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Trends in Music: The Future of Instruments

November 2, 2012 by Chris

Musical instruments have always had one foot in the past and the other in the tech trends of the future. The digital world, arriving in force in the 2000s, had given us entirely new genres of electronica. But the world is always changing, so get ready for even more musical experimentation in the coming decade. Here are a few glimpses into the future of instruments and the newest musical arts:

 Making Movement into Music: Using apps to plot out notes is last year’s news. Now garage developers and tech companies have more ambitious projects – like turning body movement into music. No surprise, these programs typically use the Microsoft Kinect to produce sounds based on gesture and movement. Think of conducting, but as a way to play music instead of leading it. There is no “official” Kinect program for creating music with your hands, but some of the hacks are serious business, like the project created by Australian composer Chris Vik, which he played at the Melbourne Town Hall. Vik’s program uses an electric interface to play real notes on an ancient organ in accordance with movement picked up by the motion-sensing camera. If it works for an organ, what else could it work with? Expect body-music to pick up steam as people use increasingly elaborate sensors and MIDI devices translate movement into tunes…sometimes with lasers.

Even More Synthetic Materials: Two separate trends are driving synthetic materials in musical instruments. First, the destruction of key forests such as Brazilian rosewood are making the best-sounding woods incredibly expensive to manufacture. While sustainability practices are countering the problem, most manufacturers are devoting more energy to cheaper synthetic materials that have more attraction on the market. The second trend is the development of synthetics themselves – they are getting cheaper and stronger. Nanotechnology and customized manufacturing are creating new possibilities for replacing traditional varnishes or woods with future materials…if manufacturers can get the sound just right.

Combining Synth and Strings: The partnership between digital sound and old-fashioned harmonics is destined to grow ever closer as inventors and researches continue to experiment. While some inventions are a little weird, others are entrancingly practical. Check out the latest synthesizer violin, designed to pick up bow movements with embedded sensors and transform them into digital sounds spanning dozens of instruments (there’s also a video camera, for some reason). If synth violins are becoming this advanced, you can bet that violas will join before long.

Fingerplay: The 2010s are the years of the touchscreen, no doubt about it. We have already seen the rise of iPhone and iPad apps for creating your own music, from child-friendly games to more advanced MIDI interfaces. But don’t expect the trend to stop there. Before long we will see a surge in popular for all digital/traditional instruments you can play with a few taps of the fingers. Dedicated touchscreens and touchboards are already under development or out. New fusion instruments like the HAPI drum are marketing themselves based on a finger-friendly feel. The age of the touch is upon us, so start practicing those delicate tapping motions!

Public Involvement: Can musical instruments be public? Does that even make sense? Some cities are trying nonetheless, especially when it comes to new park projects. If you think you have seen everything, look at the hydraulophones and poseidophones some towns are experimenting with. These are part sculptures, part water features, and part musical instruments. Anyone walking by can play them by blocking the right rivulets of water on a hot summer day…although it takes an expert to turn out a water-sculpture melody. Some cities are getting rid of the human element altogether and creating sea organs that the tides can play. Will architects and landscapers start putting nature instruments everywhere? Apparently all you need is a little wind or water.

Justin Miller is a professional blogger that writes for Jamplay.com. JamPlay is a leading online music educator offering 2,000+ beginning guitar lessons in HD.

 




Filed Under: Instruments, Music Tagged With: digital, electronica, experimentation, fingerplay, gestures, harmonics, instruments, kinect, midi device, music trends, sound, strings, synth, synthetic, Tech

The Three Musical Amigos!

November 10, 2010 by Chris

threestringedmusicians

I’m not sure who these guys are, but they look like they’d be fun to watch playing this instrument somewhere!

I think that it would be quite the challenge playing in such close proximity to each other. Little things like bad breath could be the beginning of the end real fast for the musicians in this band!

To me, the worst thing about being one of the three people performing with this instrument is tuning. I am one of those guitarists who are forever tuning! I can’t tune my guitar while everyone is jamming like crazy. Maybe it’s the ADD in me I’m not sure! How about you?

