I was taking back to their room after a procedure. The patient was a bass player and said that it was the pride of the collection. So curious about it I went and googled it.

To my amazement the makers were none other them Leo Fender – Maker of all pre-CBS Fender as well as Music Man instruments – and George Fullerton.

Leo Fender, we all know who he is but, the other guy, not so much. George Fullerton is the co-creater of the Fender Stratocaster. Not a bad thing to have as a lasting legacy of a man now is it!

G & L was the result of Leo having to sell his company in 1965 due to health problems that he was having in the early 60’s. It was started up in 1980 at the same location that had housed his Clarence Leo Fender Research (CLF) facility.

Some of the musicians who use these beauty’s are personal favorites of mine. For example:

Carl Perkins, Canada’s own Gord Sinclair (The Tragically Hip), Peter Frampton and Bob Mayo (Peter Frampton Band), Neal Schon (Journey), Davey Johnstone (Elton John band), Gary Hewitt (Gary Allan Band) and all the guitarists from Aerosmith and INXS. Just to name a few.

If you happen to come across this post and own one of these beauty’s PLEASE write a comment here about your experiences about your axe. We’d really like to hear from you, please?

Keep on Jammin’

Filed Under: Guitar Equipment, Guitars, Musicians Tagged With: Aerosmith, band, bass guitar, bass player, Bob Mayo, Canada, Carl Perkins, Davey Johnstone, electric guitar, Elton John, fender, fine crafted basses, fine crafted electric guitars, G L, Gary Allan Band, Gary Hewitt, George Fullerton, Gord Sinclair, guitarist, guitars, hand crafted, hand made, instrument, instruments, Inxs, Journey, Leo Fender, Music, musician, Musicians, neal Schon, Peter Frampton, play, Tragically Hip

How to restring your guitar

April 6, 2007 by Chris

NOTE: This is for beginners -as in people wanting to learn more about restringing techniques.

You know, this is my favorite but most dangerous part of guitar maintenance that I or you will ever do. Watch you fingers when working with the strings at the head of the the guitar. Look at some previous posts for medical advise.

(1) Take the strings out of the package. You either have strings that are colour coated, with a chart on the box or you can figure them out by looking closely at them. The thickest string is at the top and the thinest at the bottom.

(2) Put the string through the tail piece (on the body of the guitar).

(3) Place the body of the guitar on a table, with blanket on it so you don’t scratch the bottom of guitar. It also helps you move the guitar fast and smoothly when working. Make sure that you can have access to a chair so you can work at a good eye level to watch closely at what your doing.

Part (4) is background info that you need to understand before proceeding to part (5) & (6)

(4) Follow these visual steps. The last picture shows a little gap from where the bottom of the string is to the remaining part of the shaft of the tuning peg. I leave enough string or slack allows me to keep turning the tuning knob until the bottom of the string completely fills that space. I do not like to see any part of that shaft exposed. The more string that is attached means, a tighter wind and less room for the string to stretch. A change in the tension of the string = a change in tuning.

NOTE: This is the tricky part that you will have to determine by yourself because every guitar dimensions are different. After doing a couple of strings, you will get the hang of it. IF YOU DO THIS WRONG, YOUR GUITAR WILL NOT BLOW UP, ok? Just relax. Do not attempt while intoxicated.

(5) Move the guitar on the table so you can sit in a position that will allow you have the guitar head over and away from the table to let you start winding the strings.

(6) At this point we actually can start the winding process. Now with your right hand, grab the string that your working on by having fingers (index to pinkie), pulling up on the string while using your thumb pushing down on the string.

NOTE: Have your thumb push the string down on the fret board, right near the nut, where the string is suppose to be on the neck of the guitar. This will provide a small amount of the tension you will need to start winding the tuning peg.

(7) SLOWLY turn the tuning peg in the direction that you want. For guitars with 3 strings on each side of the head of the guitar, turn the head counter clock wise; for all others go clock wise. Pay close attention to the string that it follows going down the tuning head that will cover the gap that I talked about in part (4). The more you reach the bottom of this tuning peg, let the tension that you thumb is exerting on the string off little by little until you have covered that area of the shaft of the tuning peg.

(8) Place any finger you want to use (I use my index) directly on the nut (the white piece between the top of the neck and head of the guitar) of the guitar that corresponds to which string you are replacing. I want you to put pressure on that direct spot that holds your new string in place. This will stop the string from moving anywhere while you are doing the next part.

(9) With your right hand, grab the string that you are working on and pull the string in a upward and downward direction. Remember to keep your finger down tightly on the nut. What this is doing is, by pulling upwards and downwards on the strings, it tightens or pulls the strings coils on the tuning head closer thus making them less likely to move or slip.

Note: A change in tension = a change in the note or key of the string. When they slip or loosen up, the guitar string goes out of tune. The exact tension of the strings determines how they vibrate. The vibration is the note you want. Think about how a sign wave works, if your not sure or want to know more look up the details. Remember, knowledge is power.

Keep on Jammin’

Filed Under: Guitar Equipment, Guitar Maintenance Tagged With: acoustic guitar, electric guitar, guitar, Guitar Maintenance, how to, How to re string your guitar, restringing your guitar, string tension, tightening strings, vibration

Line 6 Floor POD

April 3, 2007 by Chris

Finally the pedal that I have been looking for is available in a real foot pedal! I was just surfing the Electric Guitar Review today and came across one of his posts about it. I have written here before about this Line 6 product that only came as a “plug in” for a mixing board. I was first exposed to this baby by my good friends at G-Force Media and now it is in a foot pedal version.

