sound – Page 3

Well, that was fun

October 8, 2007 by Chris

My wife and I are going to a blogging convention in Las Vegas in November, but we both need passports! If we don’t get them we won’t be able to fly into the United States.

I had to get photo copies of this that and the other thing Sunday night, get our photo’s from this Greek Photo Finish shop in the heart of Greek Town (The Danforth to Locals) run by this really nice little Asian couple on Monday. Gotta love the big city or what?

I went downtown one day last week. On that day I got up at 6:45 (early for me) so I could go see my old buddy Dave the Criminal lawyer guy downtown Toronto to do his part with the Passport legalities! When that was done I was going to go home pick up the wife, go back downtown to do the Passport paperwork stuff when it dawned upon me that, “Why don’t I just do it when I was downtown doing some paperwork stuff with Dave? So I did it, thus eliminating around 2 hours of driving downtown.

While driving home I picked up some earth worms for our pet turtles. Nice! Had to go there anyway at some point in time. I was busy that day. I also ended up getting the muffler replaced, now our car doesn’t sound like some kid’s street racing machine, that just got his ride pimped right!

While I was waiting for the car to be finished I walked up to my favorite store in the world, the 12th Fret and bought some new strings for my Fender Lead II. Walking into the store I was greeted by the presence of a new White Gibson SG Double neck, now that’s a greeting! It was about $3568.00 (Can) by the way in case your wondering.

While walking back to Speedy Muffler King to pick up the improved ride, I walked into this neat sidewalk patio and had a few light refreshing liquid beverages. The finger foods were nice too, as was the conversation with the owner an older Macedonians lady.

When I finally returned home I had a well deserved rest. What a busy day that was! Cheers!

Keep on Jammin’

Tonelab LE

October 6, 2007 by Chris

I was introduced to the Vox Tonelab SE peddle by a guy who I was playing with this past weekend at the Arlington Hotel’s Capron’s Cavern, Paris Ontario.

The event was being held for a dear family friend who was celebrating his 50th birthday. Craig Peeler was the guitarist who played a wide variety of tunes. I brought along my Larivee and he graciously let me jam with him on stag that night.

Wow, I was at Steve’s Music on Queen St. in Toronto today and I was looking at a Vox ToneLab SE. This thing looks HOT! Unfortunately they did not have this in stock but was getting them in this week.

John Boldt was the rep. that I was talking to and he was very up to date on his pedals. He was saying that 12AX7 dual triode vacuum tube is used at the end/output of the inside mother board of the floor peddle. This has quite the warming effect on the sound. The tube is not used for the power of this system! He said that most pedal companies are using the vacuum tube at the beginning of their process but Vox was using it at the tail end instead. This makes sense because you would always want a warmer tube sound coming out the speakers.

I would recommend this little piece of equipment heaven for anyone’s collection!

Keep on Jammin’

OMG you gotta hear it to believe it

October 4, 2007 by Chris

Now I already have a good pick-up system in my Larrivee L-03 but when went into my favorite guitar store, the 12th Fret in Toronto, I feel madly in love with the L.R. Baggs IMix.

Now I have been looking to update my pick-up system in my L0-3 lately and found many systems in which to chose from. I have narrowed it down to two items. (1) the Fishman Ellipse Blend vs. (2) the LR Baggs IMix.

When I went in I talked to my favorite guitar guy Tim Cameron. Being the honest guy that he is he immediately directed me to a acoustic guitar pick up god named Nevin. I told him what I was looking for and told him that I was just looking to hear the differences between the two and he paid as much attention to me as if I was going to pick one up right then and there, now that’s service!

He brought me two guitars that had the pick-up systems already in them and put me in their little music room, plugged me in and let me got at them. Wow, was I impressed with both!

First I tried the Fishman Ellipse Blend. It had a real nice sound but I was detecting feed back. I know that I was in a little room but for some reason the feeling and sound was off to me. I realize I am knew at the finer subtleties of acoustic pick ups, but it was a gut feeling. It was very refreshing to see that you can adjust the position of the mic inside.

Then I tried the LR Baggs iMIX. The sound was full, responsive to very fine picking and it can overpower your senses, in my view that is.

Guitarist realize that since the sound of the acoustic guitar is very complex and fickle, so therefore it is a must to use more than a single pickup to attempt to sense it.