Keep on Jammin’

Filed Under: Custom Made, Entertainment, Humor, Instruments, musical instruments Tagged With: challenge, close, funny, guitar, guys, huge, Humor, instrument, jamming, photo, playing, strings, three amigos

Imagine the freedom

March 29, 2008 by Chris

I imagine that having an extra digit on your left hand must have it’s con’s, but the pro’s might just make it worth it!

6fingerguitarist.jpg

Playing a 7 string guitar would come in quite handy with a hand configuration like this? When playing difficult chord progressions like the ones that Bruce Cockburn and John Mayer use, wouldn’t it be nice to have another finger just hanging around the old fret board?

Wow, keep on Jammin’


Filed Under: Entertainment, Health and Fitness, Humor, Musicians, Playing Styles Tagged With: adjust, Entertainment, finger nail, finger picking, funny, guitar, guitar action, Guitar Equipment, Guitar finger picking styles, Guitar finger picks, guitar picking techniques, guitar picks, guitar picks for sweaty hands, guitar player, guitar strings, guitarist, How to pick which guitar strings to use, Humor, John Mayer, lessons, Music, playing, strings, teach, teaching

My Fender Lead II

November 10, 2007 by Chris

I have been using my Fender Lead II as of late. I only have one guitar stand and I rotate the guitars that I put in it many times throughout the year.

I got this guitar off a exchange student from Japan around 1984-85. Oddly enough, this is a Student Guitar, meaning the body is smaller making it easier to play. He was a little low on funds and he wanted to know if I wanted to by it. At first I started to give him lessons and he was not that bad if memory serves me correctly.

While looking at my black Fender I started to wonder what year this baby was built so a Googling I will go!

fenderleadii.jpg

This site was the one that I ended up at. You can normally determine the age of your guitar by the serial numbers. Mine is “E0 09736” so it’s made in 1980, that makes it 27 years old! If you have a Fender guitar just sitting around the house, go and get it and find out how old your is. Get back us on that one if you have one.

I just love the sound of the X-1 single coil pick ups on this one. You can raise the pick ups by turning the 2 screws at either end of the pick up clock wise. This adjustment brings the pick up closer to the strings thus you get a stronger signal.

There is a phase reversal switch that works when you are in the middle position or using both pick ups at the same time. This switch is really nice to have at your disposal.

multiplefendlead2.jpg

I know I will try to get a picture of mine up here soon!It has 21 medium Jumbo frets with a 4 bolt neck piece. It has a “Soft V or C” profile neck, which means the part of the body which attaches to the neck section of the guitar. The neck itself is maple. The small headstock is a nice reminder of the past Fender guitars that were built between 1954-65. Oh, headstock is part where you tune the strings on the “head” of the guitar in case your unfamiliar with guitar terms.

The bridge, where you put the strings on the body of the guitar, is designed after a Fender Telecaster. Keith Richards plays this type of an axe.

As far as I know it was made at the Fender Fullerton California plant. It was also one of the last fender guitars to be made at this legendary location!

So hats off to my 27 year old gal and hope we’re together a lot longer!

Keep on Jammin’

Filed Under: Guitar Equipment, Guitars, My Equipment, My experiences, The early Years Tagged With: adjust, art, axe, c profile, design, exchange student, fender, fender guitar, fender guitars, fender lead, fender telecaster, fret, fun, googling, guitar, guitar stand, headstock, house, jammin, Keith Richards, legendary, lessons, middle position, Music, phase reversal switch, pick ups, picture, play, plays, screws, serial numbers, sing, single coil, sound, start, strings, Tim

Trying out Thumb picks

October 28, 2007 by Chris

While looking for thumb picks to try and spice up my picking style, I came across the regular/traditional plastic ones and the newer look and feel plastic and metal ones.

I know that you’ve all seen the plastic thumb picks before and they all seem to have the same feel to them. When you put them on they have this loose tension to them. It has the illusion that it would slide off my thumb fairly easily and that poses a problem with me. While playing hockey I tend to almost squeeze the sap out of it when playing and I bring that attitude to my guitar game.

The one that Tim Cameron directed me to was the National “L” one. nationalthumbpick.jpg

This one has a different feel to it all together. It has a nice firm feel all the way around your thumb, but the exposed pick maybe a little bit too big and clunky for my liking.

