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You are here: Home / Archives for pick ups

Basic Humbucker pick up system

November 19, 2007 by Chris

Basically making a Humbucker pick up(p/u) is when you place a single coil beside another one.

Visually you will notice that some Humbucker p/u’s may have a cover on them, thus you will not see the two coils side by side. I will try to explain that one in another post.

humbuckingpickup1.jpg Both coils generate a signal that comes from the strings that are vibrating or making sound. If you pluck a string it will vibrate in a certain direction and height. During one complete cycle it will move closer and then farther away from the pick up itself. By placing two of them side by side obviously gives you more signal/sound output that comes out the the p/u and into the guitar amplifier.

These coils are wired together in a configuration called series.

serieswiring.jpg For people just trying to grasp at this idea, here goes nothing. Both of the coil’s wirings are opposite to each other.

When you wrap the wire around the coil, it can be wound either by clock wise or counter clock wise direction. This is better known as polarity, or the direction of how the signal is sent to the amp. In guitar terms it is better recognized as reverse winding and reverse magnetic polarity called RWRP.

For guitarist in the know, the RP is how the pick ups are wired to each other.

reversedpolarity2.jpg With a single coil p/u, it generates a certain hum from it. For some, this drives them mad and others love the effect. I tend to fall in the middle of this one. Both sounds are very unique. So now having two coils in RWRP, the EMF effect, offsets the other one thus making a hum less p/u with more power. BTW, this is the reason why they called it the HUM-BUCKER pick up, get it? Also by adjusting the height of the p/u, you change the sound and output of it.

This link is to a How to make a Humbucking Pick Up thus giving you a complete visualization of the structure and a better idea of how it works. I tend to be a more visual person in how I learn, some people learn more by audio means.

I hope that I did not confuse anyone with this post. I just want to give the average person a better/basic working knowledge of how this system works!

Keep on Jammin’




Filed Under: Guitar Equipment, Guitars, My Equipment Tagged With: amp, clock, coils, Gibson Humbucking picks up, guitar amplifier, guitarist, magnetic polarity, offsets, pers, pick ups, single coil, visual person, visualization, wirings

My Fender Lead II

November 10, 2007 by Chris

I have been using my Fender Lead II as of late. I only have one guitar stand and I rotate the guitars that I put in it many times throughout the year.

I got this guitar off a exchange student from Japan around 1984-85. Oddly enough, this is a Student Guitar, meaning the body is smaller making it easier to play. He was a little low on funds and he wanted to know if I wanted to by it. At first I started to give him lessons and he was not that bad if memory serves me correctly.

While looking at my black Fender I started to wonder what year this baby was built so a Googling I will go!

fenderleadii.jpg

This site was the one that I ended up at. You can normally determine the age of your guitar by the serial numbers. Mine is “E0 09736” so it’s made in 1980, that makes it 27 years old! If you have a Fender guitar just sitting around the house, go and get it and find out how old your is. Get back us on that one if you have one.

I just love the sound of the X-1 single coil pick ups on this one. You can raise the pick ups by turning the 2 screws at either end of the pick up clock wise. This adjustment brings the pick up closer to the strings thus you get a stronger signal.

There is a phase reversal switch that works when you are in the middle position or using both pick ups at the same time. This switch is really nice to have at your disposal.

multiplefendlead2.jpg

I know I will try to get a picture of mine up here soon!It has 21 medium Jumbo frets with a 4 bolt neck piece. It has a “Soft V or C” profile neck, which means the part of the body which attaches to the neck section of the guitar. The neck itself is maple. The small headstock is a nice reminder of the past Fender guitars that were built between 1954-65. Oh, headstock is part where you tune the strings on the “head” of the guitar in case your unfamiliar with guitar terms.

The bridge, where you put the strings on the body of the guitar, is designed after a Fender Telecaster. Keith Richards plays this type of an axe.

As far as I know it was made at the Fender Fullerton California plant. It was also one of the last fender guitars to be made at this legendary location!

So hats off to my 27 year old gal and hope we’re together a lot longer!

Keep on Jammin’

Filed Under: Guitar Equipment, Guitars, My Equipment, My experiences, The early Years Tagged With: adjust, art, axe, c profile, design, exchange student, fender, fender guitar, fender guitars, fender lead, fender telecaster, fret, fun, googling, guitar, guitar stand, headstock, house, jammin, Keith Richards, legendary, lessons, middle position, Music, phase reversal switch, pick ups, picture, play, plays, screws, serial numbers, sing, single coil, sound, start, strings, Tim

Guitar side ports

September 28, 2007 by Chris

guitarsideport1.jpg The one thing that I see in the evolution of the acoustic guitar today is its link with the past from Canada’s own, Glenn Gould.

He used a unique approach while playing in his later years, around 1983, when he took away part of the piano body to let the sound come out of the instrument in a unorthodox way.

First of all, the guy was way ahead of his time. What he did was to remove the wooden cover section that is used to cover the piano keys. He removed this part entirely. He would also close the piano lid on his concert piano, allowing the sound to be sent through the missing cover section of the piano.

This allowed him to hear the subtle tones while playing his music.

This was best shown in his 1980’s work of the gloomy nature of life. The slowness of some of his canon’s reflect the need for this type of sound exposure that the musician needs to fully understand what the audience hears, but as a very unique approach.

Second of all, the guy went to places that no one probably ever thought of venturing. I wonder if the person who thought of the guitar side ports ever watched Glenn Gould Hereafter? If he did, I bet this is where he may have got the idea, but then again I could be dead wrong.

darksideport.jpg

I have been toying around with the idea of putting in a new state of the art pick up system in my Larrivee. The system is called the LR Baggs iMIX. It captures a lot of the character in my guitar with an active response to it. That means that the pickups pick up the aggressive or passive playing of the strings on the guitar.

Now in order to place it in there, I must have it installed inside the body above the sound hole, closest to my face. That’s fine with me. The next question is what in the world do I do with the hole that the factory installed system sat in? It would look mighty funny just viewing a rectangular opening right there in my face. Do I just leave it there or what should I do with it? Here is my best option, I think.

I have always wanted both of my acoustic guitars to have pick ups so I can have a back-up on stage. So why not put my old pick up from the Larrivee into my old Aspen acoustic guitar. Perfect, I think? Unfortunately if I do this I will have this opening on the side of the body near my chest where the old system was. It would look so odd and out of place that I would be reluctant to let anyone look at my guitar. So while talking about my problem with the guitar tech at the 12th fret, he gave me this fabulous idea of the side port!

lightsideport.jpg

They could change the look of the old hole and create a fancy looking design in it’s place!

This will allow a small portion of the sound to come up directly to me acting like another sound hole or a monitor if you will. This will not effect the tonal qualities of my baby I have been told. The tech had one in this part of the workshop that he made and let me try it out. Not only did it look very cool and original, but it was nice to have some sound coming from a part of the guitar that I have never heard it coming from in the past.

Now all I have to do is convince my wife about this one, wish me and my Larrivee luck will you all?

Keep on Jammin’

Filed Under: Glenn Gould, Guitar Equipment, Guitar Maintenance, Guitars, History, Musicians, My Equipment Tagged With: 12th Fret, Acoustic, acoustic guitar, Canada, concert, fret, Glenn Gould, guitars, hole in guitar, instrument, Larrivee, LR Baggs IMIX, Music, musician, pick ups, play, playing, remove pickups, side ports, sound, strings

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