The iMIX uses the Baggs iBeam under-bridge pickup with a Baggs Element under-saddle piezo. The Element pickup senses the strings and provides the presence and feedback resistance of piezo while the iBeam reads the sound inside the guitar and adds natural fidelity, albeit with increased feedback sensitivity. The signals from the the two pickups are blended, in this case via the rotary blend control, on a side-mounted, Baggs iMIX Onboard, pre-amp. This pre-amp also features three slider controls for volume, treble and bass, plus a phase reverse switch for a measure of elementary feedback control. A fingertip pressure releases the battery from its compartment for a quick change when required.

iBeam

Element

Now all that I have to do is get my wife on board!

Keep on Jammin’

Guitar side ports

September 28, 2007 by Chris

The one thing that I see in the evolution of the acoustic guitar today is its link with the past from Canada’s own, Glenn Gould.

He used a unique approach while playing in his later years, around 1983, when he took away part of the piano body to let the sound come out of the instrument in a unorthodox way.

First of all, the guy was way ahead of his time. What he did was to remove the wooden cover section that is used to cover the piano keys. He removed this part entirely. He would also close the piano lid on his concert piano, allowing the sound to be sent through the missing cover section of the piano.

This allowed him to hear the subtle tones while playing his music.

This was best shown in his 1980’s work of the gloomy nature of life. The slowness of some of his canon’s reflect the need for this type of sound exposure that the musician needs to fully understand what the audience hears, but as a very unique approach.

Second of all, the guy went to places that no one probably ever thought of venturing. I wonder if the person who thought of the guitar side ports ever watched Glenn Gould Hereafter? If he did, I bet this is where he may have got the idea, but then again I could be dead wrong.

I have been toying around with the idea of putting in a new state of the art pick up system in my Larrivee. The system is called the LR Baggs iMIX. It captures a lot of the character in my guitar with an active response to it. That means that the pickups pick up the aggressive or passive playing of the strings on the guitar.

Now in order to place it in there, I must have it installed inside the body above the sound hole, closest to my face. That’s fine with me. The next question is what in the world do I do with the hole that the factory installed system sat in? It would look mighty funny just viewing a rectangular opening right there in my face. Do I just leave it there or what should I do with it? Here is my best option, I think.

I have always wanted both of my acoustic guitars to have pick ups so I can have a back-up on stage. So why not put my old pick up from the Larrivee into my old Aspen acoustic guitar. Perfect, I think? Unfortunately if I do this I will have this opening on the side of the body near my chest where the old system was. It would look so odd and out of place that I would be reluctant to let anyone look at my guitar. So while talking about my problem with the guitar tech at the 12th fret, he gave me this fabulous idea of the side port!

They could change the look of the old hole and create a fancy looking design in it’s place!

This will allow a small portion of the sound to come up directly to me acting like another sound hole or a monitor if you will. This will not effect the tonal qualities of my baby I have been told. The tech had one in this part of the workshop that he made and let me try it out. Not only did it look very cool and original, but it was nice to have some sound coming from a part of the guitar that I have never heard it coming from in the past.

Now all I have to do is convince my wife about this one, wish me and my Larrivee luck will you all?

Keep on Jammin’

More on my 1959 Fender Duo Sonic

August 30, 2007 by Chris

This baby was first introduced to us in mid 1956, the original Duosonic (two pickups) were Fender’s 3/4 size, student model, 22.5″ short scale beginners guitars.

With the switch in the middle position, the two pickups are in series, giving a humbucking pickup type sound. These short scale student models were made to the same high quality standards and materials that Fender used for its more expensive models. For this reason, Duo-Sonics are very well made.

In late 1964 both models moved to second generation, coinciding with the introduction of the Mustang. A buddy of mind, Serge Roy of Brantford has one of these puppies! The “II” designation was then added to the DuoSonic and MusicMaster names. These models are more like the Mustang (except the Mustang has a vibrato), than the original DuoSonic/MusicMaster models. The differences in the new generation were in the body shape, pickguard, and electronics.

It was available with either a 22.5″ or 24″ scale, but is most often found with the longer scale. The 24″ scale Duo-Sonic II, Musicmaster II, and Mustang of the September 1965 to October 1966 period are sometimes found with a slab rosewood fingerboard, usually of Indian rosewood.

Some Fender experts today speculate that the slab board necks were leftovers from 1962 Jaguars. Don’t tell Serge about this one,ok?

No matter what is said about this vintage instrument the only thing that matters is how it plays and sounds. I am truly blessed by having this little gem of a guitar and I know that. If you ever get the opportunity to play a 1959 Fender Duo Sonic you will know what I mean and remember this post!