The next one that I was shown was a little bit unique from your everyday thumb pick. This one is called the PROPIK.

metal-plasticthumbpick.jpg

The one to the left is called a Good Grip Thumb Pick.

I liked this one because it allows me to adjust the tension of it to my liking. The best feature of this one is that the exposed pick that I will attack the strings with is smaller then most thumb picks.

I do not need a big clumsy thing on my thumb that is not as precise as a regular guitar pick. Therefore I give this product one thumbs up! Get it?

If you use any of these picks, please let us know the pros and cons of each one!

Keep on Jammin’

Filed Under: Guitar Equipment, My Equipment, My experiences, Playing Styles Tagged With: adjust, banjo picks, finger picks, guitar, guitar pick, guitar picking, guitar picking techniques, guitar picks, guitar picks for sweaty hands, metal, Music, playing, regular, strings, thumb picks, traditional guitar picks, trying new guitar picks

OMG you gotta hear it to believe it

October 4, 2007 by Chris

Now I already have a good pick-up system in my Larrivee L-03 but when went into my favorite guitar store, the 12th Fret in Toronto, I feel madly in love with the L.R. Baggs IMix.

Now I have been looking to update my pick-up system in my L0-3 lately and found many systems in which to chose from. I have narrowed it down to two items. (1) the Fishman Ellipse Blend vs. (2) the LR Baggs IMix.

When I went in I talked to my favorite guitar guy Tim Cameron. Being the honest guy that he is he immediately directed me to a acoustic guitar pick up god named Nevin. I told him what I was looking for and told him that I was just looking to hear the differences between the two and he paid as much attention to me as if I was going to pick one up right then and there, now that’s service!

He brought me two guitars that had the pick-up systems already in them and put me in their little music room, plugged me in and let me got at them. Wow, was I impressed with both!

First I tried the Fishman Ellipse Blend. It had a real nice sound but I was detecting feed back. I know that I was in a little room but for some reason the feeling and sound was off to me. I realize I am knew at the finer subtleties of acoustic pick ups, but it was a gut feeling. It was very refreshing to see that you can adjust the position of the mic inside.

Then I tried the LR Baggs iMIX. The sound was full, responsive to very fine picking and it can overpower your senses, in my view that is.

imix.jpg

Guitarist realize that since the sound of the acoustic guitar is very complex and fickle, so therefore it is a must to use more than a single pickup to attempt to sense it.

The iMIX uses the Baggs iBeam under-bridge pickup with a Baggs Element under-saddle piezo. The Element pickup senses the strings and provides the presence and feedback resistance of piezo while the iBeam reads the sound inside the guitar and adds natural fidelity, albeit with increased feedback sensitivity. The signals from the the two pickups are blended, in this case via the rotary blend control, on a side-mounted, Baggs iMIX Onboard, pre-amp. This pre-amp also features three slider controls for volume, treble and bass, plus a phase reverse switch for a measure of elementary feedback control. A fingertip pressure releases the battery from its compartment for a quick change when required.

iBeam

ibeam.jpg

Element

element.jpg

Now all that I have to do is get my wife on board!

Keep on Jammin’

Filed Under: Guitar Equipment, Guitars, My Equipment Tagged With: 12th Fret, acoustic guitar, acoustic pick ups, adjust, amp, bass, element, Fishman Ellipse Blend, fret, guitar pick, guitarist, guitars, ibeam, Larrivee, Larrivee L 03 guitar, LR Baggs IMIX, Music, pickups, sound, strings, Toronto

Guitar side ports

September 28, 2007 by Chris

guitarsideport1.jpg The one thing that I see in the evolution of the acoustic guitar today is its link with the past from Canada’s own, Glenn Gould.

He used a unique approach while playing in his later years, around 1983, when he took away part of the piano body to let the sound come out of the instrument in a unorthodox way.

First of all, the guy was way ahead of his time. What he did was to remove the wooden cover section that is used to cover the piano keys. He removed this part entirely. He would also close the piano lid on his concert piano, allowing the sound to be sent through the missing cover section of the piano.

This allowed him to hear the subtle tones while playing his music.

This was best shown in his 1980’s work of the gloomy nature of life. The slowness of some of his canon’s reflect the need for this type of sound exposure that the musician needs to fully understand what the audience hears, but as a very unique approach.

