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Moog Taurus Pedal

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The Moog Taurus pedal is an analog synthesizer that is played with your feet. It helps fill out the song your playing with that real church pipe organ/deep base register sound. The best example of this sound is when The Police used this pedal at the beginning of Don’t stand so close to me. This ancient, blast for the past, is precisely what your looking for, if you want that little extra something for your sound!

If you’ve ever seen a church organ up close or in pictures, then you may have a better idea of what this instrument looks like. Hey, if you ever went to someone’s home and they had one of those ‘ol cheezy home organs, then you’d have a good idea as well! The Moog Taurus pedal looks exactly like the pedals at the bottom of these organs. You play it with you feet!

The Moog Taurus Pedal has been around for ages. Bands that have or had them in their musical arsenal are bands like RUSH, YES, Pink Floyd, the Police and many other rock, fusion and metal performers from yesterday, right up to the present day scene!

The thing that got me thinking of this was while playing with CounterPoint the other night. Chris Noto, the best bass player that I have ever had the privilege of playing with, brought it up while taking a break. He said his brother has one and that he’d love to get it from him if he could, and believe you me, this guy REALLY knows what he is talking about. The way this guy plays the bass, if he had one of these things, it would sound like he is playing 3 instruments at once! Just imagine what it could do with your sound.

So check out the links on this page and learn for yourself what this could do for your band’s sound.

Keep on Jammin’




Playing Guitar with CounterPoint

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So on Thursday Oct. 30 I was jamming with Counterpoint!

This is the band that was playing in the 2008 Nuance Art Rock festival. This experience was one that I will remember for years to come.

The guys in CounterPoint are looking for a guitar player that will help round out their unique sound. As you’ve read in some of my other posts on this blog and on my Guitar Licks and Tips site, I have been very excited about how these guys approach song writing and how they play, because they achieve that BIG FAT sound that I LOVE.

The guys from CounterPoint

They asked me if I wanted to jam/try out for the guitar player role for these masters of progressive rock, when I saw them that fateful night at the show. I hummed and hawed about this for months it seemed (really it was only a couple of weeks). Then finally one night I said to my wife, what the heck and just threw my hat into the ring! That night I had a lot of trouble sleeping. In the back of my mind I was saying to myself Am I really ready for this?

We then set a date to get together. It was delayed a few times because of this, that and the other thing, but finally we got together.

When we sat down in the rehearsal hall, Rising Star Studios, I was finally relaxed. You couldn’t find a nicer bunch of guys. We sat and talked for a while, they even brought a couple of beers to make the jam more relaxing, nice touch.

I just stuck to my coffee because I had the songs that I went through at home in my old brain box running in overdrive and I didn’t want to mess anything up! As a rule I don’t like to drink when I play guitar, unless it’s at a campfire or just goofing around here and there. While jamming with guys of this caliber, you need to have your head screwed on correctly! As it turned out, these were just your regular kinda guys and I had absolutely nothing to worry about.

Keep on Jammin’

Rebel Wheel at Nuance 2008

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Rebel Wheel at this years Nuance 2008 was like the icing on a perfectly made musical cake! Once again, real nice line up there Wilton!

This Ottawa band played with so much feel and expression that night. Their sound was great and their approach to music showed a level of writing that I have not seen in many years. If they keep this up, then this will not be the last that we see/hear from these guys! Watch out for them.

Their on stage presence is that of a bunch of fun loving friends that are just jammin’ in a hall, and you just happen to be there at that point in time! They first gave me the impression of a Bare Naked Lady that meets a Jazz fusion band. I think that the BNL’s are the most entertaining band to see live!After a short period of time, I soon realized that there was much more to them then meets the ears. It honestly looked like Rebel Wheel was having a blast!

The true leader of the band is David Campbell. I loved some of the Steve Howe influences that he used in Tempra, but more on that stuff later! His approach to the guitar is wild! It was enthusiastic and intriguing to watch him jam. Aaron Clark, the drummer of the band and the guy I bought a shot of that black ouzo for, was funny … but he certainly is the back bone of the sound.

Gary Lauzon is the bass player of the band. He also had the best playing stance of anyone that played there that night … he was sitting down in a chair the whole show. Ah, Leon Redbone, I get it! Don’t get me wrong, the man was re-inventing how the direction of bass playing maybe going towards! His technique with his hammer on’s where something to behold. Very neat way to play the bass!

Now last but not least, there is Angie MacIvor. Who wouldn’t want a player like her in your band. Her sax, voice and keys were nice touches everywhere she put them into a tune. Not over powering at times, but intense when you really needed it! She added that Shuffle Demons feel to them, that night, LOVED IT!!!

So I have to give the Rebel Wheel band a 2 thumbs up! Now, go and check out their site for dates in your area and see for yourself … they are worth the drive.

