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Rush performing 2112 Live in 1976

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Rush’s 1976 album titled 2112 was a huge hit in my circle of friends. After listening to it the first time on the radio I had to go out and purchase it! Once I had it in my sweaty little palms I literally ran off to my brother Tim’s stereo a Apollo 861 by Electrohome and began my long journey in trying to reproduce this album on my guitar!

After attempting to reproduce as much as I could all my buddies were lining up for lessons! The learning curve was not that bad for most of my buddies but at times I must admit it was frustrating! During this period I was playing in this band called Deuce with Brian McGlinchy and Eddie Cudek from Gemini. We attempted 2112 and in the bands eye’s it was perfect, as for me well…

Then I joined a band with the great keyboardist Tony F. and guitarist Mike Vantresca? We didn’t have a name but we sure sounded fantastic! I recall trying to play 2112 and with Tony’s magical keyboard sounded quite better then Deuce, sorry guys.

Then after leaving Pylis, I was playing with Domenic Nardone, Eddie Steel and Jon Penrose. I must admit Domenic was outstanding on this tune! It was like Dom was born to play anything that Neil Peart could do.

So I hope that you all enjoy vintage RUSH performing 2112 and I know I’ll be thinking of Domenic on drums whenever I listen to it!

Keep on Jammin’




Max Webster coming off the moon

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Just in case you have not heard of these guys, here is a little ditty and my old band Pylis played way back in the day.

It has everything you want in a tune to play live! It’s fun, difficult to play and most of all IT’S A CANADIAN BAND!!!!!

Enjoy!

Keep on Jammin’
Max Webster R.I.P.


Canada’s own Ken Greer

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Ken Greer has to be the best Canadian guitarist/slide guitarist/keyboardist that has ever flown (for way too long in my eyes) under the radar that I know of! He certainly has to be the most underrated Canadian guitarist that I have ever heard. And I have my brother in-law to thank for this.

He has it all, he plays it all and he understands it ways we can only dream about. Ken Greer has that special something that we all strive for in our own playing approach. Seeing him play with Tom Cochrane was like seeing a wall of sound hit you right in the face. It was like going to a nice old church with an organ that has 75 foot pipes with all the stops out. We experienced what it must of been like for people when they were first exposed to Phil Spector’s revolutionary wall of sound.

They guy plays his slide like it is a freight train rolling through you head one moment, then he tickles the plastic ivory like my buddy Tony F. from my old Pylis days! He then will pick up his axe and then blast off with some back up rhythm guitar playing that makes you just shake your head … that’s what I did throughout his show with Tom Cochrane at the 2008 Canadian Open.

I’ve been trying with no real luck in finding some of his stuff on-line to show you so if you have anything on this guy then PLEASE send me a link! I just want to give you a little taste of what it was that we experienced that faithful night.

Keep on Jammin’

The rebirth of Rock and Roll Heaven

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If you lived in Toronto during the 80’s you would remember a great bar called Rock and Roll Heaven at Bloor and Young. Ohhh the memories of seeing bands and meeting people in this place! My old band Pylis even played there.

rrheaventicket.JPG

I can recall one night going there and watching Robin Trower playing with his band and met a very old friend who played in a fellow 80’s band in Brantford called Vigilants.

Robin Trower’s sound was the sound of Rocking Roll heaven during that time so check out this video to get a little taste of what it was like.

Recently Rocking Roll Heaven has had it’s rebirth in Toronto at it’s new location. I love the venue that they took over from and the outside patio is quite nice as well.

On their site they have a good schedule of who is playing and they also have a acoustic jam sessions on Sundays from 2-6 PM, I hope to do a few sets there some weekend soon!

I hope that they rekindle the feel of the old place and I wish them well.

Keep on Jammin’

Saga, 30th Anniversary Tour

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I was made aware of the Saga concert on the morning of the show.

Tony, God bless that guy, called me on Saturday morning and asked if we were going to see them that night. I had told him that I knew nothing of the show and hung up to get some tickets on-line.

My wife was not feeling up to going to the show so I naturally decided to contact my keyboardist friend Rick to drag him along.

The tickets were $20.00 Can. the seating was in general admission. We were one the first one’s there so we decided to stand beside the stage. We waited for a long time until Tony,the old keyboardist from Pylis and his beautiful wife Laurie to meet us there.

Last time we saw Saga live was around 2 years ago at the Hard Rock Cafe in downtown Toronto. That night we stood on the right side of the stage were Ian Crichton the guitarist traditionally played. Tony wanted us to be on Ian’s side of the stage so I could be amazed by his wizardry. At this point I was recovering from a heart problem and I thought that it was really nice of my old buddy to be thinking in this way!

This time I thought we should be on the keyboardist Jim Gilmour’s side because of Tony’s nice gesture the last time we saw the boys in the band.

We were around 15 feet, yes 15 feet away from him and it was wonderful vantage point to see the band from. Tony couldn’t have been happier.