Second of all, the guy went to places that no one probably ever thought of venturing. I wonder if the person who thought of the guitar side ports ever watched Glenn Gould Hereafter? If he did, I bet this is where he may have got the idea, but then again I could be dead wrong.

darksideport.jpg

I have been toying around with the idea of putting in a new state of the art pick up system in my Larrivee. The system is called the LR Baggs iMIX. It captures a lot of the character in my guitar with an active response to it. That means that the pickups pick up the aggressive or passive playing of the strings on the guitar.

Now in order to place it in there, I must have it installed inside the body above the sound hole, closest to my face. That’s fine with me. The next question is what in the world do I do with the hole that the factory installed system sat in? It would look mighty funny just viewing a rectangular opening right there in my face. Do I just leave it there or what should I do with it? Here is my best option, I think.

I have always wanted both of my acoustic guitars to have pick ups so I can have a back-up on stage. So why not put my old pick up from the Larrivee into my old Aspen acoustic guitar. Perfect, I think? Unfortunately if I do this I will have this opening on the side of the body near my chest where the old system was. It would look so odd and out of place that I would be reluctant to let anyone look at my guitar. So while talking about my problem with the guitar tech at the 12th fret, he gave me this fabulous idea of the side port!

lightsideport.jpg

They could change the look of the old hole and create a fancy looking design in it’s place!

This will allow a small portion of the sound to come up directly to me acting like another sound hole or a monitor if you will. This will not effect the tonal qualities of my baby I have been told. The tech had one in this part of the workshop that he made and let me try it out. Not only did it look very cool and original, but it was nice to have some sound coming from a part of the guitar that I have never heard it coming from in the past.

Now all I have to do is convince my wife about this one, wish me and my Larrivee luck will you all?

Keep on Jammin’

Filed Under: Glenn Gould, Guitar Equipment, Guitar Maintenance, Guitars, History, Musicians, My Equipment Tagged With: 12th Fret, Acoustic, acoustic guitar, Canada, concert, fret, Glenn Gould, guitars, hole in guitar, instrument, Larrivee, LR Baggs IMIX, Music, musician, pick ups, play, playing, remove pickups, side ports, sound, strings

The Bassist

September 6, 2007 by Chris

The Rick Wakeman concert that I saw a couple of weeks ago left me in a state of music appreciation overload. The level of musicianship at the show was in a realm that only a very talented few ever get to venture into or near.

They were so tight that it just made R. Jackson’s and my head just shake thinking to ourselves that this just can’t be happening right in front of our eyes and ears. When they played a staccato’ed note and then stopped for 2 or more seconds, the whole hall went eerily quiet. Now that’s scary! These guys have a kindred spirit/musical ability all rapped up into one.

Mr. Rick Wakeman was his usual stellar self but his supporting cast took a while to bring it up to his level. The only stand out in both of our eyes was ‘Pearly’ Lee Pomeroy the bass player and when he got going it turned out to be a night to remember!

His regular gig is with this band called Tar Babies.Their site is a MUST to check out in it’s entirety, but don’t let the Tom foolery misguide you. He comes across on stage of the perfect band mate. Always smiling and with positive energy to burn!

leepomeroy.jpg The one thing that caught my eye maybe half way through the show was that he was a left handed bass player and here’s the kicker, he had it strung upside down. He places the thick strings that normally go at the top of the neck on the bottom part.

Now to put it in a way that non musicians can understand, just envision this for one second, imagine using your keyboard turned upside down and having to type that way. It’s almost like walking backwards, you could do it, but when it comes to running it’s a whole new ball game.

So to give the nod to the best player in the band besides Rick Wakeman, Mr Jackson and I would have to give it to the guy above … really you had to be there!

Keep on Jammin’

Filed Under: Concerts, Entertainment, Guitars, Music, Musicians, Playing Styles Tagged With: band, bass player, concert, gig, guitar, guitar player, inverted bass, keyboard, Lee Pomeroy, Music, musical, musician, Musicians, Pearly Lee Pomeroy, play, Rick Wakeman, Rick Wakeman concert, Rick Wakeman s bass player, strings, Tar Babies

Michael Hedges

July 26, 2007 by Chris

This is a player who should be in everyones’ music collection. Michael Hedges is so innovative, crisp in the clarity of his unique style and most of all provides a very refreshing new experience. Just listening to the creative levels of his guitarmanship makes your mind wonder off towards a different level of consciousness. Just listen to the video and you will see what I am referring to.

