Chill Out Music

Ambient music is a musical genre that focuses on the timbral characteristics of sounds, particularly organised or performed to evoke an “atmospheric”, “visual” or “unobtrusive” quality. Ambient evolved from the early 20th century music of the impressionists, composers such as John Cage, Morton Feldman and minimalist composers of the 1960s and 1970s to rock musician Brian Eno, who is responsible for coining the phrase ambient music in the manifesto liner notes of his 1978 album, Ambient 1: Music for Airports.

Ambient music has influenced many other genres, most remarkably some forms of rhythmic music presented in chill-out rooms at raves and other dance events, with the intention of creating an calmer, relaxed atmosphere for ravers to take a break from dancing.

History

Early 20th century French composer Erik Satie created an early form of ambient music that he referred to as “furniture music” (Musique d’ameublement), in reference to something that could be played during a dinner whose sound would simply create an atmosphere for that activity rather than be the specific focus of attention.

Ambient music is a musical genre that focuses on the timbral characteristics of sounds, particularly organised or performed to evoke an “atmospheric”, “visual” or “unobtrusive” quality. Ambient evolved from the early 20th century music of the impressionists, composers such as John Cage, Morton Feldman and minimalist composers of the 1960s and 1970s to rock musician Brian Eno, who is responsible for coining the phrase ambient music in the manifesto liner notes of his 1978 album, Ambient 1: Music for Airports.

Ambient music has influenced many other genres, most remarkably some forms of rhythmic music presented in chill-out rooms at raves and other dance events, with the intention of creating an calmer, relaxed atmosphere for ravers to take a break from dancing.

Brian Eno is generally credited with coining the term “ambient music” in the mid-1970s to refer to music that, as he stated, can be either “actively listened to with attention or as easily ignored, depending on the choice of the listener”, and that exists on the “cusp between melody and texture.” Eno, who describes himself as a “non-musician”, termed his experiments in sound as “treatments” rather than as traditional performances. Eno used the word “ambient” to describe music that creates an atmosphere that puts the listener into a different state of mind; having chosen the word based on the Latin term “ambire”, “to surround”.