Here is the set that they played that night!

Trust
That’s as far as I’ll go
Wind him up
Your not alone
The one
The Perfectionist
Conversations
Scratching the surface He did this solo and it was dedicated to a married couple that he knew.
The Flyer
The Perfectionist
The Runaway
See them smile
Compromise
Careful where you step
Don’t be late

Don’t be late is my favorite Saga of all time! It really was the best song that I have ever played then and now!!!

Encore
Humble stance
On the Loose

The end of a Rocking Roll/Progressive Rock era ladies and gentlemen.

Keep on Rockin’ Saga!

Off to see Saga

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Earlier this morning my old friend and keyboard player from Pylis gave me an unexpected call. He informed me that Saga was playing tonight at a great venue called Jeff Healey’s Roadhouse in downtown Toronto. He said that he got some tickets for him and his wife and wanted to know if we were interested in going. I asked my wife and she was not feeling up to it due to her illness

I’ve never been there but it has been house to many a great band. It holds up to 600 guests and it has been up and running for many years now.

Get back to you soon!

Keep on Jammin’

Best Canadian band that you never heard

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Well this is a follow-up post from my last one.

Most music lovers in Ontario in the 80’s, were exposed to and grew up with some of the most extraordinary musical talents. But the ones that were

I bet that these guys would have done well for themselves in the European market. Bands of that era especially Saga, which had a huge cult following in Germany, shows that it can be done! Some of them tended to just peter off a bit in their later stages of the European introduction.

I just thought that I would introduce to you all, to an eye opening Canadian talent that changed my view of how to play in a uniquely Canadian way. Some of you I highly recommend you listen to this a couple of times, to really appreciate it. The guys are truly showing us here their advanced interpretations of just how to play their music to us here. Imagine the guys who influenced them!

I would just killed to play this song live with the old Pylis band. Our keyboardist Tony could play anything on those damn black boxes of his! The guy is just way too modest for this world (you got that Tony?).

So without further adieu … Ladies and Gentlemen … FM!!!

Oh, BTW, Nash is the guy in the bandages.

This little ditty is of them during their Gary Neuman period. There is a great hint of Roxy Music and Yes in there to tantalize your musical ear as well.

Keep on Jammin’

The Perfectionist

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This is another song from Saga that we played in Pylis. The song starts up with an acoustic guitar that then goes into an electric. My Gibson RD Artist fulfilled that dual roll quite admirably I must say.

It wasn’t until recently that I re-visited this song on my Larrivee L-03 acoustic.

The lyrics were just fascinating to listen to and the guitar forms are much more complex then I remembered. As you may or may not know, I’m not a lyricist by any stretch of the imagination. I just pay attention to the level of difficulty of the guitar, the overall structure and emotion that a song provides.

Later on I will start teaching people how I “interpret” how a song is played. So check out this song, and try to pick out all of the guitar progressions and remember them when I start video taping my version.

Keep on Jammin’

The guitar solo that I can nail the best

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This is the solo that I know I can pull off live with no hesitation. I do not consider myself as a lead guitar player but others might object to this. I do not wish to be thrust into the limelight because musically, I feel uncomfortable with it.

The band that I played this song/solo with was called “Pylis”, pronounced “Pie-lis”. We were a band from Brantford Ontario in the early 80’s. Saga was the style of music that we naturally gravitated to. It was challenging to us and we could reproduce live quite effortlessly.

The first guitar solo on this song was something that I could not wait to play. It had to be played with a steady fingers and the ability to milk the hell out of every note! In my opinion, it was one of the best songs we played.

Tony, the keyboardist and my best friend, was the backbone for this one. His abilities to play many keyboards at once left not only myself but others to say, “How the hell did he do that?” The sound that he made doing this was sooo huge that it honestly boggled my mind how he could play it to a “T” at will. When he played it, it was like listening to the album without anyone else playing. WOW!

Aldo, the bassist, was way too much fun to hang out with. Too bad the bonehead didn’t come out to Tony’s “80’s band Reunited” held Oct. 10th/2004 at the Hard ball in Milton Ont.! (I have to acknowledge Tony’s wife, Laura, for all the support that she gave for this memorable event. If it wasn’t for her, it wouldn’t have been the success that it was.) Aldo was one of the singers in the band and he could pulloff Geddy Lee like no one else.

Now for the drummer, Chris W. He was like the older brother that I would love to drink to excess with one minute then, wrestle him to the ground. He was a tall and lanky fellow. This made it child’s play to me. Being a little guy, I always went for his ankles and then just pushed him over for starters! He had such the perfect voice for this song that it made you wish that you could sing it just like he did. His drumming was 2nd to none. He had this Silver Slingerland 8 piece kit, the one that Neil Peart used in 1975-76, that was out of this world and boy could he play like it as well!

So here is the tune that I’ve been talking about, so just sit back and enjoy!

Keep on Jammin’

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