Keep on Jammin’

A Canadian Amp called Traynor

August 24, 2007 by Chris

I never did have an interest in the sound that Traynor amps had so I didn’t pay any attention to them. No great guitar player played on one except my most influential guitar teacher Chris P. Even the place that he taught at, the old “Alonzo’s Music” on Colbourne St. in Brantford which is now called LA Music, was stacked to the ceiling with Traynor amps. Ah, but Mike Defo from the Brantford 80’s band “Vigilance” used Traynor guitar and P.A’s. Boy did I envy his playing as a young guitar player!

Peter Traynor is a longtime friend to Dominic Troiano, both from Toronto area , who made these Traynor amplifiers that are the most famous amplifiers that ever came out of Canada.

Troiano and the boys from “Bush” were the first band to take that equipment across the border and play it in the USA.

Peter Traynor isn’t a wealthy man, because he sold out to the person that was funding him.

Anyway, it’s a company called Yorkville Sound. It’s probably one of the biggest corporations in Canada, but it is Bush’s amplifiers that were made by Peter Traynor that actually broke through in the United States and made them money.

Traynor went well out of his way to make sure he got it right for them. He was a great innovator. He’s a genius and a very important person in the Canadian culture of music. After the infamous accident in Death Valley on their way to Vegas, they played the gig, and it was all that Traynor gear – the guitar amp, the bass amp… they just dusted it off, stuck things back on, and it all worked. Talk about Canadian toughness, I guess he got that toughness from our way of dominating the ice in HOCKEY!!!

I was inspired to write this post after reading a “Bush” site about John Prakask, the great bass player from the band.

Keep on Jammin’

Time to overhaul my Gibson RD – Artist?

August 10, 2007 by Chris

This guitar is my baby! I have been through thick and thin with this thing. I now feel and fear that this perfect instrument has to be improved in one area and one area only.

I love the “character marks” on it, that means “wear and tear” for the uninitiated. The oxidization or colour change in the Ivory throughout the guitar, makes it look beautiful and vintage. The neck is perfect. The tuning pegs are still working quite well, stays in tune for ages. The active electronics need some work and I want to have that looked at. Now the only biggest drawback to it is the weight. If you ever had to play this thing for 2 hours while your playing live, you will know what I mean.

This is the only big obstacle that I have to deal with. The way to resolve this will tax my nerves to the limit.

By reading a great site in blog land, I’ve found that I have a little voice in my head pushing me more and more towards confronting this issue. The site is called Building the Ergonomic Guitar.

He says that the way to get the best results are to change to an ergonomic strap called “The Dare Strap“. This idea is the least invasive out there that he’s heard.

So I was just wondering if I should just router some areas on the back of the guitar to lighten up my load. I realize this sounds like some “Hillbilly that just fell off the turnip truck” idea but it may work? I am just asking for ideas here people. I don’t even own a router.

There is this guitar player in Brantford in the early 70 -90’s called Scott Merrit. The man was a god on guitar. He played in the open tuning style that I had only heard of at the time, but have never done anything quite like. I must admit that when he went into the local guitar shop called “Music and Sound”, I would just put down my guitar and pretend that I didn’t play. I know it was a fantastic missed opportunity by a little kid, but could you blame me I was in grade 8.

He was awarded a Juno for the best upcoming artist and vocalist in Canada in the mid 80’s. Scott had the same 1959 Fender Duo-Sonic that I have. The big difference between both of ours was that he had cut a handle hole in the upper right portion of the guitar where you might rest your right forearm on, while I left mine complete. It was the neatest thing to look at. While I was over at his place in high school, he showed it to me.

I guess if Jimmy Page can use this guitar at all of their Knebworth shows for Misty Mountain Hop throughout the 70’s, then it’s good enough for me!

If someone has ever done this type of work on their guitar or is very talented with a router, can you give me some advice on the pro’s and con’s or even alternatives to this procedure?

Keep on Jammin’

Michael Hedges

July 26, 2007 by Chris

This is a player who should be in everyones’ music collection. Michael Hedges is so innovative, crisp in the clarity of his unique style and most of all provides a very refreshing new experience. Just listening to the creative levels of his guitarmanship makes your mind wonder off towards a different level of consciousness. Just listen to the video and you will see what I am referring to.

Just off topic a bit but, I thought that I was the only one who was constantly tuning my guitar between songs. The beginning part is useful to a player who is attempting to play his style of playing, it certainly helped me out.