The Line 6 Floor POD is a very versatile piece of equipment that I would love to get my little hands on. The sound reproductions and clarity are out of this world. This little piece of heaven is compact enough to go anyway you want to. The above link takes you to the sounds that it can reproduce.

This one suits me just fine thank you. I would use this more for my acoustic guitar and at the drop of a hat, have my electric collection do likewise. The sample sounds, for this product, on their site is a good mirror of what I do anyway.

With the Floor POD, you can have 64 pre-set sounds that also allows you to create you own unique sound signature and then save it as a pre-set one. You can also use your existing pedal along with it if you wish. As well, you can plug it directly into a PA system and hook up a CD player if needed. Best of all you can plug in your head phones and just enjoy the raw power that this thing punches out without the wife or neighbours freaking out!

The only drawbacks are that you cannot use Gearbox software or Line 6 Edit. You also cannot back up your patches

I love the effects that come with this puppy. They are Insane Melodic, Big and Wide, Harmonic Chorus, Harmony & Rhythm, Clean Chorus, Steely Montgomery and Double D. Insane Melodic gets an honorable mention here as well folks.

So now I have to find out where I can take this pedal out for a spin here in Toronto. When I do, I’m sure your hear about it!

BTW, my wife just made $2500.00 US with one of her online companies so I could be “off to see the Pedal” (use the Wizard of OZ theme song here folks), before long, … maybe.

Keep on Jammin’

Filed Under: Guitar Equipment, Technology Tagged With: Acoustic, acoustic guitar, amp, electric guitar, jammin, Line 6 Floor POD, pedal, sound

Getting the RD Artist ready for battle

March 28, 2007 by Chris

The other day I had to do a few errands like pick up some grocery’s and earth worms for our turtles. Oh BTW, we use to have lots of reptiles like, Chinese Water Dragons, and a HUGE Iguana named Napoleon that we called our son who I miss every day, and some turtles.

Before starting off I decided to go to the 12th Fret to finally start paying more attention to my electric guitar ambitions. I haven’t restrung my RD in years. Whenever I broke a string, I just put another one on from the pack that I bought ages ago.

Yes, I really do feel bad about not paying proper homage to this beauty but, I did not have any use for it for a long time.

While visiting the store, I ran into my favorite guitar technician Tim. This guitar master is very knowledgeable in his field. He’s the type of guy you can sit down with and ask for honest opinions about what direction you should take in any situation. Tim has the uncanny personal trait of making you feel relaxed and at home. He has that trustful older brother demeanor. He is also the proud papa of a 16 day old boy, whom I’m sure is a guitar prodigy to be.

So I told him what I was looking for and he started to ask me about what setting/intonation I was using. I felt a bit like a rookie when I told him I had no idea. So as not to directly acknowledge my stupidity, he started explaining my options to me. Ahhhh, finally dodging a big bullet. I was saying to myself, “thanx for not dwelling on that too long Tim!”

He asked what type of feel the guitar strings had in regards to malleability or flexibility and he directed my attention to the D’Addario XL EXL110’s. These electric strings are nickel wound and have a regular light gauge to them.

How you restring your guitar is the most important thing that you will ever do to your axe.

You have to make sure that the way you wind them around the tuning pegs are perfect in every way.

How you thread the string through the eyelet – or the little whole on the tuning head- is very important. The length at which you start winding it, the tension that you have on it, using your other hand, and how close they are placed together on the shaft of the tuning peg is paramount.

Imagine when you are measuring an angle. If you start a little bit off, as little as one degree, it will only get worst at the end of your project. Does that make sense to you?

The strings are on, and the windings look good. Now it’s time to start working them in! For further results, tune in next week!

Keep on Jammin’

Filed Under: Guitar Equipment, Guitars, My Equipment Tagged With: 12th Fret, D Addario XL EXL110, electric guitar, flexibility, Guitar Equipment, guitar strings, guitars, light gauge, malleability, My Equipment, nickel wound, RD Artist, regular, restring your guitar, Tim, tuning pegs

Elixir guitar strings

November 23, 2006 by Chris

I’ve used these strings exclusively on my Larrivee L-03. I play with the “Light .012 – .053”, with great results. They honestly last longer then most and the have a great range of sound. They also allow me to slip and bend the strings with great ease. I might add that they keep tune for ages as well.

The I love the sound I get on the bass end especially when I am in “open D” (DADGBE) when slapping the bottom D with my thumb on songs like “Peggy’s Kitchen Wall, BRUCE COCKBURN” and “Neon, John Mayer”. The mid’s are fantastic on “Penny for your Thoughts, Peter Frampton”.

I change my strings every 4-5 months and they still keep up their sound intensity, but after that my pickiness and stubborn ways would come back into the fold. When I was a struggling musician, I would boil, yes boil, my strings and then place a cloth around the end of the string and wind the string in a circular motion to eliminate the dead skin that had developed around the outside exposed part of the strings.

I haven’t used my electric guitars in a while so I unfortunately haven’t gotten around to try the Elixir‘s on them.

Has anyone tried these strings on their electrics?

Keep on Jammin’

Filed Under: Guitar Equipment, Guitar Maintenance, Guitars, My experiences Tagged With: acoustic guitar, electric guitar, elixir, General, guitar strings, Neon by John Mayer, open acoustic guitar tuning, Peggy s Kitchen Wall by Bruce Cockburn, sound, strings

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