Just off topic a bit but, I thought that I was the only one who was constantly tuning my guitar between songs. The beginning part is useful to a player who is attempting to play his style of playing, it certainly helped me out.

He refers to his style as “violet acoustic” which is a style that I might be considered to use frequently as well. Actually, aggressive acoustic is more appropriate. Michael Hedges has this gift to be able to dampen strings, which is called “Right hand string stopping” by classically trained guitarist. This is applied to the bass strings of the guitar by your thumb. Michael however, brought this to a new level of playing.

He insisted that you should dampen every individual note that is not worthy of hearing. Michael thought that letting a string ring out is like contaminating the chord structure of a song and not giving the listener the clarity of sound that you want them to hear, and I quote “It’s just, why let it ring by default of any thought? Be responsible! Don’t let things just go on because you started them.” This poses a huge problem for most guitarists. That is, it is very difficult to do this while flying around the fret board at warp speed.

The only way to achieve this level is to apply the old adage “slow down, I’m in a hurry”. Did ya ever hear of that one?

This means that you have to slow down so much that, when you play a piece fast at such slow speeds paying attention to every single minute detail, it allows you to play almost error free. I do this all the time when I practice and I may lose my marriage to my wife one day because of it. Her mind is so agile and crisp that she can do things flying around at MACH 5 and absorb things while executing it almost perfectly.

I have to give credit where credit is do so, thanx Brian @ RiffDreams for this great new guitar experience.

Keep on Jammin’

Filed Under: Guitars, Music, Musicians, Playing Styles, Video Tagged With: Acoustic, acoustic guitar playing, fret, guitarist, Michael Hedges, Music, open acoustic guitar tuning, open tuning guitar, practice, Riffdreams, Right hand string stopping, sound, strings

The Guitar Resource

June 16, 2007 by Chris

Just like every other guitar player on the planet, you realize that there is always someone out there that knows more then you do. You may spend your time, like I do, by searching, and then figuring out different styles to play that will help develop a unique sound that you can call your own. This does take a long time. Or, you can search the web for sites that can dramatically speed up this process.

Some great guitar sites even expose you to different ways to listen and understand overall musical structures. Well, I think that I have found one that does all the above and then some. The site is called The Guitar Resource. This is like one stop shopping for technique!

The Guitar Resource has an article called Circle of Fifths that will help with everything from finger exercises all the way to chords and chord progressions.

Not only does the Guitar Resource provide information on how to play, but it has a great selection called How to Read Tabs that compliment and makes the site that much more informative.

The videos that he makes about his topics are top shelf! He has the uncanny ability to make you feel relaxed and he doesn’t talk down to you. His posts also make you sit down and think about what and how to achieve all this without all that dry musical theory stuff. It gives you the very basics and lets you go from there. If you want more detailed info, then just ask him. It’s just that simple.

The tools provided at The Guitar Resource are simple and straight to the point. You don’t need all the bells and whistles to achieve your goal, and I think that he has that aspect all sowed up since he started in March 12th, 2007.

I also found a fabulous book in the portion of his site called Recommended. The book is called the “Practical Theory for Guitar”. Yes it certainly is a must have for any guitarist regardless of his/her level. I looked at some articles and found it simple and straight to the point, so I’m seriously thinking of buying it! I have to hand it to this fellow, he certainly got it right on this one too.

If you visit the guitar resource be sure to check out the tabs that you will find across the top of the site. He has a section called The Store. Within the store you will find a featured product as well as a selection of categories such as Guitars, Amps, Strings, concert shop, guitar instruction, parts and accessories and whole lot more.

All and all, as the name says, The Guitar Resource it is a great resource site to fit all aspects of your guitar playing needs.

Keep on Jammin’

Filed Under: Guitar Equipment, Music, Web Site Promotion Tagged With: accessories, blog, chords, guitar, guitar player, guitars, how to, learn, Music, musical, play, playing, progress, progression, recommended reading, Shopping, strings, the guitar resource, Video

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