He refers to his style as “violet acoustic” which is a style that I might be considered to use frequently as well. Actually, aggressive acoustic is more appropriate. Michael Hedges has this gift to be able to dampen strings, which is called “Right hand string stopping” by classically trained guitarist. This is applied to the bass strings of the guitar by your thumb. Michael however, brought this to a new level of playing.

He insisted that you should dampen every individual note that is not worthy of hearing. Michael thought that letting a string ring out is like contaminating the chord structure of a song and not giving the listener the clarity of sound that you want them to hear, and I quote “It’s just, why let it ring by default of any thought? Be responsible! Don’t let things just go on because you started them.” This poses a huge problem for most guitarists. That is, it is very difficult to do this while flying around the fret board at warp speed.

The only way to achieve this level is to apply the old adage “slow down, I’m in a hurry”. Did ya ever hear of that one?

This means that you have to slow down so much that, when you play a piece fast at such slow speeds paying attention to every single minute detail, it allows you to play almost error free. I do this all the time when I practice and I may lose my marriage to my wife one day because of it. Her mind is so agile and crisp that she can do things flying around at MACH 5 and absorb things while executing it almost perfectly.

I have to give credit where credit is do so, thanx Brian @ RiffDreams for this great new guitar experience.

Keep on Jammin’

1,800 Guitarists Set World Record Playing ‘Smoke on the Water’

July 10, 2007 by Chris

Now that would be a sight or should I say sound to hear! I hope that they were all in tune. I wonder how far they got in the song?

Anyway, those crazy (and I mean that in a nice way) Germans just seem to love their hard rock and where the mullet seems to never have gone out of style.

They had 1802 guitarists, ranging from 6 to 80 years of age, play this tune simultaneously.

It happened on Saturday, June 25 2007, in the village of Leinfelden-Echterdingen in the German state of Baden-WÃ¼rttembergwonder. Makes one wonder what the previous record is. Well if you really want to know it was in June in Kansas City in the US, where 1,683 guitarists got down and riffed together.

The Deep Purple singer Ian Gillan was trying to take part in a live link-up from England, but was prevented from singing along by technical problems. Now that would have been cool to be there if they did get the glitch to work right.

If the record is not exceeded by September, the record will go into the Guinness Book of Records.

Keep on Jammin’

The Grand Old Danforth Music Hall

May 31, 2007 by Chris

The Danforth Music Hall is quite the fixture in my neighbourhood. It’s been around since the 1919 and originally called “Allen’s Danforth theatre”.

It had it’s hey day back when Vaudeville acts where all the rage! It changed it’s concept and purpose a number of times and eventually was called the “Century” but kept it’s distinctive beauty intact.

They’ve just renovated this gem on “The Danforth“, known by the locals, and is fully up and running. They have underwent extensive renovations from top to bottom that reflects it original Grandeur. New state of the art sound/lighting system, new seats that are wider (now that’s worth it weight in gold in itself), updated lobby/washrooms and bar area!

This is the kind of jewel that you pass everyday and say to yourself, ” I gotta get in there some day!”. Well, hopefully I will not have to wait that long.

I just went to their site and found a treasure trove of musical talent that is just screaming out to me to go see! Besides, there is tons of parking and seconds away from the subway.

These are a few of my choices that have caught my eye!

Rick Wakeman, the man is a musical genius and machine when it comes to the keyboard (Tony, you gotta see this guy to believe him)

Stephan Stills, now this is a guy you want to go camping with, imagine the sing songs around the fire! (Stevie my favorite brother-in-law, keep this date open)

Rickie Lee Jones, she would be a nice addition to one of my backyard parties. (Jon, will we see you there?)

Just to name a few! My eyes are on Rick Wakeman.

Their site is easy to navigate plus there are some video’s of the artists in their “Events” section, just in case you want to refresh your memory of who they are.

So if your in my neck of the woods, check out this Grand Old Lady and hope to see you there on Aug. 17th/07 when Mr. Wakeman is playing.

Keep on Jammin’

Well, that was fun

Tonelab LE

OMG you gotta hear it to believe it

Guitar side ports

More on my 1959 Fender Duo Sonic

A Canadian Amp called Traynor

Time to overhaul my Gibson RD – Artist?

Michael Hedges

1,800 Guitarists Set World Record Playing ‘Smoke on the Water’

The Grand Old Danforth Music Hall

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