Rebel Wheel, Keep on Jammin’

Wilton Said from Nuance 2008

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Wilton Said is a band that makes you think about what is being said and played. Showing fascinating musical and lyrical form, Wilton Said is unlike any other act that I have ever seen, honestly. He calls his form of music Art Rock, and that maybe the best way to envision the true essence of this great Toronto act.

He was the 3rd act of the night and wow, I just sat back and stopped writing down notes. He is really something to watch on stage. It’s not what you can see and hear, it is everything else that he is projecting to the audience. It’s really freaky … in a VERY GOOD way that is.

Here is a bit of his bio from the Nuance nights program

Wilton Said…

Toronto indie artist Wilton Said… likes to write lyrical topics which explore the places others may find uncomfortable. This can range from the homicidal school shootings in “No Other Way” off of 1999’s release “World up my Ass”, the ode to the oversexed pearl necklace stalker in “All for You” off of 2001’s release “Broken”, through to the public washroom romp in “What I’ve Seen” off of 2004’s ” The Butterfly Plague”. His last release titled “The View” (2006) takes a look at topics that we can all relate to but don’t necessarily want to. The struggle to find an identity so we may fit in as heard in “Pretty”. The lust for control and domination to soothe our own weaknesses in “A Family Affair”.

The struggles with addictions and deceit brought to light in “Merry go Round”. “The Empty Sky” with it’s theme of coming to terms with hopeless situations.

Musically, WILTON SAID…’s style can be referenced back to his experiences of classic art rock
artists such as Kate Bush, Queen, Peter Gabriel, Supertramp, and (older) Genesis.
Other inspired contributions range from A Perfect Circle with their release “13 Steps”, David Bowies release “Heathen” and Radiohead’s “O.K. Computer”.

All have added inspiration to the rich eclectic texture of his music and to his strong baritone vocals.
While Wilton’s past studio and live experiences has had an assortment of musicians backing him up, his
current and most stable line up consists of the textural stylings of Guitarist Chris Reid, the groove and grounded Bass playing of Frank Heisler, and the subtle yet intricate Drumming of Richard Rizzo.

WILTON SAID…, who holds a Degree in Musical Composition from York University, has been performing in the G.T.A. promoting his various CD’s through live shows and interviews. For more information
regarding future shows and events, please visit the website listed below.

http://www.wiltonsaid.com

So there you go! Now, go out and check out this intriguing Toronto artist.

Keep on Jammin’ Wilton Said

CounterPoint at the Nuance 2008 show

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CounterPoint is the kind of band that you DO NOT want to miss seeing live at least once in your life. These guys are just that good.

I read their bio’s from the evenings program and it was so nicely done that I have decided to show you all what was in it.

Member Biographies taken from the Nuance 2008 program:

Rick Kazmirchuk, Keyboards & Backing Vocals.

In February of 2008 he went out on my own to start the CounterPoint project as I wanted to write a more aggressive style of progressive rock. I needed to find players with a high level of musicianship to pull this off which I am happy to say has been accomplished with Jeff Morrison handling vocal duties, Chris Noto on bass and Joe Pawslowski on drums.

Joined my first band (Purple Haze) at 15 playing cover material and some original. Worked with numerous original bands over the years (Meshiana Wish, The Wish, Spinal Tramp, Media, NRG) still writing and performing original material and playing more cover material that was progressive-oriented along the lines of SAGA and Genesis and played in a SAGA clone band in the early 1980’s.

In 1986 I joined CERAFIM and was the major contributor and influence to the writing of the band’s
music in the styles of progressive and contemporary rock. CERAFIM went on to record 4 well received CD’s and is still musically active through Internet radio stations and is distributed internationally by a number of independent record labels.

In January of 2005 I ventured into a new musical partnership as keyboardist with the Canadian original progressive rock band THE LAST PLACID DAYS OF PLENTY.

Chris Noto, Bass guitar

Chris has been playing bass guitar since 1972 and has been surrounded by music as far back as he can remember as his father Sam Noto is one of the best jazz trumpet players in the world.

Chris brings a unique style of bass to the band, a cross between prog rock greats such as Chris Squire (YES) and Greg Lake (ELP) as well as a be bop jazz influence from his father. Chris grew up in Las Vegas, Nevada and moved to Toronto in 1975 and has been here off and on ever since.

Chris opened for the band Mountain in Las Vegas when he was a mere 21 years old. He has played with keyboardist Rick Kazmirchuk in NRG, CERAFIM and a brief stint with the Last Placid Days of Plenty before teaming up with Rick as bassist for the CounterPoint project.

Joe Pawlowski, Drums & Percussion

I’ve been playing drums for almost 30 years. My main influences are Gene Krupa, John Bonham, Carl
Palmer, Billy Cobham, Bill Bruford, Neil Peart and Mike Portnoy. I have been in a variety of different bands, from Rock, Jazz and Progressive.

I plan to give you a blow by blow description of their show in upcoming posts in the future. Stay tuned for more … I promise it will be more then worth the wait!

CounterPoint, Keep on Jammin’

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